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Figure majeure du mouvement romantique, le britannique William Blake (1757-1827) fut à la fois peintre, dessinateur, graveur et poète. L'artiste s'attachant à illustrer lui-même son OEuvre littéraire, les textes de Blake se développent suivant les lignes de ses gravures et dessins hallucinés, et deviennent, dès lors, de véritables enluminures. Inspiré des thèmes bibliques et prophétiques (Proverbes de l'Enfer, L'Évangile éternel, Les Portes du Paradis, etc.), l'art de Blake mélange subtilement la modernité de son époque et de la révolution romantique avec le classicisme des thèmes qu'il explor

Artists --- Blake, William, --- Blake, W. --- Blake, William --- Blake, William, 1757-1827 --- Bleĭk, Uilʹi︠a︡m, --- בליק, ויליאם, --- בלייק, ויליאם, --- Criticism and interpretation.

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The God of the Left Hemisphere explores the remarkable connections between the activities and functions of the human brain that writer William Blake termed 'Urizen' and the powerful complex of rationalising and ordering processes which modern neuroscience identifies as 'left hemisphere' brain activity. The book argues that Blake's profound understanding of the human brain is finding surprising corroboration in recent neuroscientific discoveries, such as those of the influential Harvard neuro-anatomist Jill Bolte Taylor, and it explores Blake's provocative supposition that the emergence of these rationalising, law-making, and 'limiting' activities within the human brain has been recorded in the earliest Creation texts, such as the Hebrew Bible, Plato's Timaeus, and the Norse sagas. Blake's prescient insight into the nature and origins of this dominant force within the brain allows him to radically reinterpret the psychological basis of the entity usually referred to in these texts as 'God'. The book draws in particular on the work of Bolte Taylor, whose study in this area is having a profound impact on how we understand mental activity and processes.

Creation. --- God. --- Metaphysics --- Misotheism --- Theism --- Biblical cosmogony --- Cosmogony --- Natural theology --- Teleology --- Beginning --- Biblical cosmology --- Creation windows --- Creationism --- Evolution --- Blake, William, --- Taylor, Jill Bolte, --- Criticism and interpretation. --- Health. --- Blake, W. --- Blake, William --- Blake, William, 1757-1827 --- Bleĭk, Uilʹi︠a︡m, --- בליק, ויליאם, --- בלייק, ויליאם,

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Drawing on recent theories of digital media and on the materiality of words and images, this fascinating study makes three original claims about the work of William Blake. First, Blake offers a critique of digital media. His poetry and method of illuminated printing is directed towards uncovering an analogical language. Second, Blakes work can be read as a performative Finally, Blakes work is at one and the same time immanent and transcendent, aiming to return all forms of divinity and the sacred to the human imagination, stressing that all deities reside in the human breast, but it also stres

Literature and technology. --- Digital media. --- Electronic media --- New media (Digital media) --- Mass media --- Digital communications --- Online journalism --- Industry and literature --- Technology and literature --- Technology --- Blake, William, --- Deleuze, Gilles, --- Deleuze, G. --- Delëz, Zhilʹ, --- Dūlūz, Jīl, --- دولوز، جيل --- Blake, W. --- Blake, William --- Blake, William, 1757-1827 --- Bleĭk, Uilʹi︠a︡m, --- בליק, ויליאם, --- בלייק, ויליאם, --- Aesthetics. --- Delezi, Jier, --- Digital media --- Literature and technology

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Drawing --- Painting --- Manton, Edwin A. G. --- Sterling and Francine Clark Art Institute [Williamstown, Mass.] --- England --- Sterling and Francine Clark Art Institute (Williamstown) --- verzameling Manton van Britse kunst --- landschappen --- Manton, Edwin --- Gainsborough, Thomas --- Blake, William --- Turner, Joseph Mallord William --- Constable, John --- Rowlandson, Thomas --- Shakespeare, William --- Bonington, Richard Parkes --- Delacroix, Eugène --- 18de eeuw --- 19de eeuw --- 20ste eeuw --- Groot-Brittannië --- Manton Collection of British Art (Williamstown) --- Sterling and Francine Clark Art Institute (Williamstown-Massachusetts) --- Sterling and Francine Clark Art Institute (Williamstown-Massachusetts). --- Manton Collection of British Art (Williamstown). --- landschappen. --- Manton, Edwin. --- Gainsborough, Thomas. --- Blake, William. --- Turner, Joseph Mallord William. --- Constable, John. --- Rowlandson, Thomas. --- Shakespeare, William. --- Bonington, Richard Parkes. --- Delacroix, Eugène. --- 18de eeuw. --- 19de eeuw. --- 20ste eeuw. --- Groot-Brittannië.

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Painting --- anno 1700-1799 --- anno 1900-1999 --- anno 1800-1899 --- romantiek --- painting [image-making] --- Romantic [modern European styles] --- schilderkunst --- symbolisme --- surrealisme --- angst --- Dood --- melancholie --- droom --- waanzin --- literatuur --- film --- opera --- Goya y Lucientes, Francisco José de --- Fuseli, Henry --- 18de eeuw --- 19de eeuw --- 20ste eeuw --- Groot-Brittannië --- Frankrijk --- België --- Duitsland --- MAD-faculty 12 --- Art styles --- Iconography --- Art --- Sculpture --- Graphic arts --- art [fine art] --- melancholy --- suffering --- dreams --- sculpting --- graphic arts --- alienation --- Cole, Thomas --- Stuck, von, Franz --- Böcklin, Arnold --- Magritte, René --- Keller, von, Albert --- Géricault, Théodore --- Carpeaux, Jean-Baptiste --- Redon, Odilon --- Frederic, Léon --- Kopisch, August --- Ernst, Max --- Bellmer, Hans --- Cornelius, von, Peter --- Colman, Samuel --- Scheffer, Ary --- Fellner, Ferdinand --- Friedrich, Caspar David --- Delville, Jean --- Martin, John --- Max, Gabriel --- Parry, Roger --- Klee, Paul --- Von Holst, Theodore --- Kubin, Alfred --- Zwintscher, Oskar --- Becker, Ferdinand --- Behrens, Christian --- Blechten, Carl --- Duvocelle, Julien Adolphe --- Markó, Károly --- Oehme, Ernst Ferdinand --- Ensor, James --- Pforr, Franz --- Khnopff, Fernand --- Hugo, Victor --- Delacroix, Eugène --- Goya y Lucientes, de, Francisco José --- Dalí, Salvador --- Laermans, Eugène --- Rodin, Auguste --- Mellery, Xavier --- Minne, George --- Brassaï --- Lessing, Carl Friedrich --- Bonnard, Pierre --- Munch, Edvard --- Rops, Félicien --- Klinger, Max --- Wiertz, Antoine J. --- Blumenfeld, Erwin --- Feure, de, Georges --- Carus, Carl Gustav --- Schwind, von, Moritz --- Carries, Jean Joseph Marie --- Catel, Franz Ludwig --- Delaroche, Paul --- Feuchère, Jean-Jacques --- Lévy-Dhurmer, Lucien --- Paalen, Wolfgang --- Schwabe, Carlos --- Sellier, Charles François --- Toyen --- Müller, Victor --- Dardé, Paul --- Degouve de Nuncques, William --- Blake, William --- Moreau, Gustave --- Max, von, Gabriel Cornelius --- angst, vrees, ontzetting; 'Paura', 'Timidità o Timore', 'Timore' (Ripa) --- emotionele ziektes, waanzin, krankzinnigheid --- romantiek. --- symbolisme. --- surrealisme. --- angst, vrees, ontzetting; 'Paura', 'Timidità o Timore', 'Timore' (Ripa). --- Dood. --- melancholie. --- droom. --- emotionele ziektes, waanzin, krankzinnigheid. --- literatuur. --- film. --- opera. --- Goya y Lucientes, Francisco José de. --- Fuseli, Henry. --- 18de eeuw. --- 19de eeuw. --- 20ste eeuw. --- Groot-Brittannië. --- Frankrijk. --- België. --- Duitsland. --- art [discipline] --- dood --- kunstpsychologie