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In Hitchcock’s Appetites, Casey McKittrick offers the first book-length study of the relationship between Hitchcock’s body size and his cinema. Whereas most critics and biographers of the great director are content to consign his large figure and larger appetite to colorful anecdotes of his private life, McKittrick argues that our understanding of Hitchcock’s films, his creative process, and his artistic mind are incomplete without considering his lived experience as a fat man. Using archival research of his publicity, script collaboration, and personal communications with his producers, in tandem with close textual readings of his films, feminist critique, and theories of embodiment, Hitchcock’s Appetites produces a new and compelling profile of Hitchcock's creative life, and a fuller, more nuanced account of his auteurism..
Motion picture producers and directors --- Obesity. --- Hitchcock, Alfred, --- Health. --- Adiposity --- Corpulence --- Fatness --- Overweight --- Body weight --- Metabolism --- Nutrition disorders --- Disorders --- Chitskok, Alphrent, --- Hīchakāk, Al-Frad , --- Hitchcock, Alfred Joseph, --- Hsi-chʻü-kʻao-kʻo, --- היצ'קוק, אלפרד, --- هيچکاک، الفرد، --- Hitchcok, Alfred
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"Through the lens of Murray Pomerance's deft and multifaceted analysis, the film proves to involve musicality, gendered power, and cultural strangeness in deeply evocative and perplexing ways. It is also a strange and fabulous story of doubling, spiritual presence, and the intricacies of social organisation. No one who loves Hitchcock will want to miss this book; and no one who thinks of The Man Who Knew Too Much as a charming escapade will want to escape confronting its darkest nuances as brought to light in this thrilling, continually probing, and excitingly suggestive book."--Publisher description.
Hitchcock, Alfred, --- Hitchcock, Alfred Joseph, --- Hsi-chʻü-kʻao-kʻo, --- Chitskok, Alphrent, --- היצ'קוק, אלפרד, --- Hīchakāk, Al-Frad , --- هيچکاک، الفرد، --- Criticism and interpretation. --- Man who knew too much (Motion picture : 1956) --- History and criticism. --- #SBIB:309H1320 --- #SBIB:309H1321 --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- Films met een amusementsfunctie en/of esthetische functie: algemeen --- Hitchcok, Alfred
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Women in motion pictures. --- Feminism and motion pictures. --- Motion pictures and women. --- Femmes --- Féminisme et cinéma --- Au cinéma --- Hitchcock, Alfred, --- Criticism and interpretation. --- Critique et interprétation --- #SBIB:309H1323 --- #SBIB:309H1024 --- #SBIB:316.346H29 --- Women and motion pictures --- Women --- Motion pictures and feminism --- Motion pictures --- Films met een amusementsfunctie en/of esthetische functie: auteurs --- Mediaboodschappen met een ideologische en spiegelfunctie (beeld vrouw, migranten …) --- Positie van de vrouw in de samenleving: andere topics --- Hitchcock, Alfred Joseph, --- Hsi-chʻü-kʻao-kʻo, --- Chitskok, Alphrent, --- היצ'קוק, אלפרד, --- Hīchakāk, Al-Frad , --- هيچکاک, الفرد, --- Hitchcock, Alfred --- هيچکاک، الفرد، --- Féminisme et cinéma. --- Au cinéma. --- Critique et interprétation. --- Women in motion pictures --- Feminism and motion pictures --- Motion pictures and women --- Hitchcok, Alfred
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