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Paddenstoelen
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ISBN: 9789052108728 Year: 2014 Publisher: Tirion Natuur

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Inspiration of book
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ISBN: 9789881261625 9881261627 Year: 2014 Publisher: Shenzhen Artpower

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The book as an object is symbolically a very rich and independent format. Its history and cultural significance provide endless scope for artistic discoveries and interpretation, not only being a container for stories but being a story in itself, its whole life and existence in time being read from its tactile details and structural function. This book offers readers with a glance for book design from the designers all around in three categories: Creative, Handbound and Modern, which will surely inspired.

Giovanni Baglione : Judith and her Maidservant
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ISBN: 9780615973340 Year: 2014 Publisher: New York City Grassi Studio

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Paris
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Year: 2014 Publisher: Nanterre Michelin

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Lecture symbolique du livre de l'apocalypse
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ISBN: 9782343038223 2343038228 Year: 2014 Publisher: Paris L'Harmattan

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Einführung in die Buchwissenschaft
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ISBN: 9783534235445 3534235444 Year: 2014 Publisher: Darmstadt : WBG (Wissenschaftliche Buchgesellschaft),

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Das Medium Buch verändert sich rasant. Die Buchwissenschaft hat sich in Lehre und Forschnung etabliert. Erstmals fasst diese Einführung die wichtigsten Informationen zur Fachgeschichte und zur Geschichte des Buches zusammen und erläutert Methoden und Theorien, Rechtsfragen, Medienökonomie und Verlagswirtschaft.


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The visible text : textual production and reproduction from Beowulf to Maus
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ISBN: 0199603162 0191002453 9780191002458 9780199603169 9780199603152 0199603154 1322045356 9781322045351 Year: 2014 Publisher: Oxford Oxford University Press

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Covering materials ranging from Anglo-Saxon manuscripts and inscribed objects to contemporary comics, The Visible Text rewrites the history of textual media and technologies. Arguing that media are not defined by technologies alone, but by a combination of technologies and the ideas that people hold about those technologies, Bredehoft identifies four distinct periods or domains in the history of English literature that correspond to four ways in which media ideologies interacted withthe two basic defining technologies of manuscripts and printed books. Examining two complementary ways of defining texts (as subject to a reproductive medium, on the one hand, and as surrounded and defined by paratexts, on the other), The Visible Text points out how Anglo-Saxon manuscripts and contemporary comics share a remarkable similarity in being structured as productions rather than reproductions. Contrastingly, the late-medieval and print-era periods share a cultural investment in textual reproduction, but they differ both in their characteristic technologies and in how they conceptualize the object of reproduction itself. A final epilogue, briefly considering the nature of electronically-mediated textuality, highlights the importance of understanding the history addressed here, as electonic text both parallels and departs from typographic print in ways that earlier reproductive domainsclarify and complicate. lFilled with concrete examples of both books and texts, The Visible Text will be of interest to readers in the fields of literature, book history, literary theory, media studies, and visual culture.

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