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Kürschners Deutscher Literatur-Kalender – seit über 130 Jahren die bewährte Dokumentation der zeitgenössischen deutschsprachigen Literaturszene – umfasst in seiner 70. Ausgabe Einträge zu ca. 12.000 Schriftstellerinnen und Schriftstellern. Ohne literaturkritische Wertung stellt der Literatur-Kalender die lebenden Verfasserinnen und Verfasser schöngeistiger Literatur in deutscher Sprache vor – unabhängig von Staatsangehörigkeit und geographischem Lebens- und Wirkungsbereich. Die Artikel informieren über Adressen, Lebensdaten, Mitgliedschaften in Fachverbänden und literarischen Vereinigungen, literarische Preise sowie die Veröffentlichungen der Schriftstellerinnen und Schriftsteller. Neu bearbeitet und aktualisiert wurden auch die umfangreichen Verzeichnisse im Anhang: über 800 literarische Übersetzerinnen und Übersetzer (mit Sprachenregister), über 1.000 Verlage, über 500 Literaturpreise mit den Preisträgern der letzten Jahre, mehr als 600 Fachverbände und literarische Vereinigungen, Literaturhäuser, etwa 300 literarische Zeitschriften und Periodika sowie literarische Agenturen, Kulturredaktionen von Rundfunk- und Fernsehanstalten und literarische Feuilletons werden aufgeführt. The 70th edition of Kürschners Deutscher Literatur-Kalender, reliably documenting the contemporary literary scene in German-speaking countries, records some 12,000 authors. Expressing no lit-crit judgements, the Literatur-Kalender presents since more than 130 years living authors who write in German, whatever their nationality or geographical location may be. Entries provide information on address, biographical data, membership in literary organizations and associations, literary awards as well as each writer's publications. The extensive indexes, to be found in the appendix, have also been revised and updated thoroughly: they now contain more than 800 translators of literature (along with an index of languages), more than 1,000 publishing houses, more than 500 literary awards including recent winners, more than 600 associations, literary organizations, literary centres (Literaturhäuser) etc., some 300 literary journals and periodicals, as well as literary agencies, radio and TV stations' arts departments or literary features to be found in the printed media.

German language --- Grammar, Historical.

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Egyptian language --- History. --- Grammar. --- Grammar, Historical.

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English language --- Middle English, 1100-1500 --- Participle. --- Morphology. --- Grammar, Historical.

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This book addresses the question of whether there are continuities in Latin spanning the period from the early Republic through to the Romance languages. It is often maintained that various usages admitted by early comedy were rejected later by the literary language but continued in speech, to resurface centuries later in the written record (and in Romance). Are certain similarities between early and late Latin all that they seem, or might they be superficial, reflecting different phenomena at different periods? Most of the chapters, on numerous syntactic and other topics and using different methodologies, have a long chronological range. All attempt to identify patterns of change that might undermine any theory of submerged continuity. The patterns found are summarised in a concluding chapter. The volume addresses classicists with an interest in any of the different periods of Latin, and Romance linguists.

Latin language, Postclassical --- Latin language, Preclassical to ca. 100 B.C. --- Grammar, Historical --- Preclassical to ca. 100 B.C. --- Classical Latin language --- Latin language, Preclassical to ca. 100 B.C --- Grammar, Historical. --- Latin language --- Classical languages --- Italic languages and dialects --- Classical philology --- Latin philology --- Preclassical to ca 100 B.C --- Postclassical Latin language --- Latin language, Postclassical - Grammar, Historical - Congresses --- Latin language, Preclassical to ca. 100 B.C. - Grammar, Historical - Congresses

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This book presents a comprehensive account of features of Latin that emerge from dialogue: commands and requests, command softeners and strengtheners, statement hedges, interruptions, attention-getters, greetings and closings. In analyzing these features, Peter Barrios-Lech employs a quantitative method and draws on all the data from Roman comedy and the fragments of Latin drama. In the first three parts, on commands and requests, particles, attention-getters and interruptions, the driving questions are firstly - what leads the speaker to choose one form over another? And secondly - how do the playwrights use these features to characterize on the linguistic level? Part IV analyzes dialogues among equals and slave speech, and employs data-driven analyses to show how speakers enact roles and construct relationships with each other through conversation. The book will be important to all scholars of Latin, and especially to scholars of Roman drama.

Grammar --- Classical Latin language --- Historical linguistics --- Drama --- Classical Latin literature --- Literary rhetorics --- Latin drama (Comedy) --- Latin language --- Rhetoric, Ancient --- Latein --- Dialog --- Sprachstatistik --- Komödie --- History and criticism --- Grammar, Historical --- Latein. --- Komödie. --- Komödie. --- Dialog. --- Sprachstatistik. --- Latin drama (Comedy) - History and criticism --- Latin language - Grammar, Historical --- Rhetoric, Ancient - History and criticism --- History and criticism. --- Grammar, Historical. --- Ancient rhetoric --- Classical languages --- Greek language --- Greek rhetoric --- Latin rhetoric --- Rhetoric