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"This volume brings new depth to the analysis of historical distance by looking at its importance in fields that extend far beyond the usual bounds of history, including psychoanalysis and the visual and performing arts. Its sources include 19th century British sculpture, musical theatre, and late 18th and 19th century fashion plates. The book offers general introductory discussions of how historical distance might best be understood in contemporary historiography, of changing ideals of distance and proximity as they have taken shape in Western thought from the Renaissance to modernity and of historical judgments and their meanings. It includes a range of essays that explore the importance of distance in relation to a number of different problems and periods, including how the use of historical distance as a framework might offer new ways of distinguishing literary fictions from histories, or a new understanding of the changing pattern of biography over the past two centuries. The range of forms and media covered by the essays in this collection greatly expands not only ways of thinking about historical distance, but the nature and meaning of history. By incorporating this wide range of different material and an equally wide range of approaches, the volume gives the discussion of historical distance a new breadth, flexibility and importance. "-- Provided by publisher.
Historiography --- History --- Biography. --- Literature and history. --- Art and history. --- Theater. --- Philosophy. --- Art --- Geschichtswissenschaft. --- Vergangenheit. --- Distanz. --- General. --- World. --- Modern --- Social History.
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Art and war. --- War and literature --- War and art --- Art and history --- Art and state --- Literature and war --- Literature
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archaeology --- Royal Museums of Art and History [Brussels] --- Brussels --- Brussels (Belgium) --- Antiquities --- History --- Social life and customs --- 938 --- Archeologie--Brussels Hoofdstedelijk Gewest --- Brussel
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Recueil de contributions, issues d'une journée d'étude qui s'est tenue à l'Ecole des beaux-arts de Valence le 17 mai 2011, et consacrées à la relation qu'entretient le design graphique avec l'écriture de l'événement historique. Les auteurs soulignent l'importance de la mise en forme des textes dans leur transmission et leur réception.
Graphic arts --- Art and history --- Historiography --- Arts graphiques --- Art et histoire --- Historiographie --- Congresses --- Actes de congrès --- Congrès --- Histoire --- Graphisme --- Temporalité --- Art numérique --- Informatique appliquée --- Temps --- Processus de création --- Sémiologie de l'image --- Actes de congrès --- Congrès
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Visual media had a decisive impact on how the past was perceived in historicist culture in nineteenth-century Germany. The panorama, photography, and book illustrations can portray the past under the auspices of spatiality. Research on historicist culture often neglects this dimension of space and concentrates on traditional historicist paradigms, such as temporality, narrative, and teleology. By investigating the visual vocabulary of different historicist genres (academic historiography, illustrated history books, historical maps), this volume expands an understanding of German historicist culture as a multi-medial phenomenon, and shows that past is conveyed in spatial forms, such as travel locations, national and colonial spaces, as well as geographical areas. Tracing these concepts of historical space, this volume demonstrates that the image works as a powerful tool to propagate the ideology of German imperialism in the nineteenth-century, but also can critically reflect the political agendas of national historicism.
Historiography --- Art and history --- Art and society --- Historicism in art. --- Historiographie --- Art et histoire --- Art et société --- Historicisme dans l'art --- History --- Histoire --- 19e siècle --- Art --- Art and sociology --- Society and art --- Sociology and art --- History and art --- History in art --- Historical criticism --- Authorship --- Social aspects --- Criticism --- Burckhardt, Jacob. --- Historicism. --- Ranke, Leopold von. --- Space. --- Visuality.
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Visual media had a decisive impact on how the past was perceived in 19th-century Germany. The panorama, photography, and book illustrations can portray the past spatially. By investigating the visual vocabulary of different historicist genres (historical maps, historiography and historical novels), this volume expands an understanding of German historicist culture as a multi-medial phenomenon. It demonstrates that the image works as a powerful tool to propagate the ideology of German imperialism, but also can critically reflect the political agendas of national historicism.
Historiography --- Art and history --- Art and society --- Historicism in art. --- Historiographie --- Art et histoire --- Art et société --- Historicisme dans l'art --- History --- Histoire --- 19e siècle --- Historicism in art --- Art --- Art and sociology --- Society and art --- Sociology and art --- History and art --- History in art --- Social aspects
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"This edited collection explores how graphic art and in particular Japanese manga represent Japanese history. The articles explore the representation of history in manga from disciplines that include such diverse fields as literary studies, politics, history, cultural studies, linguistics, narratology, and semiotics. Despite this diversity of approaches all academics from these respective fields of study agree that manga pose a peculiarly contemporary appeal that transcends the limitation imposed by traditional approaches to the study and teaching of history. The representation of history via manga in Japan has a long and controversial historiographical dimension. Thereby manga and by extension graphic art in Japanese culture has become one of the world's most powerful modes of expressing contemporary historical verisimilitude. The strategy of combining the narrative elements of writing with graphic art, the extensive narrative story-manga and its Western equivalent of the graphic novel, reflects the relatively new soft power of 'global' media, which have the potential to display history in previously unimagined ways. Boundaries of space and time in manga become as permeable as societies and cultures across the world. Each of the articles in this book investigates the authorship of history by looking at various different attempts to render Japanese history through the popular cultural media of the story-manga. As Carol Gluck, Tessa Morris-Suzuki, Susan Napier and others have shown, it has never been easy to encapsulate the complex narrative of emperor-based cyclical Japanese historical periods. The contributors to this volume elaborate how manga and by extension graphic art rewrites, reinvents and re-imagines the historicity and dialectic of bygone epochs in postwar/contemporary Japan."-- "This edited collection explores how graphic art and in particular Japanese manga represent Japanese history"--
History in art --- Comic books, strips, etc --- Art and society --- Themes, motives --- History --- Art --- Art and sociology --- Society and art --- Sociology and art --- Comic strips --- Comics --- Funnies --- Manga (Comic books, strips, etc.) --- Manhua (Comic books, strips, etc.) --- Manhwa (Comic books, strips, etc.) --- Serial picture books --- Caricatures and cartoons --- Wit and humor, Pictorial --- Historical art --- Art and history --- Social aspects --- Japan --- Historiography. --- History and criticism --- J3000 --- J5960 --- Japan: History -- historiography, theory, methodology and philosophy --- Japan: Literature -- modern fiction and prose -- manga --- Manhua (Comic books) --- Manhwa (Comic books)
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76 <460> "19" --- 766 <460> --- 946.088.2 --- 946.088.2 Geschiedenis van Spanje: burgeroorlog--(1936-1939) --- Geschiedenis van Spanje: burgeroorlog--(1936-1939) --- 766 <460> Toegepaste grafische kunsten. Gebruiksgrafiek: Commerciële grafiek--Spanje --- Toegepaste grafische kunsten. Gebruiksgrafiek: Commerciële grafiek--Spanje --- 76 <460> "19" Grafische kunsten. Grafiek. Prentkunst--Spanje--20e eeuw. Periode 1900-1999 --- Grafische kunsten. Grafiek. Prentkunst--Spanje--20e eeuw. Periode 1900-1999 --- Art and war. --- 20e siècle --- Nationalism and art --- Art, Spanish --- Art --- Art et guerre --- Nationalisme et art --- Art espagnol --- History --- Exhibitions --- Political aspects --- Histoire --- Expositions --- Aspect politique --- Spain --- Espagne --- Art and war --- Art and nationalism --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- War and art --- Art and history --- Art and state --- Art, Primitive
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"Wartime Kiss is a personal meditation on the haunting power of American photographs and films from World War II and the later 1940s. Starting with a powerful reinterpretation of one of the most famous photos of all time, Alfred Eisenstaedt's image of a sailor kissing a nurse in Times Square on V-J Day, Alexander Nemerov goes on to examine an idiosyncratic collection of mostly obscure or unknown images and movie episodes--from a photo of Jimmy Stewart and Olivia de Havilland lying on a picnic blanket in the Santa Barbara hills to scenes from such films as Twelve O'Clock High and Hold Back the Dawn. Erotically charged and bearing traces of trauma even when they seem far removed from the war, these photos and scenes seem to hold out the promise of a palpable and emotional connection to those years. Through a series of fascinating stories, Nemerov reveals the surprising background of these bits of film and discovers unexpected connections between the war and Hollywood, from an obsession with aviation to Anne Frank's love of the movies. Beautifully written and illustrated, Wartime Kiss vividly evokes a world in which Margaret Bourke-White could follow a heroic assignment photographing a B-17 bombing mission over Tunis with a job in Hollywood documenting the filming of a war movie. Ultimately this is a book about history as a sensuous experience, a work as mysterious, indescribable, and affecting as a novel by W. G. Sebald"--
ART / History / General. --- HISTORY / Modern / 20th Century. --- PHOTOGRAPHY / History. --- ART / American / General. --- Nineteen forties. --- Collective memory. --- Art and history. --- World War, 1939-1945 --- Historiography and photography. --- 1940s --- 40s (Twentieth century decade) --- Forties (Twentieth century decade) --- Twentieth century --- Collective remembrance --- Common memory --- Cultural memory --- Emblematic memory --- Historical memory --- National memory --- Public memory --- Social memory --- Memory --- Social psychology --- Group identity --- National characteristics --- History and art --- History --- History in art --- World War, 1939-1945, in motion pictures --- Photography and historiography --- Photography --- Motion pictures and the war. --- Photography. --- Art and history --- Collective memory --- Historiography and photography --- Nineteen forties --- 77.01 --- 791.43.01 --- Amerikaanse film ; 1936-1948 ; Wereldoorlog II --- Fotografie ; theorie ; beschouwing --- Kunsttheorie ; collectief geheugen --- Thema's in de film ; de oorlog --- Motion pictures and the war --- Fotografie ; theorie, filosofie, esthetica --- Filmkunst ; theorie, filosofie, esthetica --- Aircraft. --- Alfred Eisenstaedt. --- Andrew Marvell. --- Anecdote. --- Ann Carter. --- Anne Frank. --- Archibald MacLeish. --- Arsenic and Old Lace (play). --- Bertolt Brecht. --- Boeing B-17 Flying Fortress. --- Bomb bay. --- Bomb. --- Bosley Crowther. --- Cary Grant. --- Combat Mission. --- Command Decision (play). --- Confetti. --- Consolidated B-24 Liberator. --- Darryl F. Zanuck. --- Dick Powell. --- Donna Reed. --- Down on His Luck. --- Dr. Strangelove. --- Eddie Muller. --- Eloquence. --- Enola Gay. --- Erskine Caldwell. --- Fan magazine. --- Footage. --- G. (novel). --- Geoffrey de Havilland. --- Getty Images. --- Government Girl. --- Graflex. --- Gregory Peck. --- Henry Fonda. --- Hold Back the Dawn. --- Howard Hawks. --- Howard Hughes. --- I Wanted Wings. --- In the Woods. --- Instant. --- Intercom. --- Jack Warner (actor). --- James Agee. --- Jennifer Jones. --- Joan Fontaine. --- John Hersey. --- John Steinbeck. --- John Swope (photographer). --- Joseph Cornell. --- Lady, Be Good (musical). --- Lightness. --- Linhof. --- Los Angeles Times. --- Margaret Bourke-White. --- Margaret Herrick Library. --- Marx Brothers. --- Max Reinhardt. --- Meal. --- Memphis Belle (aircraft). --- Michelangelo Antonioni. --- Mickey Rooney. --- Mr. --- Nickname. --- North Africa. --- Olivia de Havilland. --- Patchwork. --- Paulette Goddard. --- Phonograph. --- Potion. --- Princess O'Rourke. --- Princeton University Press. --- Priscilla Lane. --- Report from the Aleutians. --- Roland Barthes. --- Rosie the Riveter. --- Seminar. --- Stanley Kubrick. --- Stardom. --- Swoon (artist). --- Sy Bartlett. --- Tamara Toumanova. --- The Adventures of Robin Hood (TV series). --- The Circus Animals' Desertion. --- The Curse of the Cat People. --- The Dark Corner. --- The New York Times. --- To His Coy Mistress. --- Toby Jug. --- Tom Conway. --- Toner. --- Top Gun. --- Twelve O'Clock High. --- Veronica Lake. --- William Wyler. --- Wing and a Prayer. --- Wings of the Navy. --- Writing.
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