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As well as being the most distinguished painter of his generation, Sir Joshua Reynolds (1723-92) was also the author of several works of art criticism and guides for artists, some of which originated as lectures delivered to the students of the Royal Academy by him as their founding president. This work, first published in 1778, collects six of the addresses given to the Academy on 'Prize Day', between 1769 and 1776, prefaced with the first address by Reynolds to his fellow artists of the newly founded institution in 1769. Each discourse was later printed and distributed to those present at Reynolds' expense. They present his views of the purpose of art, and in particular the necessity of intellectual dignity in what he calls the 'great style' of the Florentine Renaissance masters. The discourses also demonstrate his wide reading among the aesthetic theorists of his own and earlier ages.

Art --- Beautiful, The --- Beauty --- Aesthetics --- Art and philosophy --- Philosophy. --- Analysis, interpretation, appreciation

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The Bloomsbury Companion to Aesthetics presents a practical study guide to emerging topics and art forms in aesthetics and the philosophy of art. Placing contemporary discussion in its historical context, this companion begins with an introduction to the history of aesthetics. Surveying the central topics, terms and figures and noting the changes in the roles the arts played over the centuries, it also tackles methodological issues asking what the proper object of study in aesthetics is, and how we should go about studying it. Written by leading analytic philosophers in the field, chapters on Core Issues and Art Forms cover four major topics: the definition of art and the ontology of art work, aesthetic experience, aesthetic properties, and aesthetic and artistic value, specific art forms including music, dance, theatre, the visual arts as a whole, and the various forms of popular art, new areas in aesthetics and the philosophy of art, such as environmental aesthetics and global standpoint aesthetics, as well as other new directions the field is taking towards everyday aesthetics, Featuring a list of research resources and an extensive chronology of works dating from the fifth century BC to the 21st century, The Bloomsbury Companion to Aesthetics provides an engaging introduction to contemporary aesthetics.

Aesthetics. --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Psychology --- Radio broadcasting Aesthetics --- Aesthetics

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Born in Scotland, James Fergusson (1808-86) spent ten years as an indigo planter in India before embarking upon a second career as an architectural historian. Despite his lack of formal training, he became an expert in the field of Indian architecture, publishing Cave Temples of India and a History of Indian and Eastern Architecture, as well as The Holy Sepulchre and the Temple at Jerusalem, all reissued in the Cambridge Library Collection. In this illustrated work of 1849, he considers beauty in art, expressed chiefly by the architectural styles of different civilisations, beginning with ancient Egypt, and finishing with ancient Rome. (This book is named 'Part the First', but no subsequent volumes were written.) The first section is theoretical, tracing the intellectual development of man and his aesthetic sense, while the second considers the surviving evidence of the ideas of beauty held in the ancient world.

Architecture --- Aesthetics. --- History. --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Psychology --- Radio broadcasting Aesthetics --- Aesthetics

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Video games --- Aesthetics. --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Design. --- Psychology --- Radio broadcasting Aesthetics --- Aesthetics --- Computer games --- Design

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Pentecostals have not sufficiently worked out a distinctively Pentecostal philosophy of art and aesthetics. In Pentecostal Aesthetics: Theological Reflections in a Pentecostal Philosophy of Art and Aesthetics , with a foreword by Amos Yong, Steven Félix-Jäger corrects this by reflecting theologically on art and aesthetics from a global Pentecostal perspective, particularly through a pneumatic Pentecostal lens. Félix-Jäger contends that a Pentecostal philosophy of art and aesthetics must comply with the global, experiential, and pneumatocentric nature of the Pentecostal movement. Such a philosophy can be ontologically grounded in a relativistic theory of art. Theological reflections concerning the nature and purpose of art must then be sensitive to the ontological foundations secured thereof. In this fashion, Pentecostals can gain ample insight about the Spirit’s work in today’s contemporary artworld.

Aesthetics --- Art --- Pentecostal churches --- Beautiful, The --- Beauty --- Art and philosophy --- Religious aspects --- Pentecostal churches. --- Philosophy. --- Doctrines. --- Analysis, interpretation, appreciation --- Radio broadcasting Aesthetics