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Vocal groups --- Music in universities and colleges --- Vocal ensembles (Musical groups) --- Vocal music groups --- Musical groups
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This title considers the structure, roots, and day-to-day functioning of the modern philharmonic society. Far from an anachronistic organization that cannot long survive, it is shown to be powerful political and social force, occupying critical positions in cultural diplomacy, national identity, and civic pride.
Orchestra --- Music --- Criticism --- Orchestras --- Musical groups --- History. --- History and criticism.
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This is an account of the actions taken by the residents of Bethlehem, Pennsylvania to create a local amateur society singing the music of J. S.Bach and to develop it into a choir of international importance. Singers, instrumentalists, industrialists, academicians, bankers, and churches acted in community to found and perpetuate a group devoted to sharing the music of Bach locally, nationally, and internationally. While The Bach Choir of Bethlehem performs frequently elsewhere, the annual Bethlehem Bach Festival became and remains a magnet for those who love Bach and want to
Choirs (Music) --- Choral groups --- Chorales (Musical groups) --- Choruses (Musical groups) --- Vocal groups --- Choral societies --- Bach Choir of Bethlehem (Bethlehem, Pa.) --- Bach Choir, Bethlehem Pa. --- Bethlehem Bach Choir --- History.
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This book analyzes the economic challenges facing symphony orchestras and contrasts the experience of orchestras in the United States (where there is little direct government support) and abroad (where governments typically provide large direct subsidies). Robert J. Flanagan explains the tension between artistic excellence and financial jeopardy that confronts most symphony orchestras. He analyzes three complementary strategies for addressing orchestras' economic challenges-raising performance revenues, slowing the growth of performance expenses, and increasing nonperformance income-and demonstrates that none of the three strategies alone is likely to provide economic security for orchestras.
Symphony orchestras --- Music --- Symphony orchestra --- Musical groups --- Orchestra --- Economic aspects. --- Service industry --- Business policy --- Art
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Send in the Clones makes an important contribution to the understanding of the phenomenon of the tribute band by linking it to other types of imitative entertainment such as 'ghost', cover and parody bands. It also demonstrates the impact of a changing cultural Zeitgeist on the evolution of popular music tributes, showing how music tributes can be related to other examples of retrospection. These influences are linked to the impact of new technology in making the art of paying tribute possible, showing how certain developments have created the musical equipment and apparatus for self-promotion
Tribute bands (Musical groups) --- Popular music --- Rock groups --- History and criticism.
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In this book the author depicts the lives of rural farm women who travelled through the countryside singing songs. The choral group has lasted over seventy years and this catalogues through archival material, interviews, and scrapbooks kept by the women themselves, the life of this Depression Era Program. What began in the 1930's has grown out of obscurity into an inter-state travelling music organization inspiring many offshoots. It is about the role music can play in someone's life and the camaraderie and social interaction that come with ensemble participation. It is also about the life exp
Choirs (Music) -- Indiana -- History. --- Choral music -- Indiana. --- Melody Makers (Choral group). --- Choirs (Music) --- Choral music --- Music --- Music, Dance, Drama & Film --- Music History & Criticism, Vocal --- Choruses --- Choruses, Sacred --- Choruses, Secular --- Music, Choral --- Sacred choral music --- Secular choral music --- Church music --- Vocal music --- Choral groups --- Chorales (Musical groups) --- Choruses (Musical groups) --- Vocal groups --- Choral societies --- History --- History and criticism --- Melody Makers (Choral group) --- Indiana Extension Homemakers Chorus --- Indiana Home Demonstration Clubs Chorus --- Indiana Home Economics Clubs Chorus
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Popular music --- Music in prisons --- Prisoners --- African American prisoners --- Singers --- African American singers --- Vocal groups --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Music --- Cover versions --- Convicts --- Correctional institutions --- Imprisoned persons --- Incarcerated persons --- Prison inmates --- Inmates of institutions --- Persons --- Prisons --- Afro-American prisoners --- Prisoners, African American --- Vocal ensembles (Musical groups) --- Vocal music groups --- Musical groups --- Afro-American singers --- Singers, African American --- History and criticism. --- Inmates --- Prisonaires (Musical group)
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This well researched volume tells the story of music education in Japan and of the wind band contest organized by the All-Japan Band Association. Identified here for the first time as the world’s largest musical competition, it attracts 14,000 bands and well over 500,000 competitors. The book’s insightful contribution to our understanding of both music and education chronicles music learning in Japanese schools and communities. It examines the contest from a range of perspectives, including those of policy makers, adjudicators, conductors and young musicians. The book is an illuminating window on the world of Japanese wind bands, a unique hybrid tradition that comingles contemporary western idioms with traditional Japanese influences. In addition to its social history of Japanese school music programs, it shows how participation in Japanese school bands contributes to students’ sense of identity, and sheds new light on the process of learning to play European orchestral instruments.
Music -- Competitions -- Japan -- History. --- Music -- Instruction and study -- Japan. --- Wind ensembles (Musical groups) -- Competitions -- Japan. --- Music --- Bands (Music) --- Art, Architecture & Applied Arts --- Music, Dance, Drama & Film --- Fine Arts - General --- Music History & Criticism, Instrumental --- Music Instruction & Study --- History --- Instruction and study --- Social aspects --- Music, Japanese --- Military bands --- Wind bands --- Education. --- Culture --- Art education. --- Arts Education. --- Regional and Cultural Studies. --- Study and teaching. --- Musical groups --- Culture-Study and teaching. --- Creativity and Arts Education. --- Culture—Study and teaching. --- Art --- Art education --- Education, Art --- Art schools --- Analysis, interpretation, appreciation --- Education --- Ethnology. --- Culture. --- Regional Cultural Studies. --- Cultural sociology --- Sociology of culture --- Civilization --- Popular culture --- Cultural anthropology --- Ethnography --- Races of man --- Social anthropology --- Anthropology --- Human beings
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Studies of concert life in nineteenth-century America have generally been limited to large orchestras and the programs we are familiar with today. But as this book reveals, audiences of that era enjoyed far more diverse musical experiences than this focus would suggest. To hear an orchestra, people were more likely to head to a beer garden, restaurant, or summer resort than to a concert hall. And what they heard weren't just symphonic works-programs also included opera excerpts and arrangements, instrumental showpieces, comic numbers, and medleys of patriotic tunes. This book brings together musicologists and historians to investigate the many orchestras and programs that developed in nineteenth-century America. In addition to reflecting on the music that orchestras played and the socioeconomic aspects of building and maintaining orchestras, the book considers a wide range of topics, including audiences, entrepreneurs, concert arrangements, tours, and musicians' unions. The authors also show that the period saw a massive influx of immigrant performers, the increasing ability of orchestras to travel across the nation, and the rising influence of women as listeners, patrons, and players. Painting a rich and detailed picture of nineteenth-century concert life, this collection will greatly broaden our understanding of America's musical history.
Orchestra --- Music --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Orchestras --- Musical groups --- History. --- 1800s, history, historical, america, united states, music, musical, orchestral, instruments, violin, viola, cello, bass, strings, conservatory, culture, cultural, concert, era, time period, audience, audio, symphonic, instrumental, musicology, musicologist, socioeconomic, immigrant, performer, performance, tune, criticism, women, new york, beethoven, composer, urban, city, conductor.
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