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avant-garde --- Ernst, Max --- Tzara, Tristan --- 20ste eeuw

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Art styles --- Art --- Sculpture --- Painting --- Graphic arts --- art [discipline] --- painting [image-making] --- sculpting --- graphic arts --- Dada --- Surrealist --- Ernst, Max --- anno 1910-1919 --- anno 1920-1929 --- anno 1900-1999 --- Germany

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Painting --- anno 2000-2009 --- anno 1800-1999 --- anno 2010-2019 --- Europe --- Constable, John --- Delacroix, Eugène --- Goya y Lucientes, Francisco José de --- Friedrich, Caspar David --- Tuymans, Luc --- Menzel, Adolph Friedrich Erdmann --- Liebermann, Max --- Claerbout, David --- Cézanne, Paul --- Kirkeby, Per --- Hammershoi, Vilhelm --- Rothko, Mark --- Richter, Gerhard --- Manet, Edouard --- Ernst, Max --- Wall, Jeff --- Manet, Édouard --- Constable, John. --- Delacroix, Eugène. --- Goya y Lucientes, Francisco José de. --- Friedrich, Caspar David. --- Tuymans, Luc. --- Menzel, Adolph Friedrich Erdmann. --- Liebermann, Max. --- Claerbout, David. --- Cézanne, Paul. --- Kirkeby, Per. --- Hammershoi, Vilhelm. --- Rothko, Mark. --- Richter, Gerhard. --- Manet, Édouard. --- Ernst, Max. --- Wall, Jeff.

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Art --- science [modern discipline] --- art theory --- vierde dimensie (kunst) --- Lissitzky, El --- Stieglitz, Alfred --- Delaunay, Robert --- Gabo, Naum --- Ernst, Max --- Duchamp, Marcel --- Picasso, Pablo --- Kupka, Frantz --- Doesburg, van, Theo --- Bergson, Henri --- Cézanne, Paul --- Kandinsky, Wassily --- Boccioni, Umberto --- Braque, Georges --- Mondriaan, Piet --- Dalí, Salvador --- Gris, Juan --- Khlebnikov, Vélimir --- Duchamp-Villon, Raymond --- Larionov, Michail Fiodorovich --- Ozenfant, Amédée --- Malevitsj, Kasimir

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One of the most admired artists of the twentieth century, Max Ernst was a proponent of Dada and founder of surrealism, known for his strange, evocative paintings and drawings. In Prehistoric Future, Ralph Ubl approaches Ernst like no one else has, using theories of the unconscious-surrealist automatism, Freudian psychoanalysis, the concept of history as trauma-to examine how Ernst's construction of collage departs from other modern artists. Ubl shows that while Picasso, Braque, and Man Ray used scissors and glue to create collages, Ernst employed techniques he himself had forged-rubbing and scraping to bring images forth onto a sheet of paper or canvas to simulate how a screen image or memory comes into the mind's view. In addition, Ernst scoured the past for obsolete scientific illustrations and odd advertisements to illustrate the rapidity with which time passes and to simulate the apprehension generated when rapid flows of knowledge turn living culture into artifact. Ultimately, Ubl reveals, Ernst was interested in the construction and phenomenology of both collective and individual modern history and memory. Shedding new light on Ernst's working methods and the reasons that his pieces continue to imprint themselves in viewers' memories, Prehistoric Future is an innovative work of critical writing on a key figure of surrealism.

Painting, Modern --- Painting --- History. --- History --- Ernst, Max, --- Ernst, Maximilian, --- Criticism and interpretation. --- Influence. --- Dadaism --- Surrealism --- Superrealism --- Surrealism in art --- Arts, Modern --- Dada --- Tabu-Dadaism --- Dadaism. --- Surrealism. --- Influence (Literary, artistic, etc.). --- Painting, Modern. --- 1900-1999. --- max ernst, painting, painter, art, artist, artwork, history, historical, 20th century, dada, surrealism, unconscious, surrealist automatism, freud, freudian psychoanalysis, trauma, screen image, replication, simulation, scientific illustrations, drawings, frontage, grattage, collages, cultural movement, element of surprise, juxtaposition, avant-garde, nonsense, irrationality, protest.