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« J'ai toujours été attiré par tout ce qui parlait de révolte contre l'autorité. Celui qui se réconcilie avec l'autorité se met à en faire partie. » Chaman, poète maudit, sorcier des mots, James Douglas Morrison, dit Jim Morrison (1943-1971), chanteur des Doors, continue de fasciner des générations d'auditeurs et de lecteurs. Cette biographie très documentée retrace l'aventure fulgurante d'un artiste hors du commun qui réinventa le rock and roll. L'équipée sauvage de celui qu'on appelait le « Roi lézard » fut aussi celle d'un groupe, les Doors, dont les mélodies et les textes font aujourd'hui parti de l'histoire de la musique : « Riders On The Storm », « Light My Fire », « You Make Me real ».
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Composers. --- Musicians --- Artists --- Songwriters
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From his formative years playing pure, hardcore honky-tonk for mid-’80s Los Angeles punk rockers through his subsequent surge to the top of the country charts, Dwight Yoakam has enjoyed a singular career. An electrifying live performer, superb writer, and virtuosic vocalist, he has successfully bridged two musical worlds that usually have little use for each other—commercial country and its alternative/Americana/roots-rocking counterpart. Defying the label “too country for rock, too rock for country,” Yoakam has triumphed while many of his peers have had to settle for cult acceptance. Four decades into his career, he has sold more than 25 million records and continues to tour regularly, with an extremely loyal fan base. In Dwight Yoakam, award-winning music journalist Don McLeese offers the first musical biography of this acclaimed artist. Tracing the seemingly disparate influences in Yoakam’s music, McLeese shows how he has combined rock and roll, rockabilly, country, blues, and gospel into a seamless whole. In particular, McLeese explores the essential issue of “authenticity” and how it applies to Yoakam, as well as to country music and popular culture in general. Drawing on wide-ranging interviews with Yoakam and his management, while also benefitting from the perspectives of others closely associated with his musical success (including producer-guitarist Pete Anderson, Yoakam’s partner throughout his most popular and creative decades), Dwight Yoakam pays tribute to the musician who has established himself as a visionary beyond time, an artist who could title an album Tomorrow’s Sounds Today and deliver it.
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In the late 1970's and early 1980's a new phenomenon emerged in UK popular music - female guitarists, bass-players, keyboard-players and drummers began playing in bands. Before this time, women's presence in rock bands, with a few notable exceptions, had always been as vocalists. This sudden influx of female musicians into the male domain of rock music was brought about by the enabling ethic of punk rock (""anybody can do it!"") and by the impact of the Sex Discrimination Act. With the demise of the punk scene, interest in these musicians evaporated and other priorities became important to music
Punk rock music --- Rock musicians. --- Women rock musicians. --- Rock musicians --- Women musicians --- Musicians --- Rock groups --- History and criticism. --- Punk rock music -- History and criticism. --- Women punk rock musicians. --- History and criticism --- Punk rock musicians --- Women alternative rock musicians
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Composers --- Musicians --- Tanbûrî Cemil Bey,
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