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Comic, The, in literature. --- Irony in literature. --- German literature --- History and criticism. --- Roth, Joseph, --- Kafka, Franz, --- Walser, Robert, --- Criticism and interpretation.

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Irony in literature --- Art and literature --- Art and literature --- Art and literature --- Ironie. --- Art et littérature --- Art et littérature --- Art et littérature --- History. --- History --- History --- Histoire. --- Histoire. --- Histoire. --- Ariosto, Lodovico, --- Arioste, L' --- Arioste, L' --- Arioste, L' --- Arioste, L' --- Appreciation --- Appreciation --- Appreciation --- Thèmes, motifs.

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Frederick Garber takes up in detail several problems of the self broached in his previous book, The Autonomy of the Self from Richardson to Huysmans (Princeton, 1982). Using patterns in Byron's canon as models, he focuses on the relations of self-making and text-making as a central Romantic issue. For Byron and many of his contemporaries, putting a text into the world meant putting a self there along with it, and it also meant that the difficulties of establishing the one inevitably reflect the parallel difficulties in the other.Professor Garber discusses some of Byron's key texts and shows how their development leads to an impasse involving both self and text. Byron's way out of these dilemmas was the mode of Romantic irony, of which he is one of the greatest exemplars. The study then moves into broader areas of Anglo-European literature, its ultimate purpose being to argue not only for the efficacy of such irony but for its position as something more than a mere alternative to Romantic organicism.Originally published in 1988.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

English literature --- Thematology --- Byron, George G.N. --- Byron [Lord] --- Poetry --- Self in literature. --- Irony in literature. --- Romanticism. --- Psychological aspects. --- Byron, George Gordon Byron, --- Criticism and interpretation. --- Pseudo-romanticism --- Romanticism in literature --- Baĭron, Dzhordzh Gordon, --- Baĭron, G., --- Baĭron, Jorj, --- Bairon, --- Bajron, Džordž Gordon, --- Bajron, --- Bajroni, Xhorxh, --- Bayrěn, --- Bayron, --- Bayron, Tzōrtz Gkorton Bayron, --- Bayrūn, --- Byron, George Gordon Noël Byron, --- Byron, Jerzy Gordon, --- Byron, --- Gordon, George, --- Mpayron, Tzōrtz Nkorton Mpayron, --- Pai-lun, --- Payrěn, --- Vyrōn, --- בײראָן, לאָרד --- בירון --- בירון, לורד --- בירון, ג׳ורג׳ גורדון נואל, --- בירון, ג'ורג' גורדון בירון, --- בייראן --- בייראן, --- בייראן, לארד --- ביירון, לורד --- ביירון, --- Aesthetics --- Fiction --- Literary movements

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Am Beispiel Beethovens und Schumanns untersucht Florian Kraemer den Zusammenhang zwischen Ironie und Illusionsbrechung in der Musik des 19. Jahrhunderts.Illusionsbrüche sind in der romantischen Literatur keine Seltenheit. In Tiecks Theaterstücken beispielsweise fallen manche Figuren »aus der Rolle« und inszenieren ein paradoxes Spiel, in dem die Grenzen zwischen Fiktion und Wirklichkeit zunehmend porös wirken. Die Kunst setzt sich in solchen Momenten gleichsam selbst aufs Spiel und fragt nach den Bedingungen und Grenzen ihrer »künstlichen« Existenz. Dass ähnliche Phänomene auch in der Musik existieren, ist die zentrale These dieses Buchs: In einigen Kompositionen Beethovens und Schumanns scheint eine Ebene »jenseits« des Stücks ins Stück einzubrechen. Ausführliche musikanalytische Detailstudien verfolgen die Spur dieser ironischen Gratwanderung zwischen Illusion und Desillusionierung, zwischen »Traum« und »Erwachen«.

Irony in music. --- Music --- Music. --- Musik. --- Romanticism in music --- Romanticism in music. --- Romantische Ironie. --- History and criticism --- Beethoven, Ludwig van, --- Schumann, Robert, --- Criticism and interpretation. --- 1800-1899. --- Germany. --- Dramatic music --- Music, Dramatic --- Music, Theatrical --- Music for the stage --- Stage music --- Theatrical music --- Musical romanticism --- Romanticism (Music) --- Style, Musical --- Neoromanticism (Music) --- History and criticism. --- Bītʹhūfin, --- Beethoven, L. van --- Beethoven, Louis van, --- Beethoven, Ludvig van, --- Bethovenas, L., --- Betkhoven, Li︠u︡dvig van, --- Beṭhoṿn, Ludṿig ṿan, --- Beethoven, Ludwik van, --- Betkhoven, L. van --- Bētōven, Rūtovihhi van, --- בטהובן --- בעטהאָוון, לודוויג וואן --- ベートベン, ルートビッヒ, --- 贝多芬, --- Shuman, R. --- Shuman, Robert, --- Schumann, Robert Alexander, --- Komponisten --- Liedermacher --- Musik --- Musiklehre --- Musiktheorie --- Musikwissenschaft --- Shumann, Robert,

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This book explores the reasons for the lasting freshness and modernity of Shakespeare's plays, while revising the standard history of English medieval and Renaissance drama. Robert Knapp argues that changes in the authority of English monarchs, in the differentiation and integration of English society, in the realization of human figures on stage, and in the understanding of signs helped produce scripts that still compel us to the act of interpretation.Originally published in 1989.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

English drama --- Semiotics and literature --- Literature and history --- Theater --- English --- Languages & Literatures --- English Literature --- Literature and semiotics --- Literature --- English literature --- History and criticism --- History --- Shakespeare, William --- English drama -- Early modern and Elizabethan, 1500-1600 -- History and criticism. --- Literature and history -- England -- History -- 16th century. --- Semiotics and literature -- England -- History -- 16th century. --- Shakespeare, William, -- 1564-1616 -- Criticism and interpretation. --- Theater -- England -- History -- 16th century. --- Abjection. --- Aestheticism. --- Allegory. --- Ambiguity. --- Antitheatricality. --- Antithesis. --- Bel-imperia. --- Burlesque. --- Cambridge University Press. --- Chaucer's Retraction. --- Counter-Reformation. --- Criticism. --- Cymbeline. --- Deconstruction. --- Deprecation. --- Disenchantment. --- Dogberry. --- Dramaturgy. --- Epic theatre. --- Essay. --- Etymology. --- Fiction. --- Flattery. --- Fortinbras. --- G. (novel). --- G. Wilson Knight. --- Genre. --- Good and evil. --- Gorboduc. --- Henriad. --- Hermia. --- Hieronimo. --- Historicism. --- Hubris. --- Hypocrisy. --- Iago. --- Iconoclasm. --- Ideology. --- Idolatry. --- Irony. --- Jacques Derrida. --- King Lear. --- Legal fiction. --- Leontes. --- Literariness. --- Literature. --- Malvolio. --- Melodrama. --- Metonymy. --- Mock-heroic. --- Modernity. --- Narcissism. --- Narrative. --- Negative capability. --- Pandarus. --- Parody. --- Paul de Man. --- Performative utterance. --- Petruchio. --- Plautus. --- Playwright. --- Poetry. --- Political satire. --- Polonius. --- Princeton University Press. --- Prudentius. --- Puritans. --- Pyramus and Thisbe. --- Renaissance tragedy. --- Revenge tragedy. --- Rhetoric. --- Ricardian (Richard III). --- Richard Hooker. --- Robert Greene (dramatist). --- Roderigo. --- Romantic epistemology. --- Romanticism. --- S. (Dorst novel). --- Satire. --- Secularization. --- Sentimentality. --- Shakespeare's Kings. --- Shakespearean comedy. --- Shakespearean tragedy. --- Shylock. --- Skepticism. --- Spirituality. --- Tamburlaine. --- The Gaze of Orpheus. --- The Spanish Tragedy. --- Theatrum Mundi. --- Theodicy. --- Thomas Kyd. --- Titus Andronicus. --- Tragedy. --- Tragic hero. --- Tragicomedy. --- V. --- William Ames. --- William Shakespeare. --- History and criticism. --- Shakespeare, William, --- Criticism and interpretation.