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First published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Coleridge, Samuel Taylor, --- Coleridge, S. T. --- Kolʹridzh, Samuil, --- Кольридж, Самуил, --- Kolʹridzh, Samuil Teĭlor, --- Кольридж, Самуил Тейлор, --- Kūlīridzh, Ṣāmwīl Tīlūr, --- קולרידג׳, סמיואל טיילור --- Kūlīridj, Ṣāmwīl Tīlūr, --- كولردج، صمويل تيلور, --- קאָלרידש, ס. ט., --- Philosophy. --- Philosophers --- Mental philosophy --- Humanities
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"While postcolonial studies of Romantic-period literature have flourished in recent years, scholars have long neglected the extent of Samuel Taylor Coleridge's engagement with the Orient in both his literary and philsophical writings. Bringing together leading international writers, Coleridge, Romanticism and the Orient is the first substantial exploration of Coleridge's literary and scholarly representations of the east and the ways in which these were influenced by and went on to influence his own work and the orientalism of the Romanticists more broadly. Bringing together postcolonial, philsophical, historicist and literary-critical perspectives, this groundbreaking book develops a new understanding of 'Orientalism' that recognises the importance of colonial ideologies in Romantic representations of the East as well as appreciating the unique forms of meaning and value which authors such as Coleridge asscoiated with the Orient."--Bloomsbury Publishing.
Coleridge, Samuel Taylor, --- Coleridge, S. T. --- Kolʹridzh, Samuil, --- Кольридж, Самуил, --- Kolʹridzh, Samuil Teĭlor, --- Кольридж, Самуил Тейлор, --- Kūlīridzh, Ṣāmwīl Tīlūr, --- קולרידג׳, סמיואל טיילור --- Kūlīridj, Ṣāmwīl Tīlūr, --- كولردج، صمويل تيلور, --- קאָלרידש, ס. ט., --- Criticism and interpretation. --- Romanticism --- Knowledge --- Orient.
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The first book devoted to Coleridge's influence on Emerson and the development of American Transcendentalism. As Samantha Harvey demonstrates, Samuel Taylor Coleridge's thought galvanized Emerson at a pivotal moment in his intellectual development in the years 1826-1836, giving him new ways to harmonize the Romantic triad of nature, spirit and humanity. Emerson did not think about Coleridge: he thought with Coleridge, resulting in a unique case of assimilative influence. In addition to examining his specific literary, philosophical, and theological influences on Emerson, this book reveals Coleridge's centrality for Boston Transcendentalism and Vermont Transcendentalism, a movement which profoundly affected the development of modern higher education, the national press, and the emergence of Pragmatism.
Emerson, Ralph Waldo --- Criticism and interpretation --- Knowledge --- Literature --- Coleridge, Samuel Taylor --- Philosophy --- Influence --- Transcendentalism (New England) --- Philosophy in literature --- American literature --- History and criticism --- English influences --- Romanticism --- United States --- Transcendentalism. --- English literature --- Nature in literature. --- Nature in poetry --- Philosophy, Modern --- Idealism --- History and criticism. --- Philosophy in literature. --- English influences. --- Influence. --- Emerson, Ralph Waldo, --- Coleridge, Samuel Taylor, --- Criticism and interpretation. --- Literature. --- Philosophy. --- New England transcendentalism --- Pseudo-romanticism --- Romanticism in literature --- Aesthetics --- Fiction --- Literary movements --- Coleridge, S. T. --- Kolʹridzh, Samuil, --- Кольридж, Самуил, --- Kolʹridzh, Samuil Teĭlor, --- Кольридж, Самуил Тейлор, --- Kūlīridzh, Ṣāmwīl Tīlūr, --- קולרידג׳, סמיואל טיילור --- Kūlīridj, Ṣāmwīl Tīlūr, --- كولردج، صمويل تيلور, --- קאָלרידש, ס. ט., --- Imarsana, Rāfa Vālḍō, --- Emerson, R. W. --- Emerson, Waldo, --- Emerson, R. Waldo --- Ėmerson, Ralʹf Uoldo, --- Ai-mo-sheng, --- Emarsan̲, --- אמרסון, רלף ולדו, --- עמערסון, ראלף וואלדא,
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"Inside the rainbow' reprints for the first time in English a unique compendium of Soviet picture books from the 1920 and 1930s - a highpoint in the history of children's literature. In the dark and dangerous world of revolutionary Petrograd, a group of Russian poets and artists, among the greatest of the century, came together to create a new kind of book for children about to enter a Brave New World. ...These artists and writers dreamed of endless possibilities in a new world where children and grown-ups alike would be free from the bitterness of ignorance. For a time, when children's publications still escaped the scourge of state censorship, their books became a last haven for learning, poetic irony, burlesque and laughter. In this book 250 examples of illustration and design are complemented by some wonderful translations of poems and stories as well as texts from the victims, criminals and witnesses to the Russian revolution..." -- back cover
82-93 <47> --- 76:655.5 <47> --- 766.08 --- Boekillustraties ; kinderboeken ; Rusland ; 1920-1930 --- Illustratoren ; Soviet Unie ; begin 20ste eeuw --- Deineka, Alexander --- Glebova, Tatiana --- Kharms, Daniil --- Lebedev, Vladimir --- Lissitzky, El --- Mandelstam, Osip --- Marsshak, Samuil --- Mayakovsky, Vladimir --- Kinderliteratuur. Jeugdliteratuur--Rusland. Sovjet-Unie --- Grafische kunsten. Grafiek. Prentkunst-:-Geïllustreerde boeken (boekillustraties)--Rusland. Sovjet-Unie --- Gebruiksgrafiek ; kinder- en jeugdboeken --- 76:655.5 <47> Grafische kunsten. Grafiek. Prentkunst-:-Geïllustreerde boeken (boekillustraties)--Rusland. Sovjet-Unie --- children's literature --- illustrations [layout features] --- children's books --- anno 1930-1939 --- anno 1920-1929 --- Russia --- 766.32.041(47) --- Grafische industrie en ontwerp ; beeld ; illustratie ; thema's ; kinder- en prentboeken ; Rusland --- illustratieve vormgeving
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