Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Essay waarin een Amerikaanse dichter de haat-liefdeverhouding met poëzie behandelt.

Poetry

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Hasan Sijzi is considered the originator of the Indo-Persian ghazal, a poetic form that endures to this day - from the legacy of Hasan's poetic descendent, Hafez, to contemporary Anglophone poets such as John Hollander, Maxine Kumin, Agha Shahid Ali, and W. S. Merwin. As with other Persian poets, Hasan worked within a highly regulated set of poetic conventions that brought into relief the interpenetration of apparent opposites - metaphysical and material, mysterious and quotidian, death and desire, sacred and profane, fleeting time and eternity. Within these strictures, he crafted a poetics that blended Sufi Islam with non-Muslim Indic traditions. Of the Persian poets who practiced the ghazal, Hafez and Rumi are best known, but their verse represents only a small fraction of a rich tradition. This collection reveals the geographical range of the literature while introducing an Indian voice that will find a place on readers' bookshelves alongside better known Iranian names.

Poetry

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Poetry

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Poetry

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Scaffolding is a sequence of eighty-two sonnets written over the course of a year, dated and arranged in roughly chronological order, and vividly reflecting life in New York City. In this, her third book of poetry, Eléna Rivera uses the English sonnet as a scaffold to explore daily events, observations, conversations, thoughts, words, and memories-and to reflect on the work of earlier poets and the relationship between life and literature.Guided by formal and syllabic constraints, the poems become in part an exploration of how form affects content and how other poets have approached the sonnet. The poems, which are very attentive to rhythm and sound, are often in conversation with historical, philosophical, artistic, and literary sources. But at the same time they engage directly with the present moment. Like the construction scaffolding that year after year goes up around buildings all over New York, these poems build on one another and change the way we see what was there before.

Poetry.