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Painting --- easel paintings [paintings by form] --- Caravaggio
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L'historien de l'art s'intéresse à l'utilisation de l'autoportrait par le peintre italien pour entrer en relation avec le spectateur et lui conférer le statut d'amant. Le miroir permettrait également un dialogue avec sa conscience et avec la production picturale de son temps dont il aimait repousser les limites. ©Electre 2015
Caravaggio, da, Michelangelo M. --- Painters --- Painting, Late Renaissance --- Peintres --- Peinture de la Renaissance --- Biography --- Biographies --- Renaissance tardive --- Caravaggio, Michelangelo Merisi da, --- Caravaggio, --- Caravage, Le --- Caravaggio --- Caravaggio, - ca. 1573-1610
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Propose une analyse complète et nouvelle de la totalité de l'oeuvre du Caravage, avec un catalogue de ses tableaux. Retrace sa carrière, depuis sa formation à Milan jusqu'à ses dernières années dramatiques, à Naples, Malte et en Sicile, en passant par son ascension triomphante à Rome. L'accent est mis sur la nature radicale et innovante de son art et sur son influence à travers toute l'Europe. ©Electre 2016
Painters --- Painting, Renaissance --- Peintres --- Peinture de la Renaissance --- Caravaggio, Michelangelo Merisi da,
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Painting --- Baroque --- easel paintings [paintings by form] --- Preti, Mattia --- Caravaggio, da, Michelangelo M. --- anno 1600-1699 --- Malta --- Caravaggio --- Caravaggisme --- barok --- Spada, Leonello --- Noletti, Francesco --- Preti, Mattia (genaamd il cavaliere Calabrese) --- D'Arena, Giuseppe --- Erardi, Stefano --- Erardi, Alessio --- 17de eeuw --- d'Arena, Giuseppe --- caravaggisme --- caravaggisme. --- barok. --- Caravaggio. --- Spada, Leonello. --- Noletti, Francesco. --- Preti, Mattia. --- d'Arena, Giuseppe. --- Erardi, Stefano. --- Erardi, Alessio. --- 17de eeuw. --- Malta.
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Une redécouverte des grands noms de la peinture italienne, du XIVe au XVIIe siècle, à travers la collection de R. Longhi (1890-1970), personnalité majeure de l'histoire de l'art italien. ©Electre 2015
Painting --- Longhi, Roberto --- anno 1400-1499 --- anno 1300-1399 --- anno 1500-1599 --- Painting, Italian --- Peinture italienne --- History --- Histoire --- Longhi, Roberto, --- Fondazione Roberto Longhi --- verzameling Roberto Longhi --- Fondation Jacquemart-André --- Caravaggisme --- Caravaggio --- 14de eeuw --- 15de eeuw --- 16de eeuw --- Fondazione Roberto Longhi (Firenze) --- caravaggisme --- Fondazione Roberto Longhi (Firenze). --- Fondation Jacquemart-André. --- caravaggisme. --- Longhi, Roberto. --- Caravaggio. --- 14de eeuw. --- 15de eeuw. --- 16de eeuw.
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Sculpture --- Painting --- sculpture [visual work] --- easel paintings [paintings by form] --- influence --- Michelangelo --- mythologie --- kopiisten --- fotografie --- naakt --- Carracci, Annibale --- Caravaggio --- Rubens, Peter Paul --- Bernini, Gian Lorenzo --- sculpture [visual works] --- Buonarroti, Michelangelo --- mythologie. --- kopiisten. --- naakt. --- Michelangelo. --- Carracci, Annibale. --- Caravaggio. --- Rubens, Peter Paul. --- Bernini, Gian Lorenzo.
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For the first time since 1695, a complete text of De Arte Graphica as Dryden himself wrote it is available to readers. In all, Volume XX presents six pieces written during Dryden's final decade, each of them either requested by a friend or commissioned by a publisher. Two are translations, three introduce translations made by others, and the sixth introduces an original work by one of Dryden's friends.The most recent version of De Arte Graphica, Saintsbury's late nineteenth-century reissue of Scott's edition, based the text of the translated matter on an edition that was heavily revised by someone other than Dryden. In fact, only one of the pieces offered here, the brief Character of Saint-Evremond, has appeared complete in a twentieth-century edition. The commentary in this volume supplies biographical and bibliographical contexts for these pieces and draws attention to the views on history and historians, poetry and painting, Virgil and translation, which Dryden expresses in them.Many other volumes of prose, poetry, and plays are available in the California Edition of The Works of John Dryden.
Painters. --- Painting --- Artists --- Lucian, --- Polybius. --- Polybe --- Loekianos, --- Loukianos, --- Lucià, --- Luciano, --- Lucianus Samosatensis --- Lucien, --- Lukian, --- Lúkiános, --- Lūkiyān al-Sumaysāṭī --- Lūqiyān al-Samīsāṭī --- Lūqyānūs al-Samīsāṭī --- Samosata, Lucian of --- Λουκιανóς, --- לוציאן --- לוציאן, --- لوقيان السميساطي --- لوقيانوس --- Lucianus Samosatenus --- Lukian --- Lucianus --- Lucien --- Lucien de Samosate --- Lucianus van Samosata --- Lucian --- 17th century. --- aesthetics. --- art history. --- art theory. --- art. --- artistic theory. --- battista franco. --- beauty. --- biography. --- british literature. --- caravaggio. --- castiglione. --- classics. --- composition. --- correggio. --- da correggio. --- da vinci. --- du fresnoy. --- fiction. --- fine art. --- form. --- french masters. --- hans holbein. --- italian masters. --- literary criticism. --- literary theory. --- nature. --- nonfiction. --- painters. --- painting. --- portraiture. --- power of art. --- profile. --- restoration england. --- restoration. --- rosso. --- rubens. --- van dyck. --- van leyden.
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This is a systematic study of the conceptual framework used by critics and scholars in their discussions of influence in art and literature. Göran Hermerén explores the key questions raised in scholarly debate on the topic: What is meant by "influence"? What methods can be used to settle disagreements about influence? What reasons could be used to support or reject statements about artistic and literary influence? The book is based on descriptive analyses in which the author has tried to make explicit what is said or implied in a number of "ations from scholarly writings on art and literature. Throughout, the emphasis is on clarifying the assumptions on which the use of the concept of influence is based, thus describing the limitations and merits of this kind of comparative research for critics and scholars.Originally published in 1975.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Judgment (Aesthetics) --- Influence littéraire, artistique, etc. --- Jugement (Esthétique) --- Influence (Literary, artistic, etc) --- -Themes, motives. --- Judgment (Aesthetics). --- Influence littéraire, artistique, etc. --- Jugement (Esthétique) --- Art --- Influence (Literary, artistic, etc.) --- Literature --- -Artistic impact --- Artistic influence --- Impact (Literary, artistic, etc.) --- Literary impact --- Literary influence --- Literary tradition --- Tradition (Literature) --- Belles-lettres --- Western literature (Western countries) --- World literature --- Themes, motives. --- Philosophy --- Subjects --- Comparative literature --- Littérature --- Themes, motives --- Thèmes, motifs --- Philosophie --- Aesthetics --- Artistic impact --- Influence (Psychology) --- Intermediality --- Intertextuality --- Originality in literature --- Literature and philosophy --- Philosophy and literature --- Theory --- Influence (Literary, artistic, etc.). --- Philosophy. --- Art - Themes, motives --- Literature - Philosophy --- Adjective. --- Aesthetic Theory. --- Aesthetics. --- Allegory. --- Allusion. --- Anachronism. --- Ancient art. --- Anecdote. --- Antithesis. --- Art criticism. --- Art history. --- Artistic merit. --- Baroque painting. --- Caravaggio. --- Carolingian art. --- Causality. --- Cliché. --- Clinamen. --- Close reading. --- Comparative literature. --- Comparative method (linguistics). --- Contemporary art. --- Contemporary philosophy. --- Counterfactual conditional. --- Criticism. --- Cubism. --- D. H. Lawrence. --- Deed. --- Digression. --- Drapery. --- Engraving. --- Epic poetry. --- Explanation. --- Ezra Pound. --- Fine art. --- Florentine painting. --- Forgery. --- French literature. --- Genre. --- Human Action. --- Humanities. --- Iconography. --- Ideogrammic method. --- Ideology. --- Illocutionary act. --- Illusionism (art). --- Illustration. --- Illustrator. --- Imagery. --- Indian aesthetics. --- Individualism. --- Invention. --- Japanese art. --- Journalism. --- Languages of Art. --- Las Meninas. --- Literary genre. --- Literature. --- Marcel Duchamp. --- Metaphor. --- Monograph. --- Mural. --- Mutatis mutandis. --- Narrative. --- Oil sketch. --- Ontology. --- Originality. --- Overreaction. --- Pablo Picasso. --- Paul Gauguin. --- Perlocutionary act. --- Philosopher. --- Philosophy of history. --- Philosophy of language. --- Plagiarism. --- Poetry. --- Publication. --- Publishing. --- Rapprochement. --- Requirement. --- Result. --- Romanticism. --- Secondary source. --- Speech act. --- Still life. --- Stipulation. --- Stipulative definition. --- Suggestion. --- Symbolism (arts). --- The Conceptual Framework. --- Theory of art. --- Theory. --- Thought. --- Titian. --- Treatise. --- Value judgment. --- Visual arts. --- Work of art. --- Writer. --- Writing.
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"A major new book from one of the world's leading writers and art critics One of the world's most celebrated art writers, John Berger, takes us through centuries of art revealing his fascination with the artist. In Portraits, Berger connects the artist and history in revolutionary ways, from the prehistoric paintings of the Chauvet caves to Cy Twombly's radical work. In his penetrating and singular prose, Berger presents entirely new ways of thinking about artists both canonized and obscure, from Rembrandt to Henry Moore, Jackson Pollock to Picasso. Throughout, Berger maintains the essential connection between politics, art and the wider study of culture. A beautifully illustrated walk through many centuries of visual culture from one of the contemporary world's most incisive critical voices"--
kunst --- Mdah Randa --- Broughton Michael --- Hänsli Christoph --- Camino Marisa --- Basquiat Jean-Michel --- Noel Martin --- Iglesias Cristina --- Plensa Jaume --- Kunovsky Rostia --- Munoz Juan --- Serrano Andres --- Kennard Peter --- Birnberg Liane --- Hambling Maggi --- Quanne Michael --- Celmins Vija --- Auerbach Frank --- kunstgeschiedenis --- Twombly Cy --- Fry Anthony --- Kossoff Leon --- Neizvesthy Ernst --- Barlow Yvonne --- Souza Francis Newton --- de Francia Peter --- Ten Holt Friso --- Blomberg Sven --- Clough Prunella --- de Staël Nicolas --- Dino Abidin --- Krassner Lee --- Pollock Jackson --- Guttuso Renato --- Bacon Francis --- Kahlo Frida --- Medley Robert --- Rothko Mark --- Giacometti Alberto --- Peri Peter Lazslo --- Moore Henry --- Zadkine Ossip --- Léger Fernand --- Picasso Pablo --- Matisse Henri --- Kollwitz Käthe --- Van Gogh Vincent --- Monet Claude --- Cézanne Paul --- Cheval Ferdinand --- Facteur Cheval --- Degas Edgar --- Courbet Gustave --- Millet Jean-François --- Géricault Théodore --- kunstkritiek --- Turner Joseph Mallord William --- Daumier Honoré --- Goya Francisco --- Watteau Jean-Antoine --- Drost Willem --- Rembrandt --- Velázquez Diego --- Hals Frans --- Caravaggio --- Holbein Hans de Jongere --- Titiaan --- Michelangelo --- Dürer Albrecht --- Grünewald Matthias --- Bellini Giovanni --- Bruegel Pieter de Oudere --- Bosch Hieronymus --- Mantegna Andrea --- Antonello da Messina --- Piero della Francesca --- el Fajoem --- Grotte de Chauvet --- 7.03 --- Art --- History of civilization --- art history --- performing artists --- artists [visual artists] --- rotstekeningen --- portretschilderkunst --- Géricault, Théodore --- Medley, Robert --- Kossoff, Leon --- Cheval, Ferdinand --- Guttuso, Renato --- Kahlo, Frida --- Plensa, Jaume --- Picasso, Pablo --- Velázquez, da Silva y, Diego --- Rothko, Mark --- Fry, Anthony --- Léger, Fernand --- Hambling, Maggi --- Kennard, Peter --- Gogh, van, Vincent --- Mdah, Randa --- Pollock, Jackson --- Neizvestny, Ernst --- Noël, Martin --- Cézanne, Paul --- Barlow, Yvonne --- Camino, Marisa --- Blomberg, Sven --- Kunovsky, Rostia --- Dino, Abidin --- Holt, Ten, Friso --- Birnberg, Liane --- Francia, de, Peter --- Newton Souza, Francis --- Quanne, Michael --- Hänsli, Christoph --- Broughton, Michael --- Grünewald, Matthias --- Bosch, Jeroen --- Bruegel, Pieter [Elder] --- Mantegna, Andrea --- Dürer, Albrecht --- Bellini, Giovanni --- Titian --- Degas, Edgar --- Daumier, Honoré --- Matisse, Henri --- Holbein, Hans [Younger] --- Goya y Lucientes, de, Francisco José --- Hals, Frans --- Millet, Jean-François --- Basquiat, Jean-Michel --- Bacon, Francis --- Moore, Henry --- Monet, Claude --- Twombly, Cy --- Watteau, Jean Antoine --- Turner, Joseph Mallord William --- Staël, de, Nicolas --- Celmins, Vija --- Muñoz, Juan --- Auerbach, Frank --- Courbet, Gustave --- Iglesias, Cristina --- Clough, Prunella --- Drost, Willem --- Krasner, Lee --- Peri, Laszlo --- Serrano, Andres --- Kollwitz, Käthe --- Zadkine, Ossip --- Giacometti, Alberto --- Egypt --- Abidine, Dino --- Buonarroti, Michelangelo
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