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The Heimat film genre, assumed to be outdated by so many, is very much alive. Who would have thought that this genre - which has been almost unanimously denounced within academic circles, but which seems to resonate so deeply with the general public - would experience a renaissance in the 21st century? The genre's recent resurgence is perhaps due less to an obsession with generic storylines and stereotyped figures than to a basic human need for grounding that has resulted in a passionate debate about issues of past and present. This book traces the history of the Heimat film genre from the early mountain films to Fatih Akin's contemporary interpretations of Heimat. »Die Studie liefert einen profunden Überblick über die filmische Auseinandersetzung mit Heimat und ermöglicht, sich aus der Perspektive des Heimatfilms quellenreich mit der kulturhistorischen Entwicklung Deutschlands auseinanderzusetzen.« Beate Binder, Zeitschrift für Volkskunde, 108/1 (2012) »Ein bisher nicht möglicher Überblick über Heimat-Vorstellungen, wie und soweit sie sich im Unterhaltungsfilm spiegeln; gleichzeitg erlaubt dieser eine genauere Sicht auf die jeweilige Weltsicht der Zeit.« Willi Höfig, Informationsmittel (IFB), 4 (2012) Reviewed in: www.kino-zeit.de, 5 (2011), Stefan Otto GERMANISTIK, 52/3-4 (2012)
Cinema; Film; Heimat; Film History; Genre History; Cultural History; Media Studies; --- Cultural History. --- Film History. --- Film. --- Genre History. --- Heimat. --- Media Studies.
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Animating Film Theory provides an enriched understanding of the relationship between two of the most unwieldy and unstable organizing concepts in cinema and media studies: animation and film theory. For the most part, animation has been excluded from the purview of film theory. The contributors to this collection consider the reasons for this marginalization while also bringing attention to key historical contributions across a wide range of animation practices, geographic and linguistic terrains, and historical periods. They delve deep into questions of how animation might best be understood, as well as how it relates to concepts such as the still, the moving image, the frame, animism, and utopia. The contributors take on the kinds of theoretical questions that have remained underexplored because, as Karen Beckman argues, scholars of cinema and media studies have allowed themselves to be constrained by too narrow a sense of what cinema is. This collection reanimates and expands film studies by taking the concept of animation seriously. Contributors. Karen Beckman, Suzanne Buchan, Scott Bukatman, Alan Cholodenko, Yuriko Furuhata, Alexander R. Galloway, Oliver Gaycken, Bishnupriya Ghosh, Tom Gunning, Andrew R. Johnston, Hervé Joubert-Laurencin, Gertrud Koch, Thomas LaMarre, Christopher P. Lehman, Esther Leslie, John MacKay, Mihaela Mihailova, Marc Steinberg, Tess Takahashi
Performing Arts / Film / History & Criticism --- Performing Arts / Animation --- Performing arts --- Show business --- Arts --- Performance art
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Burundi. --- Democratic Republic of Congo. --- Rwanda. --- animated cartoons. --- film history. --- filmmakers.
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Chapter 12 of this book is open access under a CC BY license. Well-established scholars from a variety of disciplines - including sociology, anthropology, media and cultural studies, and political sciences – use the social construction of death and dying to analyse a wide variety of meaning-making practices in societal fields such as ethics, politics, media, medicine and family.
Thanatology --- Death --- Death in mass media --- Social aspects --- Death - Social aspects --- Motion pictures and television. --- Social groups. --- Family. --- Motion pictures—History. --- Civilization—History. --- Sociology. --- Theater—History. --- Screen Studies. --- Sociology of Family, Youth and Aging. --- Film History. --- Cultural History. --- Sociology, general. --- Theatre History.
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film studies --- digital cultures --- video --- moving image --- film history --- film theory --- Motion pictures --- Television --- History --- Radio vision --- TV --- Artificial satellites in telecommunication --- Electronic systems --- Optoelectronic devices --- Telecommunication --- Astronautics --- Optical communication systems --- Motion pictures. --- Television. --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism
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Taking the turn of this century as a starting point, when new legislation around detention, deportation and dispersal began to take effect, Contemporary Asylum Narratives identifies an emerging cultural engagement with asylum seekers and refugees in twenty-first century Britain. Through a focus on authors, playwrights and filmmakers this study brings literary and cultural criticism to bear on asylum issues by exploring the representational politics that determine our responses to the stateless individuals whose numbers are certain to increase in line with global economic and ecological crises. Making productive links between refugee studies and narrative fiction, Contemporary Asylum Narratives challenges critical concepts related to migration such as hospitality, cosmopolitanism and globalization. In doing so, the book marks a transition from older, diasporic modes of belonging to the need for identifications that account for the increasingly precarious and contingent migrations of the contemporary era.
Littérature anglaise --- Réfugiés politiques --- Réfugiés --- Histoire et critique --- Dans la littérature --- Histoire et critique. --- Dans la littérature. --- Motion pictures and television --- Literature, Modern—20th century --- Emigration and immigration --- Motion pictures—History --- Fiction --- Cultural studies --- Screen Studies --- Twentieth-Century Literature --- Migration --- Film History --- Cultural Studies --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Literature --- Novelists --- Immigration --- International migration --- Migration, International --- Population geography --- Assimilation (Sociology) --- Colonization --- Moving-pictures and television --- Television and motion pictures --- Television --- Philosophy --- E-books
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This collection of writings by Mark Fisher, author of the acclaimed Capitalist Realism, argues that we are haunted by futures that failed to happen. Fisher searches for the traces of these lost futures in the work of David Peace, John Le Carré, Christopher Nolan, Joy Division, Burial and many others.
David peace, John Le Carré, Christopher Nolan, Joy Division, Burial --- Depression, Mental --- Future, The --- Future, The, in popular culture. --- Kulturanthropologie. --- Massenkultur. --- PERFORMING ARTS / Film / History & Criticism. --- Philosophy. --- Popular culture --- Populärkultur. --- SOCIAL SCIENCE / Popular Culture. --- Society. --- Soziologie. --- Zeitfragen. --- Zukunft --- Social aspects. --- Psychological aspects. --- Fisher, Mark, --- sociologie --- filosofie --- cultuursociologie --- cultuurfilosofie --- politiek --- eenentwintigste eeuw --- kapitalisme --- neoliberalisme --- 130.2 --- Popular culture - Social aspects. --- Depression, Mental - Social aspects. --- Fisher, Mark, - 1968-2017 --- Philosophy and psychology of culture --- Sociology of culture --- anno 2000-2099
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Chapter 12 of this book is open access under a CC BY license. Well-established scholars from a variety of disciplines - including sociology, anthropology, media and cultural studies, and political sciences – use the social construction of death and dying to analyse a wide variety of meaning-making practices in societal fields such as ethics, politics, media, medicine and family.
Motion pictures and television. --- Social groups. --- Families. --- Motion pictures --- Civilization --- Sociology. --- Theater --- History. --- Moving-pictures and television --- Television and motion pictures --- Television --- Social theory --- Social sciences --- Association --- Group dynamics --- Groups, Social --- Associations, institutions, etc. --- Social participation --- Cultural history --- Family --- Families --- Family life --- Family relationships --- Family structure --- Relationships, Family --- Structure, Family --- Social institutions --- Birth order --- Domestic relations --- Home --- Households --- Kinship --- Marriage --- Matriarchy --- Parenthood --- Patriarchy --- History and criticism --- Social aspects --- Social conditions --- Family. --- Motion pictures—History. --- Civilization—History. --- Theater—History. --- Screen Studies. --- Sociology of Family, Youth and Aging. --- Film History. --- Cultural History. --- Sociology, general. --- Theatre History.
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Film Criticism, the Cold War, and the Blacklist examines the long-term reception of several key American films released during the postwar period, focusing on the two main critical lenses used in the interpretation of these films: propaganda and allegory. Produced in response to the hearings held by the House Committee on Un-American Activities (HUAC) that resulted in the Hollywood blacklist, these films' ideological message and rhetorical effectiveness was often muddled by the inherent difficulties in dramatizing villains defined by their thoughts and belief systems rather than their actions. Whereas anti-Communist propaganda films offered explicit political exhortation, allegory was the preferred vehicle for veiled or hidden political comment in many police procedurals, historical films, Westerns, and science fiction films. Jeff Smith examines the way that particular heuristics, such as the mental availability of exemplars and the effects of framing, have encouraged critics to match filmic elements to contemporaneous historical events, persons, and policies. In charting the development of these particular readings, Film Criticism, the Cold War, and the Blacklist features case studies of many canonical Cold War titles, including The Red Menace, On the Waterfront, The Robe, High Noon, and Invasion of the Body Snatchers.
Film --- anno 1900-1999 --- United States --- Motion pictures --- Cold War in motion pictures. --- Communism and motion pictures --- Blacklisting of entertainers --- Political aspects --- History --- Entertainers --- Communism and moving-pictures --- Motion pictures and communism --- Blacklisting --- 20th century american culture. --- 20th century american history. --- allegory. --- american entertainment culture. --- american films. --- anti communist propaganda. --- cold war. --- communism. --- critical lens. --- entertainment blacklist. --- film and television. --- film criticism. --- film history. --- historical films. --- hollywood blacklist. --- hollywood. --- house committee on un american activities. --- huac. --- literary allegory. --- movie studies. --- police procedures. --- political. --- politics. --- postwar period. --- propaganda films. --- propaganda. --- science fiction films. --- villains. --- westerns. --- United States of America
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