Listing 1 - 10 of 72 | << page >> |
Sort by
|
Choose an application
This text presents an introduction to new media art through key debates and theories. This book begins with the historical contexts of the digital arts, discusses contemporary forms, and concludes with current and future trends in distribution and archival processes. Considering the imperative of artists to adopt new technologies, the chapters of the book progressively present a study of the impact of the digital on art, as well as the exhibition, distribution and archiving of artworks.Reflecting contemporary research in the field, case studies illustrate concepts and developments outlined in this book. Additionally, reflections and questions provide opportunities for readers to explore terms, theories and examples relevant to the field. Consistent with the other volumes in the New Media series, a bullet-point summary and a further reading section enhance the introductory focus of each chapter.
digital art [visual works] --- nieuwe media --- Art --- Computer architecture. Operating systems --- Computer art. --- Computer graphics. --- Multimedia (Art) --- Multimedia (Art).
Choose an application
Art --- video recordings [physical artifacts] --- computer art [visual works] --- sculpting --- digital prints --- human figures [visual works] --- AES+F
Choose an application
Applied arts. Arts and crafts --- jewelry --- textile art [visual works] --- juweelkunst --- textielkunst --- juweelkunst --- Leest, van der, Felieke
Choose an application
Are the visual arts really so central in our time that, as Doug Adams once said, ""people under 60, raised on television...remember by what they see....[F]ilm and television are really the language of today""? (TE 2013) This central view on the visual arts can be contrasted with an opposing view by Camille Paglia, who wrote that ""the visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism. Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has fai
Art. --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Art, Primitive
Choose an application
How should one approach the notion of the precarious in art-its meanings and its outcomes? Its presence in artistic practices may be transient, yet it instigates permanent changes in the production, discourse, and perception of art. The Permanence of the Transient: Precariousness in Art gathers essays that examine the traces and implications of precariousness in contemporary art, and lays a foundation for a thoughtful study of its emergence in related fields throughout the 20th and 21st centu...
Art --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Art, Primitive
Choose an application
Choose an application
Das Interesse an einer gleichberechtigten Teilhabe im Design hat von den 1960er-Jahren bis in die Gegenwart zu einer Reihe produktiver Gestaltungspraktiken und Theorien geführt. Heute stellt sich jedoch die Frage, ob das Leitbild der partizipatorischen Gestaltung nicht auf einem idealisierenden Verständnis von Demokratie und sozialer Beteiligung gründet. Der Band unternimmt eine kritische Bestandsaufnahme der partizipatorischen Gestaltung, ihrer Entwicklung und der gegenwärtigen Theoriebildung. Die Beiträge, u.a. von Gilbert Cockton, Pelle Ehn, Jesko Fezer, Richard Herriott, Claudia Mareis und Elizabeth Sanders, prüfen den Stellenwert von Partizipation in der praxisbasierten Designforschung und fragen kurzum: Wer gestaltet die Gestaltung? Besprochen in: Design Report, 5 (2013), Markus Zehentbauer
Choose an application
Fostering a cross-pollination between the digital and the physical, Nick Ervinck (°1981, Belgium) explores the boundaries between various media. As a pioneer in 3D printed sculptures the artist takes a vanguard position in the field of digital technology while at the same time his works holds numerous references to the tradition of sculpture and architecture. This first monograph focuses on this tension between innovation and tradition and gives an inside to the artist's abundant archive.The concepts body, building, history and nature that are crucial for the artist's oeuvre, are the leitmotifs in the book. The authors explore Ervinck's work from different angles while a great quantity of images show the genesis of form, some of his most succesfull works and futuristic ideas that till this day were impossible to create.Bron: www.standaardboekhandel.be
sculpting --- Sculpture --- digital art [visual works] --- outdoor sculpture --- commissions [orders for works] --- ruimtelijke kunst --- beeldhouwkunst --- Ervinck, Nick --- Ervinck, Nick, --- kunst --- België --- eenentwintigste eeuw --- Ervinck Nick --- computerkunst --- 73.071 ERVINCK --- MAD-faculty 14 --- hedendaagse kunstenaars
Choose an application
Art --- Art. --- Art, Daghestan --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- visual arts --- art theory --- art history --- Arts --- Aesthetics --- Art, Primitive
Choose an application
This highly readable and timely book explores the transformation of the modern and contemporary art market in the 21st century from a niche trade to a globalised operation worth an estimated 50 billion a year. Drawing on her personal experience, the author describes in fascinating detail the contributions made by a range of actors and institutions to these recent developments. The author's engaging style makes this informative text ideal for collectors, students, and anyone interested in learning more about the evolution of the unprecedented market for art which exists today.
Art --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Economic aspects --- History --- Marketing --- E-books --- Art, Primitive
Listing 1 - 10 of 72 | << page >> |
Sort by
|