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BR Staff Publications [e] (various output, e.g. internet page, report, foreword, book review, etc) --- zoology --- Arthropoda --- acarids --- taxonomy --- full text online

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The Poetics of American Song Lyrics is the first collection of academic essays that regards songs as literature and that identifies intersections between the literary histories of poems and songs. The essays by well-known poets and scholars including Pulitzer Prize winner Claudia Emerson, Peter Guralnick, Adam Bradley, David Kirby, Kevin Young, and many others, locate points of synthesis and separation so as to better understand both genres and their crafts. The essayists share a desire to write on lyrics in a way that moves beyond sociological, historical, and autobiographical approaches and

Songs --- Poetics --- Poetry --- Lyric poetry --- History and criticism. --- History. --- Authorship. --- Authorship --- Arias --- Ariettas --- Art songs --- Lieder --- Solo songs --- Solo vocal music, Secular --- Songs with various acc. --- Vocal music --- Recorded accompaniments (Voice)

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Music therapy --- Psychotherapy. --- Songs. --- Arias --- Ariettas --- Art songs --- Lieder --- Solo songs --- Solo vocal music, Secular --- Songs with various acc. --- Lyric poetry --- Vocal music --- Recorded accompaniments (Voice) --- Psychagogy --- Therapy (Psychotherapy) --- Mental illness --- Clinical sociology --- Mental health counseling --- Music --- Musical therapy --- Musicotherapy --- Therapeutics --- Psychotherapy and music --- Treatment --- Therapeutic use

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The United States is one of the most highly educated societies on earth, and also one of the most religious. In The God Problem, Robert Wuthnow examines how middle class Americans juggle the seemingly paradoxical relationship between faith and reason. Based on exceptionally rich and candid interviews with approximately two hundred people from various faiths, this book dispels the most common explanations: that Americans are adept at keeping religion and intellect separate, or that they are a nation of "joiners." Instead, Wuthnow argues, we do this-not by coming up with rational proofs for the existence of God-but by adopting subtle usages of language that keep us from making unreasonable claims about God. In an illuminating narrative that reveals the complex negotiations many undertake in order to be religious in the modern world, Wuthnow probes the ways of talking that occur in prayers, in discussions about God, in views of heaven, in understandings of natural catastrophes and personal tragedies, and in attempts to reconcile faith with science.

Faith and reason --- Philosophical theology. --- Theology, Philosophical --- Philosophy and religion --- Theology, Doctrinal --- Christianity. --- 234.23 --- 234.23 Geloof en wetenschap. Openbaring en rede --- Geloof en wetenschap. Openbaring en rede --- Christianity --- american history. --- anthropology. --- books about religion. --- coffee table books. --- comparative religion. --- easy to read. --- engaging. --- evolution of religion. --- faith and science. --- faith impact on culture. --- faith. --- history of religion. --- home school history books. --- informative books. --- learning from experts. --- leisure reads. --- page turner. --- philosophy. --- power of god. --- religion in america. --- religion in modern world. --- religious studies. --- science religion. --- social science. --- sociology religion. --- spirituality. --- united states history. --- various faiths.

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Today we usually think of a book of poems as composed by a poet, rather than assembled or adapted by a network of poets and readers. But the earliest European vernacular poetries challenge these assumptions. Medieval songbooks remind us how lyric poetry was once communally produced and received-a collaboration of artists, performers, live audiences, and readers stretching across languages and societies. The only comparative study of its kind, Songbook treats what poetry was before the emergence of the modern category "poetry": that is, how vernacular songbooks of the thirteenth to fifteenth centuries shaped our modern understanding of poetry by establishing expectations of what is a poem, what is a poet, and what is lyric poetry itself. Marisa Galvez analyzes the seminal songbooks representing the vernacular traditions of Occitan, Middle High German, and Castilian, and tracks the process by which the songbook emerged from the original performance contexts of oral publication, into a medium for preservation, and, finally, into an established literary object. Galvez reveals that songbooks-in ways that resonate with our modern practice of curated archives and playlists-contain lyric, music, images, and other nonlyric texts selected and ordered to reflect the local values and preferences of their readers. At a time when medievalists are reassessing the historical foundations of their field and especially the national literary canons established in the nineteenth century, a new examination of the songbook's role in several vernacular traditions is more relevant than ever.

Art and literature. --- Illumination of books and manuscripts, Medieval - Europe. --- Lyric poetry - History and criticism. --- Poetry, Medieval - History and criticism. --- Songbooks - Europe. --- Songbooks, Medieval - Europe. --- Songbooks --- Poetry, Medieval --- Lyric poetry --- Illumination of books and manuscripts, Medieval --- Art and literature --- Languages & Literatures --- Literature - General --- History and criticism --- Songbooks, Medieval --- History and criticism. --- BIOGRAPHY & AUTOBIOGRAPHY --- Gedichten. --- Gezangen. --- Handschriften. --- Illumination of books and manuscripts, Medieval. --- Liederenbundels. --- Lyric poetry. --- Lyriek. --- Middeleeuwen. --- Poetry, Medieval. --- Songbooks. --- Literary. --- Europa. --- Europe. --- Poésie médiévale --- Poésie lyrique --- Enluminure médiévale --- Art et littérature --- Histoire et critique --- Literature and art --- Literature and painting --- Literature and sculpture --- Painting and literature --- Sculpture and literature --- Aesthetics --- Literature --- Painting, Medieval --- Songs --- Arias --- Ariettas --- Art songs --- Lieder --- Solo songs --- Solo vocal music, Secular --- Songs with various acc. --- Vocal music --- Recorded accompaniments (Voice) --- Art i literatura --- lyrics, poetry, medieval, europe, collaboration, vernacular songbooks, 13th century, 14th, 15th, occitan, middle high german, castilian, oral performance, publication, audience, performers, musicians, preservation, folksong, folklore, folk music, literature, popular culture, bard, curation, archives, playlists, canon formation, carmina burana, libro de buen amor, coherence, cohesion, unity, collected works, cancioneros, art, illustrations, illuminations, nonfiction, history.