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Book
The death of Jacob
Authors: ---
ISBN: 9789004303027 9004303022 9789004303034 9004303030 Year: 2015 Volume: 138 Publisher: Boston

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In The Death of Jacob: Narrative Conventions in Genesis 47.28-50.26 Kerry Lee investigates the deathbed story of the patriarch Jacob and uncovers the presence of a variety of conventional structures underlying its composition, especially a conventional deathbed story or type scene also found in numerous other texts in the Hebrew Bible and non-canonical Jewish literature. Finding fault both with traditional diachronic approaches as well as more recent synchronic studies, Lee uses an eclectic but coherent blend of contemporary methods (drawn from narratology, linguistics, ritual theory, legal theory, assyriology, and other disciplines) to show that despite its probably composite pre-history the last three chapters of Genesis have been intentionally and artfully structured by the hand predominately responsible for their final form.


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Maleachi, ein Hermeneut
Authors: ---
ISBN: 9783110372694 311037269X 9783110368734 9783110386042 Year: 2015 Volume: 467 Publisher: Berlin ; Boston De Gruyter


Book
Going up and going down : a key to interpreting Jacob's dream (Gen. 28:10-22)
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ISBN: 9780567660251 0567660257 9780567660268 0567660265 9780567665416 0567665410 0567672441 Year: 2015 Publisher: New York Bloomsbury T&T Clark

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"In Going Up and Going Down Yitzhak Peleg argues that the story of Jacob's dream (Genesis 28.10-22), functions as a mise en abyme ('as a figure, trope or structure that somehow reflects in compact form, in miniature, the larger structure in which it appears', Greenstein). Close examination reveals that focusing on the vision of Jacob's dream and understanding it as a symbolic dream facilitates an explanation of the dream and its meaning. Scholars have historically classified the dream as theophany, the purpose of which is to explain how Beth-El became a sacred place, and as such the vision in Jacob's dream is generally accepted as merely ornamental, or even lacking a message in itself. Whilst Peleg does not contradict or seek to go against identification of the dream as theophany, he sees a more nuanced purpose behind its presentation. Peleg's proposal is that the description of the vision, and especially that of the movement of the angels, is not embellishment, supplementation or scenic background, of God's message, but that it directly symbolizes the path taken by the Patriarchs to and from the Promised Land. Furthermore, the narrative context and visual description in the dream in which 'Angels of God were going up and down it' appears when Jacob is on his way to Harran, that is to say, when he is about to leave Israel."--Bloomsbury Publishing In Going Up and Going Down Yitzhak Peleg argues that the story of Jacob's dream (Genesis 28.10-22), functions as a mise en abyme ('as a figure, trope or structure that somehow reflects in compact form, in miniature, the larger structure in which it appears', Greenstein). Close examination reveals that focusing on the vision of Jacob's dream and understanding it as a symbolic dream facilitates an explanation of the dream and its meaning. Scholars have historically classified the dream as theophany, the purpose of which is to explain how Beth-El became a sacred place, and as such the vision in Jacob's dream is generally accepted as merely ornamental, or even lacking a message in itself. Whilst Peleg does not contradict or seek to go against identification of the dream as theophany, he sees a more nuanced purpose behind its presentation. Peleg's proposal is that the description of the vision, and especially that of the movement of the angels, is not embellishment, supplementation or scenic background, of God's message, but that it directly symbolizes the path taken by the Patriarchs to and from the Promised Land. Furthermore, the narrative context and visual description in the dream in which 'Angels of God were going up and down it' appears when Jacob is on his way to Harran, that is to say, when he is about to leave Israel

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