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Architecture is distinguished from other art forms by its sense of function, its localized quality, its technique, its public and nonpersonal character, and its continuity with the decorative arts. In this important book, Roger Scruton calls for a return to first principles in contemporary architectural theory, contending that the aesthetic of architecture is, in its very essence, an aesthetic of everyday life. Aesthetic understanding is inseparable from a sense of detail and style, from which the appropriate, the expressive, the beautiful, and the proportionate take their meaning. Scruton provides incisive critiques of the romantic, functionalist, and rationalist theories of design, and of the Freudian, Marxist, and semiological approaches to aesthetic value.
Aesthetics --- Architecture --- architecture [discipline] --- aesthetics --- esthetica --- architectuur
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Aesthetics --- aesthetics --- philosophy of art --- kunstfilosofie --- esthetica --- Wagner, Richard
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This book challenges the conventional ideas of art and beauty. What is the value of things made by an anonymous craftsman working in a set tradition for a lifetime? What is the value of handwork? Why should even the roughly lacquered rice bowl of a Japanese farmer be thought beautiful? The late Soetsu Yanagi was the first to fully explore the traditional Japanese appreciation for "objects born, not made." Mr. Yanagi sees folk art as a manifestation of the essential world from which art, philosophy, and religion arise and in which the barriers between them disappear. The implications of the author's ideas are both far-reaching and practical.Soetsu Yanagi is often mentioned in books on Japanese art, but this is the first translation in any Western language of a selection of his major writings. The late Bernard Leach, renowned British potter and friend of Mr. Yanagi for fifty years, has clearly transmitted the insights of one of Japan's most important thinkers. The seventy-six plates illustrate objects that underscore the universality of his concepts. The author's profound view of the creative process and his plea for a new artistic freedom within tradition are especially timely now when the importance of craft and the handmade object is being rediscovered.
Leach, Bernard (1887-1979) --- Kunstfilosofie ; esthetica ; 20ste eeuw --- Ambachten ; vakmanschap ; handwerk --- Kunst; esthetica; Japan; Soetsu Yanagi (1889-1961) --- Cultuurgeschiedenis ; over vakkennis of de teloorgang ervan --- Kunstbeschouwing ; Japan --- 749.01 --- Meubelkunst en design ; theorie, filosofie, esthetica
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The book proposes a set of original contributions in research areas shared by planning theory, architectural research, design and ethical inquiry. The contributors gathered in 2010 at the Ethics of the Built Environment seminar organized by the editors at Delft University of Technology. Both prominent and emerging scholars presented their researches in the areas of aesthetics, technological risks, planning theory and architecture. The scope of the seminar was highlighting shared lines of ethical inquiry among the themes discussed, in order to identify perspectives of innovative interdisciplinary research. After the seminar all seminar participants have elaborated their proposed contributions. Some of the most prominent international authors in the field were subsequently invited to join in with this inquiry. Claudia Basta teaches "Network Infrastructures and Mobility" at Wageningen University. Between 2009 and 2011 she worked as Coordinator of the 3TU Centre of Excellence for Ethics and Technology of Delft University, where she completed her post-doc research on the shared areas of investigation between risk theories, planning theories and ethical inquiry. Her main research interests concern the matter of assessing and governing technological risks in relation to sustainable land use planning. She wrote a number of journal articles and contributions to collective books on these themes. Stefano Moroni teaches “Land use ethics and the law” at Milan Politecnico. His main research interests concern planning theory and ethics. He is the author of a number of books and journal articles. Recent publications (as co-author): Contractual Communities in the Self-Organizing City (Springer 2012).
General ethics --- Aesthetics --- Geology. Earth sciences --- Architecture --- Geography --- esthetica --- ethiek --- steden --- architectuur --- geografie --- landenkunde
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Traduits ici pour la première fois en français, les textes présentés dans cette anthologie s'inscrivent dans ce qu'on peut appeler la voie autrichienne de la modernité. Ils constituent l'un des terreaux de l'École viennoise d'histoire de l'art et du Cercle de Prague. L'influence décisive du formalisme esthétique issu de Bernard Bolzano et de Johann Friedrich Herbart dans la seconde moitié du XIXe siècle en Europe centrale, notamment à Vienne chez Robert Zimmermann et Eduard Hanslick mais aussi à Prague chez Josef Durdík et Otakar Hostinsk´y, s'exerce encore au début du XXe siècle chez des auteurs comme Otakar Zich et Emil Utitz. Réaliste, refusant à la fois Kant et Hegel, ce formalisme esthétique se construit contre l'idéalisme et le romantisme allemands en s'appuyant sur la psychologie scientifique de son temps et en prônant l'exactitude contre l'extravagance de la Schwärmerei. Il voudrait faire de l'esthétique une science et participe ainsi du débat entre sciences de la nature et sciences de l'esprit qui traverse le XIXe siècle et qui se poursuit, sous des formes nouvelles, aujourd'hui, dans le champ de l'esthétique
Formalism (Art) --- Form (Aesthetics) --- Aesthetics --- Formalisme (Art) --- Forme (Esthétique) --- Esthétique --- kunsttheorie --- kunstfilosofie --- esthetica --- 19de eeuw --- Praag --- Wenen --- Forme (Esthétique) --- Esthétique --- Formalisme (philosophie) --- Aesthetics, Modern --- Austria --- Czech Republic --- kunsttheorie. --- kunstfilosofie. --- esthetica. --- 19de eeuw. --- Praag. --- Wenen.
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Kunst leren begrijpen is een moeilijk en langdurig proces. Het houdt meer in dan het ontwikkelen van een persoonlijke voorkeur. Daarom juist leert de kunstbeschouwing ons een manier van zien die ons in staat stelt kunstwerken te benaderen vanuit een meer objectiverend standpunt: analyseren, benoemen en vooral onderling vergelijken.In HARDOP KIJKEN biedt Ad de Visser een heldere methode om de uiterlijke verschijningsvormen van kunstwerken systematisch te onderzoeken. In tien hoofdstukken leidt hij ons langs beeldaspecten als: materiaal en techniek, afmetingen en kader, ruimte, licht kleur, beweging, standpunt en plaatsing, waarneming en abstractie.
kunst --- kunstbeschouwing --- kunsttheorie --- kunsttechnieken --- textuur --- compositie --- ordonnantie --- ruimtelijkheid --- plasticiteit --- licht --- kleur --- beweging --- genese --- waarneming --- abstractie --- 7.01 --- Kunst ; esthetica --- 700.6 --- beeldende vorming (ler) --- kunstfilosofie --- ZIZO --- Aesthetics of art --- art criticism --- Aesthetics --- esthetica --- aesthetics
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"Recent encounters between art and real life, the ubiquity of images of violence and humiliation in visual culture and the media, and the persistence of controversial debates on public and participatory art projects are raising fundamental questions about the importance of ethical decisions in art and curating. How far can provocation in art go, before it becomes cynical and abusive? Does 'good censorship' exist? Are ethical decisions seen as more urgent in participatory art? This reader introduces current notions of ethics in several contexts related to the cultural field. Responding to the instrumentalization of ethics as a privileged tool of neoliberalism, the reader claims the need for an ethics that critically reflects the mechanisms of contemporary global power structures. The contributions discuss models of subjective and situational ethics and pit them against a canon of unquestioned principles and upturned notions of ethics and human rights" --Publisher's description
kunst --- kunsttheorie --- esthetica --- ethiek --- kunst en ethiek --- censuur --- politiek --- kunst en politiek --- 7.01 --- Art --- Art and morals --- Arts
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The disruptive power of montage has often been regarded as a threat to scholarly representations of the social world. This volume asserts the opposite: that the destabilization of commonsense perception is the very precondition for transcending social and cultural categories. The contributors-anthropologists, filmmakers, photographers, and curators-explore the use of montage as a heuristic tool for comparative analysis in anthropological writing, film, and exhibition making. Exploring phenomena such as human perception, memory, visuality, ritual, time, and globalization, they apply montage
Ethnology --- Motion pictures in ethnology --- #SBIB:39A5 --- #SBIB:39A8 --- 7.01 --- 791.43.01 --- 069.4 --- 111.852 --- 82.01 --- Antropologie ; over montage --- Moving-pictures in ethnology --- Visual anthropology --- Philosophy --- Authorship --- Kunst, habitat, materiële cultuur en ontspanning --- Antropologie: linguïstiek, audiovisuele cultuur, antropologie van media en representatie --- Kunst ; theorie, filosofie, esthetica --- Filmkunst ; theorie, filosofie, esthetica --- Museologie ; werkwijzen mbt het opzetten van tentoonstellingen --- Filosofie ; Kunstfilosofie. Esthetica --- Literatuur ; essays over literatuur --- Ethnology-Philosophy. --- Ethnology-Authorship. --- Motion pictures in ethnology. --- Philosophy. --- Authorship.
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72.01 --- Zumthor, Peter --- Libeskind, Daniel --- Spuybroek, Lars --- Architectuur ; typologie ; architecturale types --- Architectuurpsychologie ; geschiedenis --- Boffrand, Germain --- Boullée, Etienne-Louis --- Architectuur ; theorie, filosofie, esthetica --- Boullée, Etienne-Louis
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