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Entre 1902 et 1925, l'existence du personnage gidien est plurielle: morale, fondée sur la notion de caractère; symbolique, car il invite le lecteur à articuler particulier et général; temporelle, enfin, par le biais d'une trajectoire qui peut faire l'objet d'un jugement moral.
Gide, André, --- Critique et interprétation --- Personnages --- Characters --- Criticism and interpretation --- Gide, André --- Critique et interprétation. --- Personnages. --- Gide, André, - 1869-1951 - Characters --- Gide, André, - 1869-1951 - Criticism and interpretation --- Gide, André, - 1869-1951
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Gide, André --- Saint-John Perse --- Amis et relations --- Gide, André, --- Saint-John Perse, --- Gide, André, --- Authors, French --- Ecrivains français --- Amis et relations.
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Gide, André --- Blum, Léon --- Authors, French --- Politicians --- Ecrivains français --- Hommes politiques --- Biography. --- Biography --- Biographies --- Gide, André, --- Blum, Léon, --- Friends and associates. --- Correspondence. --- Ecrivains français --- Gide, André, --- Blum, Léon,
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Version remaniée d'une thèse, cette étude analyse le rapport de l'écrivain et philosophe Pierre Klossowski (1905-2001) au langage. L'auteur met en lumière les moyens élaborés pour développer un simulacre de langage qui permettrait de communiquer sur ce qui est indicible, au-delà du silence, pour se rapprocher de l'innocence créatrice des dieux, chère à Friedrich Nietzsche. ©Electre 2016
Klossowski, Pierre --- Gide, André, --- Bataille, Georges, --- Nietzsche, Friedrich Wilhelm, --- Criticism and interpretation. --- Gide, André, --- Criticism and interpretation --- Nietzsche, Friedrich --- Nietzsche, Friederich --- Bataille, Georges --- Angélique, Pierre --- Auch, --- Lord Auch --- Bataiyu, Joruju --- Bataiyu, G. --- בטאיי, ז׳ורז׳, --- Gide, André --- Gide, André Paul Guillaume --- Žid, Andre, --- Zhiīd, Andrah --- Jīd, Āndrah --- Chi-te --- Gide, André Paul Guillaume --- Jiddo, Andore --- Zhid, A. --- Zhid, Andre --- L̲īṭu, Āntrē --- Zint, Antre --- Jit, Ān̲ṭrē --- چيد، اندريه
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Le volume réunit les contributions d'amis et collègues de Peter Schnyder, professeur de littérature à l'université de Haute-Alsace et directeur de l'ILLE. Il rend hommage à une carrière consacrée à la poésie française contemporaine, la littérature suisse et francophone, l'œuvre d'André Gide et la traduction littéraire.
French literature --- Translating and interpreting --- Littérature française --- Traduction et interprétation --- History and criticism --- Histoire et critique --- Schnyder, Peter, --- Gide, André, --- Criticism and interpretation --- Littérature française --- Traduction et interprétation --- Gide, André, --- Literature --- Translating and interpreting. --- Lyrik. --- Französisch. --- Literatur. --- Übersetzung. --- History and criticism. --- Aesthetics. --- Gide, André --- Criticism and interpretation.
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The author, in defining the genre of "lyrical fiction," separates a type of .fiction that can be legitimately viewed as "poetry" from other narrative types. The lyrical novelist uses fictional devices to find an aesthetic expression for experience, achieving an effect most frequently seen in dreams, picaresques, and allegories. Analyzing representative novels by Hermann Hesse, Andre Gide, and Virginia Woolf, Ralph Freedman focuses on the problem of self-consciousness. His findings are directly applicable to much twentieth-century fiction. Originally published in 1963.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Fiction --- History and criticism. --- Woolf, Virginia, --- Gide, Andre, --- Hesse, Hermann, --- Criticism and interpretation. --- Woolf, Virginia Stephen, --- Stephen, Virginia, --- Ulf, Virzhinii︠a︡, --- Ṿolf, Ṿirg'inyah, --- Vulf, Virdzhinii︠a︡, --- Вулф, Вирджиния, --- וולף, וירג׳יניה --- וולף, וירג׳יניה, --- Stephen, Adeline Virginia, --- Lauscher, Hermann, --- Sinclair, Emil, --- Gesse, German, --- Khesse, German, --- Ho-sai, Ho-man, --- Ho-man Ho-sai, --- Hese, Herman, --- Heseh, Herman, --- Hes, Herman̲, --- Hessi, Herman̲, --- Гессе, Герман, --- הסה, הרמן --- הסה, הרמן, --- へッセ・へルマン, --- ヘッセハーマン, --- ヘルマンヘッセ, --- 赫塞赫爾曼, --- Hese, Herŭman, --- 헤세, 헤르만, --- Žid, Andre, --- Zhiīd, Andrah, --- Jīd, Āndrah, --- Chi-te, --- Gide, André Paul Guillaume, --- Jiddo, Andore, --- Zhid, A. --- Zhid, Andre, --- L̲īṭu, Āntrē, --- Zint, Antre, --- Jit, Ān̲ṭrē, --- چيد، اندريه --- Comparative literature --- Gide, André --- Hesse, Hermann --- Woolf, Virginia --- Gide, André, --- Gide, André Paul Guillaume --- Zhiīd, Andrah --- Jīd, Āndrah --- Chi-te --- Gide, André Paul Guillaume --- Jiddo, Andore --- Zhid, Andre --- L̲īṭu, Āntrē --- Zint, Antre --- Jit, Ān̲ṭrē --- Hesse, Hermann Karl --- Lauscher, Hermann --- Sinclair, Emil --- Gesse, German --- Khesse, German --- Ho-sai, Ho-man --- Ho-man Ho-sai --- Hese, Herman --- Heseh, Herman --- Hes, Herman̲ --- Hessi, Herman̲ --- Гессе, Герман --- Hese, Herŭman --- LITERARY CRITICISM / General.
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Can we communicate the incommunicable? Language is general, but the “depths of the soul” are unique, and only the experience lived in silence is authentic. Would it be possible to find a language that would appear to say something but that would communicate nothing but the incommunicable? The present volume analyses how, by developing the simulacrum of a language or “pure media”, Klossowski managed to move beyond the prevarications of Gide, so hesitant to speak or remain silent about his “Uranianism”, and the wrath of Bataille or Sade, equating destruction and purity, to finally arrive at the Nietzschean innocence that creates gods. Tenter de communiquer l’incommunicable, c’est se frotter à un paradoxe. Car si le langage est général, le « fond de l’âme » est singulier, et seule est authentique l’expérience vécue dans le silence. Vouloir la dire, c’est se livrer au code des signes quotidiens ; quant à la taire, comme disait Sartre, « ce n’est pas être muet, c’est refuser de parler, donc parler encore ». Si l’on ne sort pas du langage, ne pourrait-on en faire un usage différent, souverain, non assujetti aux normes de l’échange – trouver un langage qui ferait semblant de dire quelque chose mais qui ne communiquerait rien que de l’incommunicable ? Fondé sur de nombreux documents inédits, le présent ouvrage analyse comment, par l’élaboration d’un simulacre de langage ou « pur média », Klossowski parvient à dépasser les tergiversations de Gide, hésitant à dire ou à taire son uranisme, les fureurs de Bataille ou Sade, assimilant destruction et pureté, pour retrouver enfin l’innocence nietzschéenne créatrice de dieux.
France --- French --- 20th century --- Philosophy of language --- The self, ego, identity, personality --- Klossowski, Pierre --- Gide, André, --- Bataille, Georges, --- Nietzsche, Friedrich Wilhelm, --- Criticism and interpretation. --- Criticism and interpretation --- simulacre --- simulacrum --- community --- complicité --- translation --- personal identity --- fond de l'âme --- madness --- traduction --- autobiographie --- identité personnelle --- homosexualité --- folie --- homosexuality --- autobiography --- complicity --- communauté --- depth of the soul --- communication
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Can we communicate the incommunicable? Language is general, but the “depths of the soul” are unique, and only the experience lived in silence is authentic. Would it be possible to find a language that would appear to say something but that would communicate nothing but the incommunicable? The present volume analyses how, by developing the simulacrum of a language or “pure media”, Klossowski managed to move beyond the prevarications of Gide, so hesitant to speak or remain silent about his “Uranianism”, and the wrath of Bataille or Sade, equating destruction and purity, to finally arrive at the Nietzschean innocence that creates gods. Tenter de communiquer l’incommunicable, c’est se frotter à un paradoxe. Car si le langage est général, le « fond de l’âme » est singulier, et seule est authentique l’expérience vécue dans le silence. Vouloir la dire, c’est se livrer au code des signes quotidiens ; quant à la taire, comme disait Sartre, « ce n’est pas être muet, c’est refuser de parler, donc parler encore ». Si l’on ne sort pas du langage, ne pourrait-on en faire un usage différent, souverain, non assujetti aux normes de l’échange – trouver un langage qui ferait semblant de dire quelque chose mais qui ne communiquerait rien que de l’incommunicable ? Fondé sur de nombreux documents inédits, le présent ouvrage analyse comment, par l’élaboration d’un simulacre de langage ou « pur média », Klossowski parvient à dépasser les tergiversations de Gide, hésitant à dire ou à taire son uranisme, les fureurs de Bataille ou Sade, assimilant destruction et pureté, pour retrouver enfin l’innocence nietzschéenne créatrice de dieux.
Klossowski, Pierre --- Gide, André, --- Bataille, Georges, --- Nietzsche, Friedrich Wilhelm, --- Criticism and interpretation. --- Criticism and interpretation --- simulacre --- simulacrum --- community --- complicité --- translation --- personal identity --- fond de l'âme --- madness --- traduction --- autobiographie --- identité personnelle --- homosexualité --- folie --- homosexuality --- autobiography --- complicity --- communauté --- depth of the soul --- communication
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