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HIS History & Biographies --- botanical illustration --- floral art --- plants and arts --- exhibition catalogues --- horticultural shows

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HIS History & Biographies --- garden history --- France --- Versailles --- French gardens --- botanical illustration --- horticulture --- 18th century

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flora --- China --- botanical illustration --- line drawings --- Cucurbitaceae --- Rubiaceae --- Acanthaceae --- Carlemanniaceae --- Lentibulariaceae --- Myoporaceae --- Phrymaceae --- Plantaginaceae --- Sphenocleaceae --- Campanulaceae --- Goodeniaceae --- Adoxaceae --- Diervillaceae --- Caprifoliaceae --- Linnaeaceae --- Morinaceae --- Dipsacaceae --- Valerianaceae --- Annonaceae --- Berberidaceae

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The Premise of Fidelity puts forward a new history of Japanese visuality through an examination of the discourses and practices surrounding the nineteenth century transposition of ""the real"" in the decades before photography was introduced. This intellectual history is informed by a careful examination of a network of local scholars-from physicians to farmers to bureaucrats-known as Shohyaku-sha. In their archival materials, these scholars used the term shashin (which would, years later, come to signify ""photography"" in Japanese) in a wide variety of medical, botanical,

J7530 --- J7000.70 --- Art and science --- -Botanical illustration --- -Plant prints --- -Photography --- -Realism in art --- -Realism (Art) --- Plant impressions --- Botanical drawing --- Flower painting and illustration --- Fruit painting and illustration --- Illustration, Botanical --- Science and art --- Japan: Natural sciences and technology -- biology -- botany, flora --- Japan: Natural sciences and technology -- history -- Kindai (1850s- ), bakumatsu, Meiji, Taishō --- Japan --- -History --- 19th century --- -19th century --- Botanical illustration --- Photography --- Plant prints --- Realism in art --- Realism (Art) --- Idealism in art --- Naturalism in art --- Romanticism in art --- Nature prints --- Plants in art --- Biological illustration --- Natural history illustration --- Science --- History --- Japan: Science and technology -- history -- Kindai (1850s- ), bakumatsu, Meiji, Taishō --- Japan: Science and technology -- biology -- botany, flora

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Because of their spectacular, naturalistic pictures of plants and the human body, Leonhart Fuchs's De historia stirpium and Andreas Vesalius's De humani corporis fabrica are landmark publications in the history of the printed book. But as Picturing the Book of Nature makes clear, they do more than bear witness to the development of book publishing during the Renaissance and to the prominence attained by the fields of medical botany and anatomy in European medicine. Sachiko Kusukawa examines these texts, as well as Conrad Gessner's unpublished Historia plantarum, and demonstrates how their illustrations were integral to the emergence of a new type of argument during this period-a visual argument for the scientific study of nature. To set the stage, Kusukawa begins with a survey of the technical, financial, artistic, and political conditions that governed the production of printed books during the Renaissance. It was during the first half of the sixteenth century that learned authors began using images in their research and writing, but because the technology was so new, there was a great deal of variety of thought-and often disagreement-about exactly what images could do: how they should be used, what degree of authority should be attributed to them, which graphic elements were bearers of that authority, and what sorts of truths images could and did encode. Kusukawa investigates the works of Fuchs, Gessner, and Vesalius in light of these debates, scrutinizing the scientists' treatment of illustrations and tracing their motivation for including them in their works. What results is a fascinating and original study of the visual dimension of scientific knowledge in the sixteenth century.

Natural history illustration --- Botanical illustration --- Medical illustration --- Illustrated books --- Art and science --- Science and art --- Illustration, Medical --- Botanical drawing --- Flower painting and illustration --- Fruit painting and illustration --- Illustration, Botanical --- Nature illustration --- History --- Science --- Books --- Medicine and art --- Scientific illustration --- Biological illustration --- 094:58 --- 094:61 --- 76.043 --- 769.04:61 --- 76.043 Iconografie: flora in de prentkunst --- Iconografie: flora in de prentkunst --- 769.04:61 Prentenverzamelingen in de grafische kunsten. Iconografie. Iconologie-:-Geneeskunde. Hygiëne. Farmacie --- Prentenverzamelingen in de grafische kunsten. Iconografie. Iconologie-:-Geneeskunde. Hygiëne. Farmacie --- 094:61 Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Geneeskunde. Hygiëne. Farmacie --- Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Geneeskunde. Hygiëne. Farmacie --- 094:58 Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Botany --- Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Botany --- Fuchs, Leonhart. --- Gessner, Conrad --- Vesalius, Andreas --- Vesal, Andreas --- Vesale, André --- Vezalij, Andrej --- Gesner, Conrad --- Gesner, Konrad --- Gesnerus, Conradus --- Gessner, Konrad --- Fuchs, Leonhart --- Fuchsius, Leonhartus --- Natural history illustration - Europe - History - 16th century --- Botanical illustration - Europe - History - 16th century --- Medical illustration - History - 16th century --- Illustrated books - Europe - History - 16th century --- Art and science - History - 16th century --- humani corporis fabrica, andreas vesalius, de historia stirpium, leonhart fuchs, plantarum, conrad gessner, medicine, anatomy, botany, nature, visual culture, science, book printing, publishing, renaissance, research, writing, images, authority, representation, reference, nonfiction, scientific knowledge, illustrations, natural history, europe, copying, coloring, medicinal plants, human body, bloodletting, jamnitzer, mattioli.