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Lecteurs/spectateurs d'Alexandre Kluge
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ISBN: 9791032000205 Year: 2015 Publisher: Aix-en-Provence Aix Marseille Université

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Book
Trattato contro la dottrina di Mani di Alessandro di Licopoli : edizione critica, traduzione e commento
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ISBN: 9788898697625 8898697627 Year: 2015 Publisher: Roma Stamen

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Manichaeism --- Alexander,


Dissertation
Willem IV van prins tot koning : traduction partielle et commentée d'une biographie
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Year: 2015

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Article
Klinkende meerstemmige verhalen, deel III : de analysemethodiek
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Year: 2015

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Digital
Skrjabin discovery
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Year: 2015 Publisher: Antwerpen deSingel

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Book
The Haciendas of Mexico: An Artist's Record
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Year: 2015 Publisher: Project Gutenberg

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Bartlett --- Paul Alexander --- 1909-1990


Book
A Middy's Recollections, 1853-1860
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Year: 2015 Publisher: Project Gutenberg

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Book
A Middy's Recollections, 1853-1860
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Year: 2015 Publisher: Project Gutenberg

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Book
The Haciendas of Mexico: An Artist's Record
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Year: 2015 Publisher: Project Gutenberg

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Bartlett --- Paul Alexander --- 1909-1990


Book
Glass shards : echoes of a message in a bottle
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ISBN: 9783847104209 3847104209 Year: 2015 Publisher: Göttingen : V&R Unipress,

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Flaschenpost war Adornos resignative Metapher aus dem Jahr 1940 für die eingebüßte Wirkungsmacht der Kritischen Theorie im Exil. Echos einer Flasche heißt für Kluge die bescheidene Optik – etwas indirekt im Glassplitter sehen – womit er wirksame Perspektiven im globalisierten 21. Jahrhundert sucht. Der zweite Band des Kluge-Jahrbuchs widmet sich einerseits Kluges theoretischer Verwandlung am Beispiel seiner Theoriearbeit mit Oskar Negt und andererseits den multimedialen Sichtweisen, die nicht nur seine »Haltung der Bescheidenheit« zum Ausdruck bringen, sondern auch seine theoretischen Wurzeln offenlegen. Adorno characterized Critical Theory as a message in a bottle in 1940 when the exiled Frankfurt School's sphere of influence was an ocean away from the catastrophes of fascism it sought to fight. Turning Adorno’s metaphor on its head some six decades later, Kluge likens his creative method in the interview with Oskar Negt that opens the second volume of the Kluge-Jahrbuch to echoes of light refracted through a bottle: “I can also see something by looking through shards of glass,” he explains. Deploying this turn of phrase as its point of departure, this issue of the Jahrbuch devotes its attention first to Kluge’s theory work written with Negt, its roots in and adaptation of the Frankfurt School tradition as well as its indebtedness to other schools of thought. In the remainder of the volume, scholars working in five different disciplines across the humanities query Kluge’s ways of seeing in film, television and literature.

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