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Le volume constitue un hommage à Jean Pierre Caillet, professeur d'Antiquité tardive et Moyen Age a l'Université Paris Ouest, de 1991 à 2013, et actuel directeur de la revue Antiquité tardive. Jean Pierre Caillet, connu dans le monde scientifique grâce aussi aux livres publiés chez Brepols, est un des experts pour l’antiquité tardive et le moyen âge dont le rayonnement a été décisif pour l’avancement des études sur la période ces trente dernières années. Le nombre de contributions dans ces mélanges le prouvent amplement. Dans ce volume sont rassemblées les contributions de collègues de différents pays (France, Italie, Croatie, Etats-Unis, Espagne, Suisse, Serbie, Russie, Allemagne, Belgique, Grèce…), d'élèves et d’amis, touchant à l'art et l'archéologie depuis l'époque paléochrétienne jusqu'au moyen âge central et tardif, recouvrant l'éventail des divers domaines dans lesquels Jean Pierre Caillet a eu lui même à travailler.
Art, Ancient --- Art, Byzantine --- Art, Medieval --- Art antique --- Art byzantin --- Art médiéval --- Histoire médiévale --- Archéologie --- Art médiéval
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This special issue of Medieval Encounters examines the means by which portable and monumental art and architectural forms, techniques, and ideas were transmitted, as well as the individuals involved in such exchanges, in the medieval Mediterrean world ca. 1000-1500.
Art, Medieval --- Architecture, Medieval --- Culture diffusion --- Art médiéval --- Architecture médiévale --- Diffusion culturelle --- Diffusion de la culture
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History of civilization --- Archeology --- anno 500-1499 --- Europe: North --- Art, Medieval --- Art médiéval --- Europe, Northern --- Europe septentrionale --- Antiquities. --- Antiquités --- Art médiéval --- Antiquités
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This book articulates a new approach to medieval aesthetic values, emphasizing the sensory and emotional basis of all medieval arts, their love of play and fine craftsmanship, of puzzles, and of strong contrasts. Written for a general educated audience as well as students and scholars in the field, it offers an understanding of medieval literature and art that is rooted in the perceptions and feelings of ordinary life, made up of play and laughter as well as serious work. Medievalstylistic values of variety, sweetness, good taste, and ordinary beauty are grounded in classical and medieval biol
Aesthetics, Medieval --- Esthétique médiévale --- Esthétique médiévale. --- Thèmes, motifs. --- Esthétique médiévale --- Aesthetics --- anno 500-1499 --- Art, Medieval --- Esthétique --- Art médiéval --- Aesthetics. --- History --- Themes, motives. --- Histoire. --- To 1500. --- Art médiéval --- Thèmes, motifs --- Aesthetics, Medieval. --- Medieval aesthetics
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Art, Medieval --- Christian art and symbolism --- Rites and ceremonies, Medieval --- Medieval rites and ceremonies --- Civilization, Medieval --- Medieval art --- Europe. --- History. --- Art médiéval --- Art et symbolisme chrétiens --- Rites et cérémonies médiévaux --- History --- Histoire
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Art, Italian --- Art, Medieval --- Art, Renaissance --- Art --- Art italien --- Art médiéval --- Art de la Renaissance --- Art --- Exhibitions. --- Exhibitions --- Exhibitions. --- Political aspects --- History --- Exhibitions. --- Expositions --- Expositions --- Expositions --- Aspect politique --- Histoire --- Expositions
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Animals and civilization. --- Animals in art --- Animals in literature --- Animals --- Art, Medieval --- Literature, Medieval --- Animaux et civilisation --- Animaux dans l'art --- Animaux dans la littérature --- Animaux --- Art médiéval --- Littérature médiévale --- Religious aspects --- Themes, motives --- Aspect religieux --- Thèmes, motifs --- Animaux dans la littérature --- Art médiéval --- Littérature médiévale --- Thèmes, motifs
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Die Erinnerung an das Reich der mittelalterlichen Könige und Kaiser nahm in der nationalsozialistischen Geschichts- und Kulturpolitik eine herausragende Stellung ein. Das Reich Karls des Großen und die Jahrhunderte der "deutschen Kaiserzeit", die Zeit der Ottonen, Salier und Staufer, galten als erste Phase "deutscher Größe" und als Vorwegnahme und historische Rechtfertigung des von den Nationalsozialisten angestrebten "großgermanischen Reiches". Von dieser völkisch-nationalistischen Deutung des Mittelalters, deren Wurzeln bis ins 19. Jahrhundert zurückreichen, blieb auch die Sicht auf die mittelalterliche Kunst nicht unbeeinflusst. Im Mittelalter wurde der Anfang "deutscher Kunst" gesucht, in der mittelalterlichen Kunst sah man einen frühen Ausdruck des deutschen Nationalcharakters, und entsprechend konnte sie sowohl als Vorbild für eine neu zu schaffende, nationale und "volksverbundene" Kunst in Anspruch genommen als auch gegen die "Entartungen" der modernen Kunst ins Feld geführt werden. Im Zentrum der Publikation steht die Praxis der Mittelalter-Kunstgeschichte im Nationalsozialismus, ihre Vorgeschichte und unmittelbare Folge. Es geht um eine Analyse der Gegenstände, Begriffe, Methoden und Deutungsmuster, mit denen mediävistische Kunstgeschichte im Nationalsozialismus operierte. Ein zweiter Themenschwerpunkt liegt auf der Popularisierung des Mittelalterbildes in Schrifttum, Film und Veranstaltungen.
National socialism and intellectuals. --- National socialism and science. --- National socialism and art --- Art, Medieval --- Middle Ages in popular culture --- Political Science --- Visual Arts --- Art, Architecture & Applied Arts --- Law, Politics & Government --- Socialism, Communism & Anarchism --- Visual Arts - General --- Socialism and art. --- Art, Medieval. --- Nazisme et art --- Art médiéval --- Moyen Age dans la culture populaire --- Congresses --- Congrès --- Medieval art --- Art and socialism --- Art
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In Imago Mortis: Mediating Images of Death in Late Medieval Culture , Ashby Kinch argues for the affirmative quality of late medieval death art and literature, providing a new, interdisciplinary approach to a well-known body of material. He demonstrates the surprising and effective ways that late medieval artists appropriated images of death and dying as a means to affirm their artistic, social, and political identities. The book dedicates each of its three sections to a pairing of a visual convention (deathbed scenes, the Three Living and Three Dead, and the Dance of Death) and a Middle English literary text (Hoccleve’s Lerne for to die , Audelay’s Three Dead Kings , and Lydgate’s Dance of Death ).
Thematology --- Iconography --- anno 500-1499 --- Death in art. --- Death in literature. --- Art, Medieval. --- Literature, Medieval --- Visual communication --- Middle Ages. --- Death --- Mort dans l'art --- Mort dans la littérature --- Art médiéval --- Littérature médiévale --- Communication visuelle --- Moyen Age --- Mort --- History and criticism. --- History --- Social aspects --- Histoire et critique --- Histoire --- Aspect social --- Europe --- Intellectual life. --- Social conditions --- Vie intellectuelle --- Conditions sociales --- 393 --- 091.31:7.04 --- 7.045 --- Dood. Dodengebruiken. Dodenritueel. Lijkverbranding. Begrafenis. Crematie. Rouw. Opbaren. Lijkstoet. Sterven. Dodenmaskers --- Verluchte handschriften: iconografie --- Iconografie: allegorieen; symbolen; dodendansen; emblemata --- Totentanz --- Künste --- Kunst --- Literatur --- Art. --- Death. --- Literature. --- Literature, Medieval. --- Social history. --- Visual communication. --- Social aspects. --- To 1500. --- Europe. --- Art, Medieval -- History. --- Death -- Social aspects -- Europe -- History -- To 1500. --- Europe -- Intellectual life. --- Europe -- Social conditions -- To 1492. --- Literature, Medieval -- History and criticism. --- Visual communication -- Europe -- History -- To 1500. --- Death in art --- Death in literature --- Art, Medieval --- Middle Ages --- Visual Arts --- Art, Architecture & Applied Arts --- Visual Arts - General --- History and criticism --- Totentanz. --- Künste. --- Kunst. --- Literatur. --- 7.045 Iconografie: allegorieen; symbolen; dodendansen; emblemata --- 091.31:7.04 Verluchte handschriften: iconografie --- 393 Dood. Dodengebruiken. Dodenritueel. Lijkverbranding. Begrafenis. Crematie. Rouw. Opbaren. Lijkstoet. Sterven. Dodenmaskers --- Mort dans la littérature --- Art médiéval --- Littérature médiévale --- Graphic communication --- Imaginal communication --- Pictorial communication --- Communication --- Dark Ages --- History, Medieval --- Medieval history --- Medieval period --- World history, Medieval --- World history --- Civilization, Medieval --- Medievalism --- Renaissance --- Dying --- End of life --- Life --- Terminal care --- Terminally ill --- Thanatology --- Medieval art --- Philosophy --- 393 Death. Treatment of corpses. Funerals. Death rites --- Death. Treatment of corpses. Funerals. Death rites --- History.
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