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Performing oaths in classical Greek drama
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ISBN: 9780521762731 0521762731 9781139005272 9781107525832 1107525837 1139179373 1107224721 1139188968 9786613378439 1139187686 1139183052 1139005278 1283378434 113919027X 1139185373 9781139190275 9781139187688 9781283378437 Year: 2012 Publisher: Cambridge : Cambridge University Press,

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Abstract

Oaths were ubiquitous rituals in ancient Athenian legal, commercial, civic and international spheres. Their importance is reflected by the fact that much of surviving Greek drama features a formal oath sworn before the audience. This is the first comprehensive study of that phenomenon. The book explores how the oath can mark or structure a dramatic plot, at times compelling characters like Euripides' Hippolytus to act contrary to their best interests. It demonstrates how dramatic oaths resonate with oath rituals familiar to the Athenian audiences. Aristophanes' Lysistrata and her accomplices, for example, swear an oath that blends protocols of international treaties with priestesses' vows of sexual abstinence. By employing the principles of speech act theory, this book examines how the performative power of the dramatic oath can mirror the status quo, but also disturb categories of gender, social status and civic identity in ways that redistribute and confound social authority.

Keywords

Greek drama --- Oaths in literature --- Speech acts (Linguistics) in literature. --- Théâtre grec --- Serments dans la littérature --- Actes de parole dans la littérature --- History and criticism. --- Histoire et critique --- Aeschylus --- Sophocles --- Euripides --- Aristophanes --- Oaths in literature. --- Criticism and interpretation. --- Classical Greek literature --- Literary rhetorics --- Drama --- Théâtre grec --- Serments dans la littérature --- Actes de parole dans la littérature --- Euripides. --- Sophocles. --- Aeschylus. --- Arts and Humanities --- History --- Aristofan --- Arystofanes --- Aristophane --- Aristofane --- Arisutopanesu --- Arisutofanesu --- Aristófanes --- Aristophanes Comicus --- אריסטופאנוס --- אריסטופאנס --- אריסטופאנס. כספי זיוה --- אריסטופניס --- אריסטופנס --- Ἀριστοφάνης --- Ėvripid --- Yūrībīdīs --- Euripide --- Euripedes --- Eŭripido --- Eurypides --- Euripidesu --- אוריפידס --- エウリーピデース --- Εὐριπίδης --- Sophocle --- Sófocles --- Sofoklis --- Sophoclis --- Sofokl --- Sūfūklīs --- Sofokles --- Sūtmūklīs --- Sofocle --- Sophokles --- Sofokŭl --- סופוקלס --- سوفوكليس --- Σοφοκλῆς --- Eskhil --- Eschylus --- Aischylos --- Esquilo --- Eschilo --- Aiskhilos --- Eshil --- Æskílos --- Ajschylos --- Eschil --- Esḳilos --- Eschyle --- Äschylos --- Eskili --- Aiszkhülosz --- Eschylos --- Iskilos --- Эсхил --- אייסכילוס --- איסכילאס --- איסכילוס --- إيسخولوس --- ايسخيلوس --- Αἰσχύλος


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Cosmology and the polis : the social construction of space and time in the tragedies of Aeschylus
Author:
ISBN: 9781107009271 1107009278 9780511920790 9781107470729 1107470722 1139209736 1107228212 1139222627 9786613580085 1139217828 1139224336 113921473X 0511920792 1280485108 113922090X 9781139224338 9781139220903 9781139217828 9781139217828 9781107228214 9781139209731 9781280485107 9781139222624 6613580082 Year: 2012 Publisher: Cambridge : Cambridge University Press,

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Abstract

This book further develops Professor Seaford's innovative work on the study of ritual and money in the developing Greek polis. It employs the concept of the chronotope, which refers to the phenomenon whereby the spatial and temporal frameworks explicit or implicit in a text have the same structure, and uncovers various such chronotopes in Homer, the Homeric Hymn to Demeter, Presocratic philosophy and in particular the tragedies of Aeschylus. Mikhail Bakhtin's pioneering use of the chronotope was in literary analysis. This study by contrast derives the variety of chronotopes manifest in Greek texts from the variety of socially integrative practices in the developing polis - notably reciprocity, collective ritual and monetised exchange. In particular, the Oresteia of Aeschylus embodies the reassuring absorption of the new and threatening monetised chronotope into the traditional chronotope that arises from collective ritual with its aetiological myth. This argument includes the first ever demonstration of the profound affinities between Aeschylus and the (Presocratic) philosophy of his time.

Keywords

Cosmology in literature. --- Space and time in literature. --- Social interaction in literature. --- Money in literature. --- Ritual in literature. --- Greek drama (Tragedy) --- Philosophy, Ancient. --- Cosmologie dans la littérature --- Espace et temps dans la littérature --- Interaction sociale dans la littérature --- Monnaie dans la littérature --- Rituel dans la littérature --- Tragédie grecque --- Philosophie ancienne --- History and criticism. --- Histoire et critique --- Aeschylus --- Criticism and interpretation. --- Thematology --- Drama --- Cosmologie dans la littérature --- Espace et temps dans la littérature --- Interaction sociale dans la littérature --- Monnaie dans la littérature --- Rituel dans la littérature --- Tragédie grecque --- Cosmology in literature --- Money in literature --- Philosophy, Ancient --- Ritual in literature --- Social interaction in literature --- Space and time in literature --- Space and time as a theme in literature --- Ancient philosophy --- Greek philosophy --- Philosophy, Greek --- Philosophy, Roman --- Roman philosophy --- History and criticism --- Aischylos --- Eschilo --- Eschyle --- Eschylus --- Arts and Humanities --- History --- Eskhil --- Esquilo --- Aiskhilos --- Eshil --- Æskílos --- Ajschylos --- Eschil --- Esḳilos --- Äschylos --- Eskili --- Aiszkhülosz --- Eschylos --- Iskilos --- Эсхил --- אייסכילוס --- איסכילאס --- איסכילוס --- إيسخولوس --- ايسخيلوس --- Αἰσχύλος

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