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Islamic art --- Islamic art --- Appreciation --- Exhibitions --- Social aspects --- Meisterwerke muhammedanischer Kunst
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Dragons in art. --- Serpents in art. --- Islamic art and symbolism.
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"What is 'art' in the sense of the Islamic tradition? Mohammed Hamdouni Alami argues that Islamic art has historically been excluded from Western notions of art; that the Western aesthetic tradition's preoccupation with the human body, and the ban on the representation of the human body in Islam, has meant that Islamic and Western art have been perceived as inherently at odds. However, the move away from this 'anthropomorphic aesthetic' in Western art movements, such as modern abstract and constructivist painting, have presented the opportunity for new ways of viewing and evaluating Islamic art and architecture. This book questions the very idea of art predicated on the anthropocentric bias of classical art, and the corollary 'exclusion' of Islamic art from the status of art. It addresses a central question in post-classical aesthetic theory, in as much as the advent of modern abstract and constructivist painting have shown that art can be other than the representation of the human body; that art is not neutral aesthetic contemplation but it is fraught with power and violence; and that the presupposition of classical art was not a universal truth but the assumption of a specific cultural and historical set of practices and vocabularies. Based on close readings of classical Islamic literature, philosophy, poetry, medicine and theology, along with contemporary Western art theory, the author uncovers a specific Islamic theoretical vision of art and architecture based on poetic practice, politics, cosmology and desire. In particular it traces the effects of decoration and architectural planning on the human soul as well as the centrality of the gaze in this poetic view - in Arabic 'nazar'- while examining its surprising similarity to modern theories of the gaze. Through this double gesture, moving critically between two traditions, the author brings Islamic thought and aesthetics back into the realm of visibility, addressing the lack of recognition in comparison with other historical periods and traditions. This is an important step toward a critical analysis of the contemporary debate around the revival of Islamic architectural identity - a debate intricately embedded within opposing Islamic political and social projects throughout the world."--Bloomsbury Publishing.
Islamic architecture --- Islamic art --- History and criticism. --- Themes, motives.
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This book is a pioneering work on a key iconographic motif, that of the dragon. It examines the perception of this complex, multifaceted motif within the overall intellectual and visual universe of the medieval Irano-Turkish world. Using a broadly comparative approach, the author explores the ever-shifting semantics of the dragon motif as it emerges in neighbouring Muslim and non-Muslim cultures. The book will be of particular interest to those concerned with the relationship between the pre-Islamic, Islamic and Eastern Christian (especially Armenian) world. The study is fully illustrated, with 209 (b/w and full colour) plates, many of previously unpublished material. Illustrations include photographs of architectural structures visited by the author, as well as a vast collection of artefacts, all of which are described and discussed in detail with inscription readings, historical data and textual sources.
Dragons in art. --- Islamic art and symbolism. --- Art, Byzantine. --- Art, Medieval --- Christian art and symbolism --- Dragons in art --- Islamic art and symbolism --- Islamic symbolism --- Symbolism, Islamic --- Islamic art --- Islamic arts --- Symbolism --- Symbolism in art
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"Shi'i Islam has been the official religion of Iran from the Safavids (1501-1732) to the present day. The Shi'i world experience has provided a rich artistic tradition, encompassing painting, sculpture and the production of artefacts and performance, which has helped to embed Shi'i identity in Iran as part of its national narrative. In what areas of material culture has Iranian Shi'ism manifested itself through objects or buildings that are unique within the overall culture of Islam? To what extent is the art and architecture of Iran from the Safavid period onwards identifiably Shi'i? What does this say about the relationship of nation, state and faith in Iran? Here, leading experts trace the material heritage of Iranian Shi'ism within each of its political, religious and cultural dimensions."--Bloomsbury Publishing.
Islam and architecture. --- Islam and art. --- Islamic art and symbolism. --- Shi'ah.
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Islamic art objects --- Gifts --- Islamic countries --- Religious aspects --- Islam --- Social life and customs --- Exhibitions --- Art objects, Islamic --- Muslim art objects --- Art objects --- Donations --- Presents --- Generosity --- Manners and customs --- Free material --- Muslim countries --- Islamic art objects - Exhibitions --- Gifts - Religious aspects - Islam - Exhibitions --- Islamic countries - Social life and customs - Exhibitions
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kunst --- beeldcultuur --- islam --- kunst en religie --- religie --- cultuurfilosofie --- 130.2 --- Art and society --- Islamic art and symbolism --- Islamic symbolism --- Symbolism, Islamic --- Art --- Art and sociology --- Society and art --- Sociology and art --- History --- Social aspects --- Islamic art --- Islamic arts --- Symbolism --- Symbolism in art
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Islam --- Art --- anno 1800-1899 --- Europe --- Art, Modern --- Orientalism in art --- Islamic art --- Orientalisme dans l'art --- Art islamique --- Islamic influences --- Exhibitions. --- Expositions --- Exhibitions --- Art, Islamic --- Art, Saracenic --- Muslim art --- Saracenic art --- Influence --- History
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Islamic architecture --- Islamic art --- 297 --- Art, Islamic --- Art, Saracenic --- Muslim art --- Saracenic art --- Art --- Arab architecture --- Architecture, Arab --- Architecture, Islamic --- Architecture, Moorish --- Architecture, Muslim --- Architecture, Saracenic --- Moorish architecture --- Muslim architecture --- Saracenic architecture --- Religious architecture --- Islam. Mohammedanisme
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