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This study reconsiders Surrealist theatre specifically from the perspective of ludics-a poetics of play and games-an ideal approach to the Surrealists, whose games blur the boundaries between the 'playful' and the 'serious.' Beginning with the Surrealists' 'one-into-another' game and its illustration of Breton's ludic dramatic theory, Rapti examines the traces of this kind of game in the works of a wide variety of Surrealist and Post-Surrealist playwrights and stage directors.
Theater --- Experimental theater. --- Surrealism (Literature) --- Surrealism in literature --- Literature --- Alternative theater --- Avant-garde theater --- History --- Breton, André, --- Бретон, Андре, --- Influence. --- Breton, André --- Бретон, Андре
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Art --- Sculpture --- Photography --- found objects --- art [discipline] --- photography [process] --- art theory --- sculpting --- Arp, Hans --- LeWitt, Sol --- Laurens, Henri --- Wentworth, Richard --- Duchamp, Marcel --- Léger, Fernand --- Buñuel, Luis --- Smithson, Robert --- McGill, Melissa --- Boltanski, Christian --- Tzara, Tristan --- Serra, Richard --- Breton, André --- Dalí, Salvador --- Brassaï --- Kelley, Mike --- Moore, Henry --- Orozco, Gabriel --- Lipchitz, Jacques --- Man Ray --- Giacometti, Alberto --- Kaprow, Allan --- anno 1900-1999 --- anno 2000-2099
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