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Young people in London have contributed to the production of a distinctively British rap culture. This book moves beyond accounts of Hip-Hop's marginality and shows, with an examination of the production, dissemination and use of rap in London, how this cultural form plays an important role in the everyday lives of young Londoners and the formation of identities. Through in-depth interviews with a range of leading and emerging rap artists, close analysis of rap music tracks, and over two years of ethnographic research of London's UK Hip-Hop and Grime scenes, Bramwell examines how black and white urban youths use rap to come together to explore their creative abilities. By combining these methodological approaches in the development of a critical participant observation, the book reveals how the collaborative work of these urban youths produced these politically significant subcultures, through which they resist unfair and illegitimate policing practices and attempt to develop their economic autonomy in a city marred by immense social and economic inequalities.
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It has been more than thirty-five years since the first commercial recordings of hip-hop music were made. This Companion, written by renowned scholars and industry professionals reflects the passion and scholarly activity occurring in the new generation of hip-hop studies. It covers a diverse range of case studies from Nerdcore hip-hop to instrumental hip-hop to the role of rappers in the Obama campaign and from countries including Senegal, Japan, Germany, Cuba, and the UK. Chapters provide an overview of the 'four elements' of hip-hop - MCing, DJing, break dancing (or breakin'), and graffiti - in addition to key topics such as religion, theatre, film, gender, and politics. Intended for students, scholars, and the most serious of 'hip-hop heads', this collection incorporates methods in studying hip-hop flow, as well as the music analysis of hip-hop and methods from linguistics, political science, gender and film studies to provide exciting new perspectives on this rapidly developing field.
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Les adeptes de la grande famille du hip hop se désignent comme des poètes, des philosophes, des penseurs et surtout comme les meilleurs chroniqueurs de la société. Les fils et filles du hip hop donnent corps aux espoirs et espérances de cette société à travers des mots justes et forts. Cela fait bien longtemps que la version moderne du hip hop née aux États-Unis dans les années 1970 a adapté sa forme griotique de revendication, de contestation, de réunification en Afrique et dans le monde entier, à travers la musique des peuples. "Wala Bok : une histoire orale du hip hop au Sénégal" se souvient et narre les mémoires des générations de pratiquants du hip hop, des derniers précurseurs aux derniers arrivés, des promoteurs et des rares critiques sociaux intéressés par ce mouvement aux multiples facettes. Une ballade à travers l’histoire et la vie contemporaine dans la jungle urbaine et dans les quartiers populaires. Les portraits artistiques et témoignages de ce courant motivé par la reconnaissance de la diversité culturelle et la quête d’un monde meilleur dévoilent une société hétéroclite qui tire les ficelles entre promotion artistique personnelle et engagement politique. En interrogeant l’histoire du hip hop au Sénégal, on voit clairement que ses acteurs dès le départ se démarquent des politiques officielles et se mêlent de la gestion des affaires de la cité. Ils adhèrent à plusieurs agitations citoyennes, « Set Setal » des années 1980 et 1990, avec le combat hautement médiatisé du mouvement « Y’en a Marre » qui sera reconnu comme étant l’une des sentinelles essentielles ayant servi à écourter le projet monarchique d’un président octogénaire et contribué à installer la deuxième alternance politique au Sénégal en 2012. C’est un livre qui se veut témoin de son temps, telle une anthologie, mais en même temps un journal intime qui converse hip hop, religion, politique et avenir pour comprendre les enjeux de l’existence même de la culture hip hop, seul garde fou de nos sociétés.
Rap (Music) --- Popular culture --- Rap (Music) --- Rap musicians --- Women rap musicians --- Hip-hop --- Hip-hop --- Hip-hop
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Rap ist die wohl populärste und einflussreichste Lyrikform der Gegenwart. Gerade unter jungen Männern ist das Schreiben und Deklamieren von Rap-Texten inzwischen eine der beliebtesten Freizeitbeschäftigungen überhaupt. Dabei orientieren sie sich in der Konzeption wie auch im Vortragsstil an textsortenspezifischen Regeln und Prinzipien. Fabian Wolbring erschließt diese nun am Beispiel des deutschsprachigen Rap erstmalig und untersucht sie auf ihre ästhetischen Potenziale hin. Es zeigt sich, dass die Gestaltungsprinzipien in Reim- und Rhythmusbindung, Stimmnutzung, Themenwahl und Sprechverhalten wie auch das gängige Autorschaftsmodell besonders dazu geeignet sind, den Sprecher als souverän, autonom und überlegen zu inszenieren. Die literaturwissenschaftliche Analyse gewinnt dabei kulturdiagnostisches Potenzial.
Rap --- Poésie allemande --- Histoire et critique --- Rap (Music) --- Songs --- Poetics. --- Rap (Music). --- History and criticism. --- Germany. --- Histoire et critique. --- Poésie allemande
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Fachsprache. --- Französisch. --- French language --- French language --- Rap (Music) --- Rap (Music). --- Rap musicians --- Rap musicians --- Rap. --- Urban youth --- Urban youth --- Verlan. --- Slang --- Slang. --- French --- Language --- Language. --- Language --- Language. --- France.
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It has been more than thirty-five years since the first commercial recordings of hip-hop music were made. This Companion, written by renowned scholars and industry professionals reflects the passion and scholarly activity occurring in the new generation of hip-hop studies. It covers a diverse range of case studies from Nerdcore hip-hop to instrumental hip-hop to the role of rappers in the Obama campaign and from countries including Senegal, Japan, Germany, Cuba, and the UK. Chapters provide an overview of the 'four elements' of hip-hop - MCing, DJing, break dancing (or breakin'), and graffiti - in addition to key topics such as religion, theatre, film, gender, and politics. Intended for students, scholars, and the most serious of 'hip-hop heads', this collection incorporates methods in studying hip-hop flow, as well as the music analysis of hip-hop and methods from linguistics, political science, gender and film studies to provide exciting new perspectives on this rapidly developing field [Publisher description].
Rap (Music) --- Hip-hop --- Hip-hop culture --- Hiphop --- African American arts --- Popular culture --- History and criticism --- History --- Music --- Hip-hop. --- Music. --- Rap (Music). --- Rap. --- History. --- History and criticism. --- Hip Hop.
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Rap (Music) --- Punk rock music --- Youth --- Alternative rock music --- Punk culture --- Social aspects. --- History and criticism. --- Attitudes.
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"Now a global and transnational phenomenon, hip hop culture continues to affect and be affected by the institutional, cultural, religious, social, economic and political landscape of American society and beyond. Over the past two decades, numerous disciplines have taken up hip hop culture for its intellectual weight and contributions to the cultural life and self-understanding of the United States. More recently, the academic study of religion has given hip hop culture closer and more critical attention, yet this conversation is often limited to discussions of hip hop and traditional understandings of religion and a methodological hyper-focus on lyrical and textual analyses. Religion in Hip Hop: Mapping the Terrain provides an important step in advancing and mapping this new field of Religion and Hip Hop Studies. The volume features 14 original contributions representative of this new terrain within three sections representing major thematic issues over the past two decades. The Preface is written by one of the most prolific and founding scholars of this area of study, Michael Eric Dyson, and the inclusion of and collaboration with Bernard 'Bun B' Freeman fosters a perspective internal to Hip Hop and encourages conversation between artists and academics."--Bloomsbury Publishing.
Rap (Music) --- African Americans --- Hip-hop music --- Rap songs --- Rappin' (Music) --- Rapping (Music) --- Monologues with music --- Popular music --- Trip hop (Music) --- Religious aspects. --- Social aspects --- Social conditions
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Music --- hip-hop --- Hip-Hop --- Exhibitions --- Rap (Music) --- History and criticism --- Hip-hop --- Printemps arabe (2010-....) --- Histoire et critique --- Catalogues d'exposition. --- Influence --- Aspect social. --- Dans l'art. --- Histoire et critique. --- Influence.
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Giving Certain Powers the business for a change would be a joy-but it must not backfire-and here at last was the perfect recoilless diddle!
Science fiction, American. --- Rap (Music) --- Rock music --- Rock and roll music --- Rock-n-roll music --- Popular music --- Hip-hop music --- Rap songs --- Rappin' (Music) --- Rapping (Music) --- African Americans --- Monologues with music --- Trip hop (Music) --- American science fiction --- American fiction
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