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Was eigentlich bedeutet "Nachahmung der Natur"? Im Horizont dieser Frage rekonstruiert das Buch paradigmatische Verschränkungen von künstlerischer Praxis, Bildtheorie und Naturwissen. Im Zentrum stehen dabei Naturabgüsse und Fossilien sowie das Zeichnen und angewandte Perspektive. Zu den Protagonisten gehören Künstler wie Wenzel Jamnitzer und Bernard Palissy, Sammler wie Ferrante Imperato und Rudolf II. oder Autoren wie Fabio Colonna und François Niceron. Die kontrastive Gegenüberstellung von Verfahren indexikalischer Bildgebung und Spielarten der zeichnerischen Konstruktion gibt neue Einsichten in Probleme der Form und in Formprozesse als Interaktionen in einem starken Sinne zwischen den Künsten und Natur. What does it actually mean to ‘imitate nature?’ Framed by this question, this book traces the paradigmatic connections between aesthetic practices, image theory, and our understanding of nature. A focus is placed on castings of natural objects and fossils, as well as drawing and the use of perspective. Comparing these objects, the author offers new insights into the problems of form, highlighting interactions between art and nature.

Nature (Aesthetics) --- Nature in art. --- Art and science --- History

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Design has always been guided by nature. The forms of nature, optimized for energy and structure, are a model of adaptability and diversity. National scientists, engineers, architects, and artists draw from and are inspired by its rich trove of resources. The book shows how man has engaged with nature and offers suggestions for further reading.

Nature (Aesthetics) --- Organic architecture. --- Bionics. --- Architecture --- Nature in art. --- 72.013 --- 7.013 --- Vormanalyse ; proportie ; compositie ; vormen uit de natuur --- Natuurvormen als inspiratie voor architecturale vormen --- Organische en dynamische constructies --- Kunst en natuur ; natuurvormen --- Intellectronics --- Bioengineering --- Biophysics --- Cybernetics --- Simulation methods --- Systems engineering --- Art and nature --- Nature and art --- Aesthetics --- Environmental aspects. --- Architectuur ; proportie, symmetrie, harmonie --- Kunst ; verhouding, vorm, ritme, symmetrie --- Nature (esthétique) --- Architecture organique --- Architecture et biologie --- Aspects environnementaux --- Architecture organique. --- Architecture et biologie. --- Aspects environnementaux. --- Organic architecture --- Bionics --- Nature in art --- Environmental aspects --- Nature (esthétique)

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"The celebrated painter Vincent van Gogh (1853-1890) had a lifelong fascination with the natural world. He spent his youth in rural Holland, and the country's flat landscapes, trees, flowers, and birds would feature in his early art. After he moved to Paris, he encountered new radical thinking about art and humans' changing relationship with nature. Later, in Provence and Auvers, he discovered unfamiliar terrain, flora, and fauna that further influenced his artistic ideas and subject matter. Van Gogh's images of such diverse environments reflect not only his immediate surroundings but also the artist's evolving engagement with nature and art. Van Gogh and Nature is an eye-opening new catalogue that chronicles the artist's ongoing relationship with nature throughout his entire career. Among the featured works are Van Gogh's drawings and paintings, along with related materials that illuminate his reading, sources, and influences. Vivid color photography and explanatory texts based on new research by the authors clarify a central theme of Van Gogh's oeuvre."--

Drawing --- Painting --- iconography --- drawings [visual works] --- still lifes --- Iconography --- Nature --- Botany --- easel paintings [paintings by form] --- Gogh, van, Vincent --- natuur --- stad --- Gogh, Vincent van --- Frankrijk --- Nederland --- Nature in art --- Gogh, Vincent van, --- Fan-kao, --- Fan-ku, --- Fan'gao, --- Fangu, --- Fangu, Wensheng, --- Gogh, Vincent-Willem van, --- Van-Gog, Vint︠s︡ent, --- Van Gogh, Vincent --- גוך, וינסנט ואן, --- ビンセントゴッホ, --- ゴッホ, --- 梵高, --- natuur. --- stad. --- Van Gogh, Vincent. --- Frankrijk. --- Nederland.

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Cette exposition retrace la représentation picturale de la nature aux XIXe et XXe siècles, de la copie fidèle à une interprétation plus intuitive, à travers les mouvements réaliste, figuratif, abstrait ou encore moderne. Elle est illustrée par des oeuvres de Paul Cézanne, Claude Monet, Camille Pissarro, Pierre Bonnard, Georges Braque, Nicolas de Staël, Hans Hartung, etc. ©Electre 2016

Nature in art --- Painting, French --- Nature dans l'art --- Peinture française --- Exhibitions --- Themes, motives --- Expositions --- Thèmes, motifs --- Nature --- Art --- fine arts --- anno 1800-1999 --- Peinture française --- Thèmes, motifs --- Peinture --- Courbet, Gustave --- Penone, Giuseppe --- Cézanne, Paul --- Monet, Claude --- de Staël, Nicolas, --- Serusier, Paul --- Signac, Paul --- Masson, André --- Leger, Fernand --- Bonnard, Pierre --- Hartung, Hans --- Bergman, Anna-Eva --- Picasso, Pablo --- fine arts [discipline] --- natuur --- Pissarro, Camille --- Sisley, Alfred --- Staël, Nicolas de --- Sérusier, Paul --- 19de eeuw --- 20ste eeuw --- 21ste eeuw --- De Staël, Nicolas --- de Staël, Nicolas, 1914-1955 --- natuur. --- Courbet, Gustave. --- Cézanne, Paul. --- De Staël, Nicolas. --- Bergman, Anna-Eva. --- Hartung, Hans. --- Penone, Giuseppe. --- Pissarro, Camille. --- Sisley, Alfred. --- Monet, Claude. --- Signac, Paul. --- Sérusier, Paul. --- Bonnard, Pierre. --- 19de eeuw. --- 20ste eeuw. --- 21ste eeuw.

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Thinking about and relating to the environment – what the Germans call Umwelt , id est, the world that surrounds us – in the way that we do today has a long tradition within modern German culture. German scientists were among the many European explorers that left Europe in the late eighteenth century on voyages of discovery to then unknown parts of the world. For some explorers, discovery meant the fundamental confirmation of their own superiority vis-à-vis primitive peoples and primitive natures; for others it resulted in a shake-up of their belief in the superiority of European civilization in the face of the achievements of other civilizations, or in the face of spectacular nature scenes that outperformed the temperate European landscapes in terms of scale, sublimity, and grandeur. The documents that contain these stories of discovery left an important impression not only on German culture, but on European civilization at large, defining it vis-à-vis other civilizations and other natures. Europe today is the product of these encounters, including the way we conceive of our Umwelt , the environment that surrounds us. The story told in this book is the story of the rise of the modern German environmental imagination with particular emphasis on its narrative and visual components, complementing and expanding Barbara Stafford’s important work in her seminal study of the illustrated travel account from 1984. Chapters on Georg Forster, Alexander von Humboldt, Albert Bierstadt, Leni Riefenstahl, and Werner Herzog unfold the key stages in a process that constitutes the unfolding of the modern German environmental imagination.

Geographical perception. --- Kultur. --- Natur (Motiv). --- Nature in art. --- Nature in literature. --- Nature in motion pictures. --- Philosophy of nature --- Philosophy of nature. --- Umwelt (Motiv). --- Ästhetik. --- History --- Bierstadt, Albert, --- Herzog, Werner, --- Humboldt, Alexander von, --- Riefenstahl, Leni. --- Deutschland. --- Germany. --- Germany --- Alemania --- Ashkenaz --- BRD --- Bu̇gd Naĭramdakh German Uls --- Bundesrepublik Deutschland --- Deutsches Reich --- Deutschland --- Doitsu --- Doitsu Renpō Kyōwakoku --- Federal Republic of Germany --- Federalʹna Respublika Nimechchyny --- FRN --- German Uls --- Germania --- Germanii︠a︡ --- Germanyah --- Gjermani --- Grossdeutsches Reich --- Jirmānīya --- KhBNGU --- Kholboony Bu̇gd Naĭramdakh German Uls --- Nimechchyna --- Repoblika Federalin'i Alemana --- República de Alemania --- República Federal de Alemania --- Republika Federal Alemmana --- Vācijā --- Veĭmarskai︠a︡ Respublika --- Weimar Republic --- Weimarer Republik --- ХБНГУ --- Германия --- جرمانيا --- ドイツ --- ドイツ連邦共和国 --- ドイツ レンポウ キョウワコク --- Germany (East) --- Germany (Territory under Allied occupation, 1945-1955) --- Germany (Territory under Allied occupation, 1945-1955 : British Zone) --- Germany (Territory under Allied occupation, 1945-1955 : French Zone) --- Germany (Territory under Allied occupation, 1945-1955 : Russian Zone) --- Germany (Territory under Allied occupation, 1945-1955 : U.S. Zone) --- Germany (West) --- Holy Roman Empire --- Environmental conditions. --- Intellectual life. --- Deguo --- 德国 --- Gėrman --- Герман Улс --- Jacob, Leni --- Riefenstahl, Helene Bertha Amalie --- Gumbolʹdt, Aleksandr, --- Humboldt, A. de, --- Humboldt, Al. von, --- Humboldt, Alejandro de, --- Humboldt, Alexander, --- Humboldt, Alexandre de, --- Humboldt, --- Humboldt, Friedrich Wilhelm Heinrich Alexander von, --- Humboldtas, Alexandras von, --- Von Humboldt, Alexander, --- Hersōg, Verṇar, --- Stipetić, Werner H., --- Herzog, Werner --- Stipetić, Werner H. --- Hersōg, Verṇar --- Рифеншталь, Лени --- הומבאלד, אלכסנדר פאן