Listing 1 - 10 of 60 | << page >> |
Sort by
|
Choose an application
Ben shu zai dui wen hua ruan shi li de gai nian zuo chu jie ding de ji chu shang, fen xi le wen hua ruan shi li ti chu de bei jing, gai shu le wen hua ruan shi li zai dang dai Zhongguo fa zhan zhong de zhong yao zuo yong, gai kuo le wo guo wen hua ruan shi li jian she qu de de cheng jiu, bing fen xi le wo guo wen hua ruan shi li jian she cun zai de bu zu yu mian lin de tiao zhan. Zui hou, ti chu tui dong Zhongguo wen hua ruan shi li de ti sheng de tu jing he dui ce.
Cultural industries --- China --- Civilization
Choose an application
In recent years, the study of creativity has shifted from analysis of culture as an end in itself to one of economic enhancement, and its capability to generate wealth and promote economic development. Increasingly, European cities and regions are using the arts to fuel wellbeing and reinvigorate economies after the comparative demise of more traditional industry and manufacturing. A growing literature is starting to highlight the innovation capacity of cultural and creative industries (CCIs) as they intersect the innovation processes of other manufacturing and services sectors with an inno
Cultural industries --- Technological innovations --- Economic aspects
Choose an application
Ben shu cong quan qiu hua shi yu xia wen hua zhan lüe de xue li tan jiu ru shou, dui 'wen hua' de nei han ji qi wai yan jin xing le bian pi ru li de fen xi. ti sheng yi zhi shi chuang xin he wen hua ying xiang wei he xin nei rong de guo jia ruan shi li, jiu shi yao da li ti sheng wen hua de xi yin li, qin he li he gan zhao li. yi ge min zu de wen hua yao zi li yu shi jie wen hua zhi lin, jue ran shi li bu kai wen hua chan ye de qiang li zhi cheng, shui zhan ju le wen hua chan ye fa zhan de zhi gao dian, shui jiu neng zai ji lie de guo ji jing zheng zhong zhang wo zhu dong quan he hua yu quan. Zhongguo de dui wai wen hua mao yi ying chong fen li yong guo nen wai liang zhong zi yuan, liang ge shi chang, da li shi shi wen hua 'zou chu qu' zhan lüe"
Cultural industries --- Cultural policy --- China --- Civilization
Choose an application
Das Personalmanagement wird in der Medienbranche insbesondere für atypisch beschäftigte Kreativschaffende vernachlässigt. Basierend auf der strategischen Bedeutung personalwirtschaftlicher Maßnahmen und kreativer Humanressourcen sowie im Hinblick auf die Besonderheiten der Medienbranche stellt Nina Schirmer das Künstlerbeziehungsmanagement als effektives und effizientes Managementkonzept für Kreativschaffende dar. Darüber hinaus fungiert das Modell als Quelle zur Erreichung nachhaltiger Wettbewerbsvorteile.
Leadership. --- Business Strategy/Leadership. --- Cultural industries. --- Arts --- Cultural industries --- Management. --- Social aspects.
Choose an application
Kann die Kultur- und Kreativwirtschaft (KKW) die in den letzten Jahren in sie gesetzten Erwartungen für die Stadtentwicklung erfüllen oder handelt es sich nur um eine vorübergehende Modeerscheinung? Um diese Frage zu beantworten, gibt Mathias Peter Reich zunächst einen Überblick über den Kontext des gesellschaftlichen Wandels und des kulturpolitischen Rahmens und skizziert Theorien und Konzeptionen zur kreativen Stadt. Auf der Grundlage aktueller KKW-Berichte von Bund, Ländern und Städten/Regionen analysiert er vergleichend positive und negative Effekte, Erfolgs- und Hemmfaktoren, Chancen und Risiken sowie Handlungsfelder der Kultur- und Kreativwirtschaft. Der Inhalt Definition, Abgrenzung und Strukturmerkmale der Kultur- und Kreativwirtschaft - Gesellschaftlicher Wandel und kulturpolitischer Rahmen - Die kreative Stadt - Vergleichende Analyse aktueller Kultur- und Kreativwirtschaftsberichte von Bund, Ländern und Städten/ Regionen - Perspektiven der Kultur- und Kreativwirtschaft Die Zielgruppen · Dozierende und Studierende des Managements von Kultur- und Non-Profit-Organisationen, der Kulturwissenschaften und des Kulturmanagements · PraktikerInnen aus Politik, Verwaltung, Kulturszene, Kultur- und Kreativwirtschaft Der Autor Mathias Peter Reich, M.A., ist studierter Kulturmanager und Dipl. Verwaltungswirt (FH). Er arbeitet seit Jahren in der kommunalen Kulturverwaltung. .
Management. --- Sociology. --- Cultural Management. --- Sociology, general. --- Cultural industries
Choose an application
Cet ouvrage entend dresser un panorama et décrypter les évolutions en cours pour chacun des secteurs (musées et patrimoine, spectacle vivant, livre, musique, jeu vidéo, cinéma et télévision). Après une vision d'ensemble du champ culturel et de ses perspectives, chaque secteur est décrit en suivant une grille d'analyse générique (marché, comportement du consommateur, stratégies des acteurs) puis étudié sous l angle de ses spécificités. [4e de couv.]
Industries culturelles --- Culture --- Cultural industries. --- Histoire. --- Aspect économique. --- Economic aspects.
Choose an application
"This guide to the emerging language of creative industries field is a valuable resource for researchers and students alike. Concise, extensively referenced, and accessible, this this is an exceptionally useful reference work." - Gauti Sigthorsson, Greenwich University "There could be no better guides to the conceptual map of the creative industries than John Hartley and his colleagues, pioneers in the field. This book is a clear, comprehensive and accessible tool-kit of ideas, concepts, questions and discussions which will be invaluable to students and practitioners alike. Key Concepts in Creative Industries is set to become the corner stone of an expanding and exciting field of study" - Chris Barker, University of Wollongong Creativity is an attribute of individual people, but also a feature of organizations like ...
Culture --- Popular culture --- Industries --- Cultural industries. --- Mass media --- Economic aspects. --- Economic aspects. --- Social aspects. --- Marketing.
Choose an application
"Johnson astutely reveals that franchises are not Borg-like assimilation machines, but, rather, complicated ecosystems within which creative workers strive to create compelling 'shared worlds.' This finely researched, breakthrough book is a must-read for anyone seeking a sophisticated understanding of the contemporary media industry."—Heather Hendershot, author of What's Fair on the Air?: Cold War Right-Wing Broadcasting and the Public Interest While immediately recognizable throughout the U.S. and many other countries, media mainstays like X-Men, Star Trek, and Transformers achieved such familiarity through constant reincarnation. In each case, the initial success of a single product led to a long-term embrace of media franchising—a dynamic process in which media workers from different industrial positions shared in and reproduced familiar culture across television, film, comics, games, and merchandising. In Media Franchising, Derek Johnson examines the corporate culture behind these production practices, as well as the collaborative and creative efforts involved in conceiving, sustaining, and sharing intellectual properties in media work worlds. Challenging connotations of homogeneity, Johnson shows how the cultural and industrial logic of franchising has encouraged media industries to reimagine creativity as an opportunity for exchange among producers, licensees, and even consumers. Drawing on case studies and interviews with media producers, he reveals the meaningful identities, cultural hierarchies, and struggles for distinction that accompany collaboration within these production networks. Media Franchising provides a nuanced portrait of the collaborative cultural production embedded in both the media industries and our own daily lives. "Johnson astutely reveals that franchises are not Borg-like assimilation machines, but, rather, complicated ecosystems within which creative workers strive to create compelling 'shared worlds.' This finely researched, breakthrough book is a must-read for anyone seeking a sophisticated understanding of the contemporary media industry."—Heather Hendershot, author of What's Fair on the Air?: Cold War Right-Wing Broadcasting and the Public Interest While immediately recognizable throughout the U.S. and many other countries, media mainstays like X-Men, Star Trek, and Transformers achieved such familiarity through constant reincarnation. In each case, the initial success of a single product led to a long-term embrace of media franchising—a dynamic process in which media workers from different industrial positions shared in and reproduced familiar cultureacross television, film, comics, games, and merchandising.In Media Franchising, Derek Johnson examines the corporate culture behind these production practices, as well as the collaborative and creative efforts involved in conceiving, sustaining, and sharing intellectual properties in media work worlds. Challenging connotations of homogeneity, Johnson shows how the cultural and industrial logic of franchising has encouraged media industries to reimagine creativity as an opportunity for exchange among producers, licensees, and even consumers. Drawing on case studies and interviews with media producers, he reveals the meaningful identities, cultural hierarchies, and struggles for distinction that accompany collaboration within these production networks. Media Franchising provides a nuanced portrait of the collaborative cultural production embedded in both the media industries and our own daily lives.
Cultural industries --- Franchises (Retail trade) --- 82:3 --- media --- mediatheorie --- cultuurfilosofie --- media franchising --- auteursrecht --- 130.2 --- Literatuur en maatschappijwetenschappen --- Cultural industries. --- Franchises (Retail trade). --- 82:3 Literatuur en maatschappijwetenschappen --- Creative industries --- Culture industries --- Industries --- Franchises, Retail --- Franchising --- Retail franchises --- Retail trade
Choose an application
Despite the fact that, if only by number, small and peripheral cities played an important role in fifteenth and sixteenth-century European print culture, book history has mainly been dominated by monographs on individual big book centres. Through a number of specific case studies, which deploy a variety of methods and a wide range of sources, this volume seeks to enhance our understanding of printing and the book trade in small and peripheral European cities in the fifteenth and sixteenth centuries, and to emphasize the necessity of new research for the study of print culture in such cities.
Printing --- Book industries and trade --- Printing, Practical --- Typography --- Graphic arts --- Book trade --- Cultural industries --- Manufacturing industries --- History --- Origin and antecedents.
Choose an application
Sur une grande partie de la planète, la question des industries créatives est désormais inscrite à l'agenda des politiques publiques des collectivités territoriales, des États et des grandes organisations internationales. Et pourtant, les réalisations auxquelles elles ont donné lieu n'ont pas connu que des succès depuis leur émergence, en Grande-Bretagne, au milieu des années quatre-vingt-dix. Quant aux justificatifs avancés pour les soutenir, émanant souvent d'experts ou de publicistes, ils méritent pour le moins d'être discutés. Les auteurs ont choisi d'appréhender ces nouvelles industries sous l'angle des industries culturelles et médiatiques, dont ils sont des spécialistes, et dont les traits spécifiques remontant à plus de deux siècles se sont renforcés depuis quarante ans. Cette grille de lecture les conduit à tester la consistance des filières en place (livre, musique enregistrée, cinéma et audiovisuel, information de presse), à identifier deux filières nouvelles (les jeux vidéo et l'info-médiation), et à envisager les transversalités avec les autres filières composant les industries créatives (mode, biens de luxe, artisanat d'art, etc.), ainsi qu'avec certaines autres branches industrielles en cours de «culturisation». Ils montrent que trois paradigmes jouent un rôle central dans les mutations en cours : convergence, collaboration et création et ils imputent l'essentiel de ces mutations à l'expansion récente et brutale des géants mondiaux de la communication, positionnés au niveau de l'intermédiation - entre la conception-production des produits et leur consommation - sans pour autant offrir des contenus culturels et informationnels nouveaux. Simples mutations ou bouleversements de grande ampleur ? Toujours est-il que la thèse de cet ouvrage est que les changements en cours s'inscrivent dans un mouvement d'industrialisation des biens symboliques qui s'étend au-delà des activités culturelles reconnues.
Cultural industries --- Cultural pluralism --- Communication and traffic --- Economic aspects --- Social aspects --- Industries culturelles --- Nouvelles technologies de l'information et de la communication --- Places de marché électroniques --- Innovations --- Politique publique --- Technologies de l'information et de la communication --- Technologies de l'information et de la communication. --- Places de marché électroniques. --- Cultural industries - Economic aspects --- Cultural industries - Social aspects --- Communication and traffic - Economic aspects
Listing 1 - 10 of 60 | << page >> |
Sort by
|