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769.04:5 --- 7.04 --- 76 "16/17" --- Prentenverzamelingen in de grafische kunsten. Iconografie. Iconologie-:-Wiskunde. Natuurwetenschappen --- Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- Grafische kunsten. Grafiek. Prentkunst--17e-18e eeuw. Periode 1600-1799 --- Art, Dutch --- Art and science --- History and criticism. --- History --- 7.04 Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- 769.04:5 Prentenverzamelingen in de grafische kunsten. Iconografie. Iconologie-:-Wiskunde. Natuurwetenschappen --- History and criticism

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This groundbreaking collection of essays by a host of international authorities addresses the many aspects of the Danse Macabre, a subject that has been too often overlooked in Anglo-American scholarship. The Danse was once a major motif that occurred in many different media and spread across Europe in the course of the fifteenth century, from France to England, Germany, Scandinavia, Poland, Spain, Italy and Istria. Yet the Danse is hard to define because it mixes metaphors, such as dance, di.

246.5 --- 246.5 Emblematiek. Iconologie. Christelijke iconografie. Dodendans --- Emblematiek. Iconologie. Christelijke iconografie. Dodendans --- Dance of death. --- Dance of death in art --- Danse macabre --- Danse macabre dans l'art --- Dance of death in literature --- Dance of death in art. --- Dance of death in literature.

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Pathological dermatology --- Infectious diseases. Communicable diseases --- Diseases in art --- Human anatomy --- Sexually transmitted diseases --- Skin --- 616 --- 7.041 --- 769.04:61 --- Sexual diseases --- Sexually transmissible infections --- Sexually transmitted infections --- STDs (Diseases) --- STIs (Sexually transmitted infections) --- VD (Disease) --- Venereal diseases --- Communicable diseases --- Sexual health --- Anatomy, Human --- Anatomy --- Human biology --- Medical sciences --- Human body --- Cutis --- Integument (Skin) --- Beauty, Personal --- Body covering (Anatomy) --- 7.041 Iconografie: de mens; portret; handeling; genre --- Iconografie: de mens; portret; handeling; genre --- 769.04:61 Prentenverzamelingen in de grafische kunsten. Iconografie. Iconologie-:-Geneeskunde. Hygiëne. Farmacie --- Prentenverzamelingen in de grafische kunsten. Iconografie. Iconologie-:-Geneeskunde. Hygiëne. Farmacie --- Models --- Diseases --- Pathologie. Klinische geneeskunde --- Exhibitions

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surrealisme --- mythologie --- erotiek --- planten --- symbolisme --- art nouveau --- hedendaagse kunst --- Narcissus --- Cahun, Claude --- Henri, Florence --- Beaton, Cecil --- Molinier, Pierre --- Dalí, Salvador --- Minne, George --- 20ste eeuw --- kunst --- iconografie --- iconologie --- narcisme --- twintigste eeuw --- eenentwintigste eeuw --- Cahun Claude --- Henri Florence --- Beaton Cecil --- Molinier Pierre --- homoseksualiteit --- seksualiteit --- gender studies --- Kusama Yayoi --- Dali Salvador --- 7.046 --- Exhibitions --- Art, Modern --- Narcissism in art --- Narcissus (Greek mythology) --- Surrealism --- Art --- planten (in het algemeen) --- surrealisme. --- mythologie. --- erotiek. --- planten (in het algemeen). --- symbolisme. --- art nouveau. --- hedendaagse kunst. --- Narcissus. --- Cahun, Claude. --- Henri, Florence. --- Beaton, Cecil. --- Molinier, Pierre. --- Dalí, Salvador. --- Minne, George. --- 20ste eeuw.

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This book explores the dynamics of peaceful coexistence in the Dutch Republic by tracing the literary responses to one of the key controversies between Protestants and Catholics – the role of religious imagery in worship. Why and to what extent were people in the Republic willing to reconcile theological differences and combine elements from their own religious cultural practices with those of another? The intermingling of practices, the author shows, was unexpectedly complicated in the Republic. Restraints were imposed on the use of images in religious literature of all denominations till 1650. Evidence of negotiations appears after 1650, however, as Dutch Protestants absorbed significant aspects of Catholic visual traditions into their own. Religious toleration had clearly become a matter of sharing rather than enduring for the Protestants, but retained features of a monologue since Dutch Catholics were then developing a new, idiosyncratic identity of their own.

Christian art and symbolism --- Christian literature, Dutch --- Religious tolerance --- History and criticism. --- Illustrations. --- History --- Netherlands --- Church history --- Book history --- Graphic arts --- History of the Netherlands --- anno 1600-1699 --- anno 1700-1799 --- 246.5 --- 27 <492> "15/17" --- 76 <492> "16" --- 76 <492> "17" --- 246.5 Emblematiek. Iconologie. Christelijke iconografie. Dodendans --- Emblematiek. Iconologie. Christelijke iconografie. Dodendans --- 76 <492> "17" Grafische kunsten. Grafiek. Prentkunst--Nederland--18e eeuw. Periode 1700-1799 --- Grafische kunsten. Grafiek. Prentkunst--Nederland--18e eeuw. Periode 1700-1799 --- 76 <492> "16" Grafische kunsten. Grafiek. Prentkunst--Nederland--17e eeuw. Periode 1600-1699 --- Grafische kunsten. Grafiek. Prentkunst--Nederland--17e eeuw. Periode 1600-1699 --- Kerkgeschiedenis--Nederland--Moderne Tijd --- Bibles --- religious symbolism --- emblems [allegorical pictures] --- religious ideologies --- religious texts --- Tolerance, Religious --- Toleration --- Dutch Christian literature --- Dutch literature --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Church decoration and ornament --- History and criticism --- Illustrations --- Symbolism in art --- Christian art and symbolism - Netherlands - Modern period, 1500 --- -Christian literature, Dutch - History and criticism. --- Christian literature, Dutch - Illustrations. --- Religious tolerance - Netherlands - History - 17th century. --- Religious tolerance - Netherlands - History - 18th century. --- Netherlands - Church history - 17th century. --- Netherlands - Church history - 18th century.