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It is widely known that such Western institutions as the museum, the university, and the penitentiary shaped Japan's emergence as a modern nation-state. Less commonly recognized is the role played by the distinctly hybrid institution-at once museum, laboratory, and prison-of the zoological garden. In this eye-opening study of Japan's first modern zoo, Tokyo's Ueno Imperial Zoological Gardens, opened in 1882, Ian Jared Miller offers a refreshingly unconventional narrative of Japan's rapid modernization and changing relationship with the natural world. As the first zoological garden in the world not built under the sway of a Western imperial regime, the Ueno Zoo served not only as a staple attraction in the nation's capital-an institutional marker of national accomplishment-but also as a site for the propagation of a new "natural" order that was scientifically verifiable and evolutionarily foreordained. As the Japanese empire grew, Ueno became one of the primary sites of imperialist spectacle, a microcosm of the empire that could be traveled in the course of a single day. The meaning of the zoo would change over the course of Imperial Japan's unraveling and subsequent Allied occupation. Today it remains one of Japan's most frequently visited places. But instead of empire in its classic political sense, it now bespeaks the ambivalent dominion of the human species over the natural environment, harkening back to its imperial roots even as it asks us to question our exploitation of the planet's resources.
Nature and civilization --- Philosophy of nature --- Zoos --- Civilization and nature --- Civilization --- Nature --- Nature, Philosophy of --- Natural theology --- Gardens, Zoological --- Zoological gardens --- Zoological parks --- Parks --- History. --- Social aspects --- Philosophy --- Ueno Dōbutsuen (Tokyo, Japan) --- Tokyo (Japan). --- Tōkyō-to Onshi Ueno Dōbutsuen (Tokyo, Japan) --- Onshi Ueno Dōbutsuen (Tokyo, Japan) --- Ueno Zoo (Tokyo, Japan) --- Ueno Zoological Gardens (Tokyo, Japan) --- Ueno Dobutsuen (Tokyo, Japan) -- History.. --- Zoos -- Social aspects -- Japan -- History.. --- Philosophy of nature -- Japan -- History.. --- Nature and civilization -- Japan -- History. --- books about the environment. --- books for history lovers. --- books for reluctant readers. --- east asian history. --- easy to read. --- engaging. --- gifts for friends. --- global history. --- historical novels. --- history and politics. --- humans and natural environment. --- imperial zoological gardens. --- japanese culture. --- japanese empire. --- japanese history. --- japanese politics. --- japanese zoos. --- japans emergence into the world. --- leisure reads. --- modernization of japan. --- natural environment. --- rapid modernization. --- shaping japan. --- vacation books. --- zoology.
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It is widely known that such Western institutions as the museum, the university, and the penitentiary shaped Japan's emergence as a modern nation-state. Less commonly recognized is the role played by the distinctly hybrid institution--at once museum, laboratory, and prison--of the zoological garden. In this eye-opening study of Japan's first modern zoo, Tokyo's Ueno Imperial Zoological Gardens, opened in 1882, Ian Jared Miller offers a refreshingly unconventional narrative of Japan's rapid modernization and changing relationship with the natural world. As the first zoological garden in the world not built under the sway of a Western imperial regime, the Ueno Zoo served not only as a staple attraction in the nation's capital--an institutional marker of national accomplishment--but also as a site for the propagation of a new "natural" order that was scientifically verifiable and evolutionarily foreordained. As the Japanese empire grew, Ueno became one of the primary sites of imperialist spectacle, a microcosm of the empire that could be traveled in the course of a single day. The meaning of the zoo would change over the course of Imperial Japan's unraveling and subsequent Allied occupation. Today it remains one of Japan's most frequently visited places. But instead of empire in its classic political sense, it now bespeaks the ambivalent dominion of the human species over the natural environment, harkening back to its imperial roots even as it asks us to question our exploitation of the planet's resources.
Zoos --- Philosophy of nature --- Nature and civilization --- Social aspects --- History. --- Ueno Dōbutsuen (Tokyo, Japan) --- J7550 --- J7004 --- J4000.70 --- Civilization and nature --- Civilization --- Nature --- Nature, Philosophy of --- Natural theology --- Gardens, Zoological --- Zoological gardens --- Zoological parks --- Parks --- History --- Japan: Natural sciences and technology -- biology -- zoology, fauna --- Japan: Natural sciences and technology -- libraries, bibliography, databases, musea, exhibitions, auctions --- Japan: Social history, history of civilization -- Kindai (1850s- ), bakumatsu, Meiji, Taishō --- Philosophy --- Ueno Dōbutsuen (Tokyo, Japan) --- Tokyo (Japan). --- Tōkyō-to Onshi Ueno Dōbutsuen (Tokyo, Japan) --- Onshi Ueno Dōbutsuen (Tokyo, Japan) --- Ueno Zoo (Tokyo, Japan) --- Ueno Zoological Gardens (Tokyo, Japan) --- Japan: Science and technology -- biology -- zoology, fauna --- Japan: Science and technology -- libraries, bibliography, databases, musea, exhibitions, auctions
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This book focuses on Samuel Beckett's psychoanalytic psychotherapy with W. R. Bion as a central aspect both of Beckett's and Bion's radical transformations of literature and psychoanalysis. The recent publication of Beckett's correspondence during the period of his psychotherapy with Bion provides a starting place for an imaginative reconstruction of this psychotherapy, culminating with Bion's famous invitation to his patient to dinner and a lecture by C.G. Jung. Following from the course of this psychotherapy, Miller and Souter trace the development of Beckett's radical use of clinical psychoanalytic method in his writing, suggesting the development within his characters of a literary-analytic working through of transference to an idealized auditor known by various names, apparently based on Bion. Miller and Souter link this pursuit to Beckett's breakthrough from prose to drama, as the psychology of projective identification is transformed to physical enactment.
Psychotherapy and literature. --- Literature and psychotherapy --- Literature --- Beckett, Samuel, --- Bion, Wilfred R. --- Bion, W. R. --- Bion, Wilfred Ruprecht --- Bion, W., --- ビオン, W., --- Beckett, Samuel --- Pei-kʻo-tʻe, Sa-miao-erh, --- Beḳeṭ, Samuel, --- Beckett, Sam, --- Беккет, Сэмюэль, --- בעקעט, סאמועל --- בקט, סמואל --- בקט, סמואל, --- بكت، ساموئل --- Bikit, Sāmūʼil, --- Criticism and interpretation. --- Biyon, Ṿilfred R., --- ביון, וילפרד ר' --- Depth psychology --- Psychological study of literature --- Bion, Wilfred
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Japan at Nature's Edge is a timely collection of essays that explores the relationship between Japan's history, culture, and physical environment. It greatly expands the focus of previous work on Japanese modernization by examining Japan's role in global environmental transformation and how Japanese ideas have shaped bodies and landscapes over the centuries. The immediacy of Earth's environmental crisis, a predicament highlighted by Japan's March 2011 disaster, brings a sense of urgency to the study of Japan and its global connections.The work is an environmental history in the broadest sense of the term because it contains writing by environmental anthropologists, a legendary Japanese economist, and scholars of Japanese literature and culture. The editors have brought together an unparalleled assemblage of some of the finest scholars in the field who, rather than treat it in isolation or as a unique cultural community, seek to connect Japan to global environmental currents such as whaling, world fisheries, mountaineering and science, mining and industrial pollution, and relations with nonhuman animals. The contributors assert the importance of the environment in understanding Japan's history and propose a new balance between nature and culture, one weighted much more heavily on the side of natural legacies. This approach does not discount culture. Instead, it suggests that the Japanese experience of nature, like that of all human beings, is a complex and intimate negotiation between the physical and cultural worlds.Contributors: Daniel P. Aldrich, Jakobina Arch, Andrew Bernstein, Philip C. Brown, Timothy S. George, Jeffrey E. Hanes, David L. Howell, Federico Marcon, Christine L. Marran, Ian Jared Miller, Micah Muscolino, Ken'ichi Miyamoto, Sara B. Pritchard, Julia Adeney Thomas, Karen Thornber, William M. Tsutsui, Brett L. Walker, Takehiro Watanabe.
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Japan at Nature's Edge is a timely collection of essays that explores the relationship between Japan's history, culture, and physical environment. It greatly expands the focus of previous work on Japanese modernization by examining Japan's role in global environmental transformation and how Japanese ideas have shaped bodies and landscapes over the centuries. The immediacy of Earth's environmental crisis, a predicament highlighted by Japan's March 2011 disaster, brings a sense of urgency to the study of Japan and its global connections. The work is an environmental history in the broadest sense of the term because it contains writing by environmental anthropologists, a legendary Japanese economist, and scholars of Japanese literature and culture. The editors have brought together an unparalleled assemblage of some of the finest scholars in the field who, rather than treat it in isolation or as a unique cultural community, seek to connect Japan to global environmental currents such as whaling, world fisheries, mountaineering and science, mining and industrial pollution, and relations with nonhuman animals. The contributors assert the importance of the environment in understanding Japan's history and propose a new balance between nature and culture, one weighted much more heavily on the side of natural legacies. This approach does not discount culture. Instead, it suggests that the Japanese experience of nature, like that of all human beings, is a complex and intimate negotiation between the physical and cultural worlds. -- Publisher's website.
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