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Painting --- Bible --- Iconography --- Western Europe --- Art [Christian ] --- Art [Eclesiastical ] --- Art chrétien --- Art ecclésiastique --- Art et symbolisme chrétiens --- Art religieux chrétien --- Art sacré --- Arts in the Church --- Christelijke iconografie --- Christelijke kunst en symboliek --- Christelijke symboliek --- Christian art and symbolism --- Christian symbolism --- Ecclesiastical art --- Godsdienstige kunst [Christelijke ] --- Iconografie [Christelijke ] --- Iconographie chrétienne --- Kerkelijke kunst --- Kunst [Christelijke ] --- Kunst [Godsdienstige ] [Christelijke ] --- Kunst [Kerkelijke ] --- Kunst [Sacrale ] --- Religious art [Christian ] --- Sacrale kunst --- Sacred art --- Symboliek [Christelijke ] --- Symbolisme chrétien --- 220 --- bijbels --- Oude Testament --- Nieuwe Testament --- kunst --- schilderkunst --- Illustrations --- religious art
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These essays on late antiquity traverse a territory in which Christian and pagan imagery and practices compete, coexist, and intermingle. The iconography of the most significant late antique ceramic, African Red Slip Ware, is an important and relatively unexploited vehicle for documenting the diversity and interpenetration of late antique cultures. Literary texts and art in other media, particularly mosaics, provide imagery that complement and enhance the messages of the ceramics. Popular entertainments, pagan cults, mythic heroes, beasts, monsters, and biblical visions are themes dealt with on the patrician and popular levels. With interpretive supplements from these diverse realms, it is possible to achieve greater insight into the life, attitudes, and thought of Late Antiquity.
Christian art and symbolism. --- Christian literature, Early --- History and criticism. --- 246 "00/06" --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Religious art, Christian --- Sacred art --- Symbolism and Christian art --- Art --- Symbolism --- Christian antiquities --- Church decoration and ornament --- Christelijke kunst en symbolisme--?"00/06" --- Art et symbolisme chrétiens --- Littérature chrétienne primitive --- Histoire et critique --- Religious art --- Christian art and symbolism --- Symbolism in art --- History and criticism --- Christian literature, Early - History and criticism.
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The Image of Christ in Modern Art explores the challenges presented by the radical and rapid changes of artistic style in the 20th century to artists who wished to relate to traditional Christian imagery. In the 1930s David Jones said that he and his contemporaries were acutely conscious of ‘the break’, by which he meant the fragmentation and loss of a once widely shared Christian narrative and set of images. In this highly illustrated book, Richard Harries looks at some of the artists associated with the birth of modernism such as Epstein and Rouault as well as those with a highly distinctive understanding of religion such as Chagall and Stanley Spencer. He discusses the revival of confidence associated with the rebuilding of Coventry Cathedral after World War II and the commissioning of work by artists like Henry Moore, Graham Sutherland and John Piper before looking at the very testing last quarter of the 20th century. He shows how here, and even more in our own time, fresh and important visual interpretations of Christ have been created both by well known and less well known artists. In conclusion he suggests that the modern movement in art has turned out to be a friend, not a foe of Christian art.Through a wide and beautiful range of images and insightful text, Harries explores the continuing challenge, present from the beginning of Christian art, as to how that which is visual can in some way indicate the transcendent.
Art --- Jesus Christ --- anno 1900-1999 --- anno 2000-2099 --- Aesthetics, Modern --- Christian art and symbolism --- Esthétique --- Esthétique moderne --- Art et symbolisme chrétiens --- Jésus-Christ --- Art. --- -246 "19" --- -Aesthetics, Modern --- -Modern aesthetics --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Religious art, Christian --- Sacred art --- Symbolism and Christian art --- Symbolism --- Christian antiquities --- Church decoration and ornament --- Christelijke kunst en symbolisme--20e eeuw. Periode 1900-1999 --- -Christ --- Cristo --- Jezus Chrystus --- Jesus Cristo --- Jesus, --- Jezus --- Christ, Jesus --- Yeh-su --- Masīḥ --- Khristos --- Gesù --- Christo --- Yeshua --- Chrystus --- Gesú Cristo --- Ježíš --- Isa, --- Nabi Isa --- Isa Al-Masih --- Al-Masih, Isa --- Masih, Isa Al --- -Jesus, --- Jesucristo --- Yesu --- Yeh-su Chi-tu --- Iēsous --- Iēsous Christos --- Iēsous, --- Kʻristos --- Hisus Kʻristos --- Christos --- Jesuo --- Yeshuʻa ben Yosef --- Yeshua ben Yoseph --- Iisus --- Iisus Khristos --- Jeschua ben Joseph --- Ieso Kriʻste --- Yesus --- Kristus --- ישו --- ישו הנוצרי --- ישו הנצרי --- ישוע --- ישוע בן יוסף --- المسيح --- مسيح --- يسوع المسيح --- 耶稣 --- 耶稣基督 --- 예수그리스도 --- Jíizis --- Yéshoua --- Iėsu̇s --- Khrist Iėsu̇s --- عيسىٰ --- -Christelijke kunst en symbolisme--20e eeuw. Periode 1900-1999 --- -Christian art and symbolism --- Esthétique --- Esthétique moderne --- Art et symbolisme chrétiens --- Jésus-Christ --- 246 "19" --- Aesthetics --- History --- Christ --- عيسىٰ --- Religious art --- Symbolism in art
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"William Durand (c. 1230-Nov. 1, 1296), Bishop of Mende, France, was unquestionably the most renowned liturgical scholar of the later Middle Ages. His encyclopedic allegorical exposition of the rites and worship services of the Latin Church, the Rationale divinorum officiorum, or "Rationale for the divine offices," is the best known medieval work in its genre. Divided into eight books of varying length, the Rationale is exhaustive in its treatment of a wide variety of subjects: the church building and liturgical art; the ministers of the church and their functions; liturgical vestments; the Mass and the Divine Office; the Church's calendar and its feast days. Modern scholarship has clearly shown that Durand's Rationale superseded all previous liturgical commentaries within only a few years of its publication (c. 1292-1296). By the end of the fifteenth century, it had become one of the most widely disseminated treatises of its kind in western Europe."--Publisher description.
Architecture religieuse --- Architecture symbolism --- Art [Christian ] --- Art [Eclesiastical ] --- Art chrétien --- Art ecclésiastique --- Art et symbolisme chrétiens --- Art religieux chrétien --- Art sacré --- Arts in the Church --- Christelijke iconografie --- Christelijke kunst en symboliek --- Christelijke symboliek --- Christian art and symbolism --- Christian symbolism --- Ecclesiastical art --- Godsdienstige kunst [Christelijke ] --- Iconografie [Christelijke ] --- Iconographie chrétienne --- Kerkelijke kunst --- Kunst [Christelijke ] --- Kunst [Godsdienstige ] [Christelijke ] --- Kunst [Kerkelijke ] --- Kunst [Sacrale ] --- Religieuze architectuur --- Religious architecture --- Religious art [Christian ] --- Sacrale kunst --- Sacred art --- Spiritual architecture --- Symboliek [Christelijke ] --- Symboliek in de architectuur --- Symbolism in architecture --- Symbolisme chrétien --- Symbolisme dans l'architecture --- Mass --- Messe --- Early works to 1800. --- Ouvrages avant 1800 --- Durand, Guillaume, --- Catholic Church --- Liturgy --- 2 DURANDUS, GUILELMUS --- 2 DURANDUS, GUILELMUS Godsdienst. Theologie--DURANDUS, GUILELMUS --- Godsdienst. Theologie--DURANDUS, GUILELMUS --- Church of Rome --- Roman Catholic Church --- Katholische Kirche --- Katolyt︠s︡ʹka t︠s︡erkva --- Römisch-Katholische Kirche --- Römische Kirche --- Ecclesia Catholica --- Eglise catholique --- Eglise catholique-romaine --- Katolicheskai︠a︡ t︠s︡erkovʹ --- Chiesa cattolica --- Iglesia Católica --- Kościół Katolicki --- Katolicki Kościół --- Kościół Rzymskokatolicki --- Nihon Katorikku Kyōkai --- Katholikē Ekklēsia --- Gereja Katolik --- Kenesiyah ha-Ḳatolit --- Kanisa Katoliki --- כנסיה הקתולית --- כנסייה הקתולית --- 가톨릭교 --- 천주교
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