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This study examines works that address the spatial location of Latinidades, especially Latina, identity by subverting literary history and literary theory through testimonio, hybrid genres, social activism, metafiction, and solidarity.
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This volume brings together essays that, individually and collectively, address the force of the literary text with regard to problematic identities. They work out of shared concerns with literary representations of this issue in different regions, nations and communities that often prove divided; they pursue questions related to textual identity, where the literary text itself is contested internally, or in its generic and historical relations. In sum, these studies actively test identity, as social or literary concept, discovering in difference the very condition of a useful, if paradoxical,
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Over the past decade 'singularity' has been a prominent term in a broad range of fields, ranging from philosophy to literary and cultural studies to science and technology studies. This volume intervenes in this broad discussion of singularity and its various implications, proposing to explore the term for its specific potential in the study of literature. Singularity and Transnational Poetics brings together scholars working in the fields of literary and cultural studies, translation studies, and transnational literatures. The volume's central concern is to explore singularity as a conceptual tool for the comparative study of contemporary literatures beyond national frameworks, and by implication, as a tool to analyze human existence. Contributors explore how singularity might move our conceptions of cultural identity from prevailing frameworks of self/other toward the premises of being as 'singular plural'. Through a close reading of transnational literatures from Ireland, Germany, the Netherlands, France, and South Africa, this collection offers a new approach to reading literature that will challenge a reader's established notions of identity, individuality, communicability, and social cohesion.
Transnationalisme --- Identité (philosophie) --- Traduction. --- Dans la littérature. --- Poetics --- Transnationalism in literature --- Identity (Philosophical concept) in literature --- Identity in literature --- Poetry --- Technique --- Identité (philosophie) --- Dans la littérature.
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This volume brings together essays that, individually and collectively, address the force of the literary text with regard to problematic identities. They work out of shared concerns with literary representations of this issue in different regions, nations and communities that often prove divided; they pursue questions related to textual identity, where the literary text itself is contested internally, or in its generic and historical relations. In sum, these studies actively test identity, as social or literary concept, discovering in difference the very condition of a useful, if paradoxical, sense of personal or textual coherence. What happens to us when we move between different cultures or different societies, defined in geographical or historical terms? What happens to texts and textual practices in these same circumstances? What happens to us when we are obliged to adapt to a new social order? Homi Bhabha speaks of "cultural difference" as calling into play what he calls "cultural translation." What happens to identity, the narrative that fashions a continued sense of self, in this case? Difference, raised to alterity, demands that we accord functional and philosophical value not just to other aspects, but also to the aspect of the other. At the level of personal or textual agency, however, difference contests and threatens to subvert stable selfhood, composing a scene of conflict. Even so, it often proves to be instrumental in re-charging a sense of the cultural valence of the literary text - not least by virtue of its political implications. In this regard, the border - where difference materialises - has considerable presence in contributions to this volume, prompting appreciation of texts that work on or travel across such borders, however haphazardly and dangerously, but also those that compose "border textualities."
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Starting with a re-examination of the role of the colonial/racial Other in mainstream Gothic (colonial) fiction, this book goes on to engage with the problem of narrating the 'subaltern' in the post-colonial context. It engages with the problems of representing 'difference' in lucid conceptual terms, with much attention to primary texts, and highlights the strengths and weaknesses of colonial discourses as well as postcolonialist attempts to 'write back.' While providing rich readings of Conrad, Kipling, Melville, Emily Brontë, Erna Brodber, Jean Rhys and others, it offers new perspectives on Otherness, difference and identity, re-examines the role of emotions in literature, and suggests productive ways of engaging with contemporary global and postcolonial issues.
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Dutch literature --- Immigrants' writings, Dutch --- Emigration and immigration in literature. --- Identity (Philosophical concept) in literature. --- Flemish literature --- Identity in literature --- Dutch immigrants' writings --- Foreign authors --- History and criticism. --- Migrantenliteratur. --- Multikulturelle Gesellschaft. --- History and criticism --- Niederlande. --- Migration. Refugees --- anno 1900-1999 --- anno 2000-2099 --- Migratie. Vluchtelingen --- Nederlandse letterkunde --- Emigration and immigration in literature --- Identity (Philosophical concept) in literature --- Foreign authors&delete&
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Women novelists of the Sri Lankan diaspora make a significant contribution to the field of South Asian postcolonial studies. Their writing is critical and subversive, particularly concerned as it is with the problematic of identity. This book engages in insightful readings of nine novels by women writers of the Sri Lankan diaspora: Michelle de Kretser's The Hamilton Case (2003); Yasmine Gooneratne's A Change of Skies (1991), The Pleasures of Conquest (1996), and The Sweet and Simple Kind (2006); Chandani Lokugé's If the Moon Smiled (2000) and Turtle Nest (2003); Karen Roberts's July (2001); Roma Tearne's Mosquito (2007); and V.V. Ganeshananthan's Love Marriage (2008). These texts are set in Sri Lanka but also in contemporary Australia, England, Italy, Canada, and North America. They depict British colonialism, the Tamil-Sinhalese conflict, neocolonial touristic predation, and the double-consciousness of diaspora. Despite these different settings and preoccupations, however, this body of work reveals a consistent and vital concern with identity, as notably gendered and expressed through resonant images of mourning, melancholia, and other forms of psychic disturbance. This is a groundbreaking study of a neglected but powerful body of postcolonial fiction.
Sri Lankan diaspora. --- Sri Lankan literature (English) --- Identity (Philosophical concept) in literature. --- History and criticism. --- Women and literature --- Feminism and literature --- Sri Lankan literature --- Literature --- Women authors. --- Women authors --- Literature and feminism
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Litteraturen är en kritik. Den som skriver är inte nöjd med världen sådan den ser ut. På samma gång är litteraturen mer än en kritik. Den pekar mot det outsagda, bortom det redan definierade. Vad kan litteraturen göra i egenskap av kritik? Som plats för något nytt och annat? Vad kan den inte göra? Och hur kan läsaren ta ansvar för litteraturen som möjlighet?I dialog med tänkare som Gayatri Chakravorty Spivak och Emmanuel Levinas undersöker Elisabeth Hjorth läsning som en etisk praktik. Hon gör det genom prövande och dekonstruktiva läsningar av Jonas Hassen Khemiri, Annika Korpi, Daniel Sjölin och Sara Stridsberg. Förtvivlan är och bör enligt Hjorth vara utgångspunkten för denna etiska läsning. Förtvivlan förstådd som ett oförsonligt begär efter andra ordningar och världar. Att läsa blir då att jagas av ett ansvar, som av en ande eller ett spöke. Framtiden står på spel, eftersom läsaren förvaltar det etiska - det som vetter mot det kommande, det som återstår att förverkliga. Elisabeth Hjorth är författare och kritiker. Hennes senaste roman är "Vid himlens början" från 2013. Hon är verksam som lärare och forskare i litterär gestaltning på Konstfack. "Förtvivlade läsningar" är hennes doktorsavhandling i etik framlagd vid Uppsala universitet.
Analys och tolkning. --- Böcker och läsning --- Criticism. --- Essentialism (filosofi). --- Ethics in literature. --- Ethics in literature. --- Ethnicity in literature. --- Ethnicity in literature. --- Etik i litteraturen. --- Etnicitet i litteraturen. --- Feminist theory. --- Feministisk teori. --- Identitet (filosofi) i litteraturen. --- Identity (Philosophical concept) in literature. --- Identity (Philosophical concept) in literature. --- Intersectionality. --- Intersektionalitet. --- Kritik. --- Literary studies --- Litteratur --- Litteraturvetenskap --- Makt. --- Novels --- Postcolonialism --- Postkolonialism --- Power. --- Romaner --- Svensk litteratur. --- Svenska romaner. --- Swedish fiction. --- Swedish fiction. --- Swedish literature. --- Swedish literature. --- Etik och moral. --- Identity --- Ethics --- Genusaspekter. --- Identitet --- Etik --- Resistance --- Reading. --- Theory. --- Teori. --- Motstånd --- Läsning. --- Khemiri, Jonas Hassen, --- Korpi, Annika, --- Sjölin, Daniel, --- Stridsberg, Sara,
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