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Euripides --- Criticism and interpretation --- Tragödie. --- Politik. --- Ästhetik. --- Euripides. --- Euripides, --- Criticism and interpretation. --- Athen. --- Euripides - Criticism and interpretation

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Chosen as one of the ten canonical plays by Euripides during the Hellenistic period in Greece, Hecuba was popular throughout Antiquity. The play also became part of the so-called 'Byzantine triad' of three plays of Euripides (along with Phoenician Women and Orestes) selected for study in school curricula, above all for the brilliance of its rhetorical speeches and quotable traditional wisdom. Translations into Latin and vernacular languages, as well as stage performances emerged early in the sixteenth century. The Renaissance admired the play for its representation of the extraordinary suffering and misfortunes of its newly-enslaved heroine, the former queen of Troy Hecuba, for the courageous sacrificial death of her daughter Polyxena, and for the beleaguered queen's surprisingly successful revenge against the unscrupulous killer of her son Polydorus. Later periods, however, developed reservations about the play's revenge plot and its unity. Recent scholarship has favorably reassessed the play in its original cultural and political context and the past thirty years have produced a number of exciting staged productions. Hecuba has emerged as a profound exploration of the difficulties of establishing justice and a stable morality in post-war situations. This book investigates the play's changing critical and theatrical reception from Antiquity to the present, its mythical and political background, its dramatic and thematic unity, and the role of its choruses.

Greek drama --- History and criticism --- Euripides.

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Long, stichomythic dialogues in the tragedies of Euripides are connected with some of the greatest problems of critical appreciation. The form is considered unnatural particularly when characters use stichomythia to tell stories to each other. In Shared Storytelling in Euripidean Stichomythia Liesbeth Schuren tries to rehabilitate Euripidean stichomythia, using pragmatic and narratological approaches. In the section devoted to pragmatic analysis, comparison between the turn-taking systems in Euripidean stichomythia and naturally occurring conversation establishes to what extent convention and realism are operative. Using narratological arguments, the traditional apparatus is expanded to suit the dialogic nature of narrative stichomythia. Analysis of narrative presentation in storytelling with two interlocutors results in a multi-faceted perspective, an effect unique to narrative stichomythia

Euripides --- Stichométrie. --- Euripide --- Critique et interprétation.

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Euripides --- Euripide --- Criticism and interpretation. --- Themes, motives. --- Critique et interprétation. --- Thèmes, motifs.

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Friedrich Gottlieb Welcker championed a comprehensive approach to antiquity, embracing history, literature, art and religion. This, and his openness to contemporary philosophical ideas about aesthetics and mythology, gave his work a visionary quality that inspired later figures as diverse as Usener and Wilamowitz. In this three-volume work on tragedy, his largest, published between 1839 and 1841, he attempts to reconstruct all the lost trilogies and tetralogies of Greek tragic theatre, insisting on their artistic unity, and demonstrating their fundamental debt to the Epic Cycle (which he had investigated in his Der Epische Cyclus, also reissued in this series). Amid much that is fantastic he made many brilliant discoveries, such that he must still be consulted by all serious students of the subject. Volume 2 discusses Euripides, and the Trojan and Theban epic cycles.

Greek drama (Tragedy) --- Epic poetry, Greek --- Mythology, Greek, in literature. --- History and criticism. --- Euripides --- Criticism and interpretation. --- Ėvripid --- Yūrībīdīs --- Euripide --- Euripedes --- Eŭripido --- Eurypides --- Euripidesu --- אוריפידס --- エウリーピデース --- Εὐριπίδης