Listing 1 - 10 of 17 | << page >> |
Sort by
|
Choose an application
Allegories. --- Symbolism in art. --- Brenet, Nicolas-Guy, --- France.
Choose an application
Symbolism in art. --- Symbolisme dans l'art --- Des Gachons, André,
Choose an application
"For the first time in Germany, an exhibition spanning all epochs and genres will be introducing the exciting link between art and alchemy in past and present times. 250 works from antiquity to the present, encompassing Baroque art, Surrealism, through to contemporary art from collections and museums in the USA, Great Britain, France, Mexico and Israel reveal the fascination which alchemy exerted for many visual artists. Artists featured in the exhibition, such as Joseph Beuys, Jan Brueghel the Elder, Lucas Cranach the Elder, Max Ernst, Hendrick Goltzius, Rebecca Horn, Anish Kapoor, Yves Klein, Sigmar Polke, Rembrandt van Rijn, Peter Paul Rubens and David Teniers the Younger invite visitors to explore the mystery of transformation"--Publisher's website.
Art --- alchemy --- History of chemistry --- Alchemy --- Alchemy in art --- Symbolism in art --- Alchimie --- Alchimie dans l'art --- Symbolisme dans l'art --- Exhibitions. --- Expositions
Choose an application
In seiner Bildsamkeit ist der Mensch ein Abbild der schöpferischen Kraft Gottes. In welchem Zusammenhang stehen dann Bildung und Religion? Inwiefern sollte Religion Bestandteil öffentlicher Erziehung und Bildung sein? Welche Relevanz hat der schulische Religionsunterricht heute? Zu diesen Fragen thematisiert der vorliegende Band das Verhältnis von Pädagogik, Theologie und Religionspädagogik, indem er Grundbegriffe und Basistheorien erläutert sowie Zusammenhänge zwischen der pädagogischen Grundtatsache menschlicher Bildsamkeit und dem theologischen Begriff einer göttlichen Ebenbildlichkeit des Menschen aufzeigt. Ebenso werden bildungs- und religionspolitische Fragen im Kontext einer angemessenen Institutionalisierung von Religionsunterricht an öffentlichen Schulen diskutiert. Gemeinsames Ziel aller Beiträge ist es, die Entwicklung einer durch schulischen Religionsunterricht geförderten religiösen Kompetenz als Teil öffentlicher Erziehung und Bildung auszuweisen.
Christian art and symbolism. --- Religion. --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament --- Religion, Primitive --- Atheism --- Irreligion --- Religions --- Theology
Choose an application
Understanding the relation of semiology to Western iconography is essential, as it is the element that, often unconsciously, influences perception in Western society. Scholars, such as Klaus Düwel with his outstanding knowledge of runic script, sometimes reach their limits if inscriptions are complemented with abstract images that may be accidental scratches or, on the other hand, a sign or signs indicating symbolic meaning. The detailed definition of the Medieval World by Margaret Clunies ...
Symbolism in art --- Art, Scandinavian --- Art and society --- Art --- Art and sociology --- Society and art --- Sociology and art --- Scandinavian art --- Allegory (Art) --- Signs and symbols in art --- History --- Themes, motives. --- History. --- Social aspects --- Scandinavia --- Antiquities.
Choose an application
Christian art and symbolism. --- Artists --- Art --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament --- Psychology. --- Psychology --- Bible
Choose an application
Using a range of methodological strategies and examining material from different media, ranging from illuminated manuscripts to wall painting, stained glass windows, and monumental sculpture, the articles in this volume show how different arboreal structures were conceived, employed, and appropriated by their specific contexts, how they functioned in their original framework, and how they were perceived by their audience.
Semiotics --- Iconography --- trees --- History of civilization --- anno 500-1499 --- Europe --- Art, Medieval --- Symbolism in art --- Trees in art --- Art médiéval --- Symbolisme dans l'art --- Arbres dans l'art --- Trees --- Christian art and symbolism --- Visual communication --- Symbolic aspects --- History --- Religious aspects --- Christianity --- Themes, motives --- Art médiéval --- Trees - Symbolic aspects - Europe - History - To 1500 - Congresses --- Trees in art - Congresses --- Trees - Religious aspects - Christianity - Congresses --- Christian art and symbolism - Medieval, 500-1500 - Congresses --- Symbolism in art - Europe - History - To 1500 - Congresses --- Art, Medieval - Themes, motives - Congresses --- Visual communication - Europe - History --- Trees - Religious aspects - Congresses --- trees [woody plants]
Choose an application
An authoritative assessment of the changing relationship between the Bible and the artsIn this unique Companion, 35 scholars, from world-famous to just beginning, explore the role of the Bible in art and of artistic motifs in the Bible. Specially commissioned chapters demonstrate that just as the arts have portrayed biblical stories in a variety of ways and media over the centuries, so what we call ‘the’ Bible is not actually a single entity but has been composed of fiercely contested translations of texts in many languages, whose selection has depended historically on a variety of cultural pressures, theological, social, and, not least, aesthetic.Key FeaturesDivided into 3 sections, Inspiration and Theory, Art and Architecture, and LiteratureGenerously illustratedCovers aesthetic interpretations of specific biblical books; of the Hebrew and Christian Bibles as a whole; the transmission of biblical texts; various bindings and illustrations of Bibles – in response to pressures as diverse as Islamic craftsmanship and the English ReformationIncludes biblical influences on poetry, painting, church architecture, decoration, and stained glass; on poetry, hymns, novels, plays, and fantasy literatureSpans the earliest days of the Christian era to the present
22:7 --- Bijbel en kunst --- Bible --- Holy Scriptures (Bible) --- Influence. --- History of Biblical events --- Arts in the Bible. --- Christian art and symbolism. --- Biblia --- Christian drama in art. --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament
Choose an application
After the Reformation the successful painter Paul Lautensack (1477/78-1558) dedicated himself to spreading revelations on the nature of God. Lautensack was besides Dürer the only German artist who wrote against the iconoclasts, and he believed that he as a painter could explain the images of Revelation better than theologians like Luther. He presented his insights in hundreds of highly sophisticated diagrams that display a wide range of material accessible to an urban craftsman, from the vernacular Bible to calendar illustrations. This study is the first monograph on this extraordinary man, it presents a corpus of his surviving works, analyzes his peculiar theology of the image and locates the elements of his diagrams in the visual world of the Reformation period.
Christian art and symbolism --- Image (Theology) --- Communication --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament --- Religious aspects --- Christianity --- Lautensack, Paul, --- Criticism and interpretation. --- 091 LAUTENSACK, PAUL --- 741 LAUTENSACK, PAUL --- Handschriftenkunde. Handschriftencatalogi--LAUTENSACK, PAUL --- Tekenkunst--LAUTENSACK, PAUL --- Drawing --- diagrams --- Reformation --- Lautensack, Paul
Choose an application
Between the 16th and the 19th centuries, the west central African kingdom of Kongo practised Christianity, actively participating in the Atlantic world as an independent, cosmopolitan realm on a par with European monarchies. Drawing on an expansive and largely unpublished set of objects, images, and documents, this book examines the advent of Kongo Christian visual culture, traces its development across four centuries marked by war and the Atlantic slave trade, and finally narrates its unravelling as 19th-century European colonialism penetrated Africa.
Christianity --- Christian art and symbolism --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament --- Religions --- Church history --- Kongo Kingdom --- Kingdom of Kongo --- Church history. --- Religious life and customs.
Listing 1 - 10 of 17 | << page >> |
Sort by
|