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Magazine covers --- Magazine illustration --- Magazine design --- Commercial art --- Design, Magazine --- Periodical design --- Graphic design (Typography) --- Illustration, Magazine --- Periodical illustration --- Illustrated periodicals --- Periodicals
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"Indians Illustrated is a social and cultural history of Indian illustrations in Frank Leslie's Illustrated Newspaper, Harper's Weekly, and other illustrated journals during the last half of the nineteenth century, the heyday of the American pictorial press. The pictorial press era, spurred in the mid-1850s by the transportation revolution, innovations in printing technology, and an expanded literary and pictorial market, was marked by a proliferation of detailed, realistic woodblock engravings, pictures of newsworthy people and interesting events from across the nation and the world. The pictorial press frequently depicted Indians and Indian life in popular but narrowly conceived ways. In pictures, Indians were simplified and presented in familiar and easily understood categories, usually as variations on the 'good' Indian/'bad' Indian stereotypes long established in Euro-American culture. Indian men were depicted as 'tall and copper-colored, with braided hair, clothed in buckskin, and moccasins, and adorned in headdresses, beadwork and/or turquoise' while Indian women were depicted as either Indian princesses or squaws. John Coward argues that these pictures helped create and sustain a host of popular ideas and attitudes about Indians, especially ideas about the way Indians were supposed to look and act. By describing and analyzing the various themes and visual tropes across the years of the illustrated press, this book provides a deeper understanding of the racial codes and visual signs that white Americans used to represent Native Americans in an era of western expansion and Manifest Destiny"--Provided by publisher.
Popular culture --- Public opinion --- Indians in popular culture --- Stereotypes (Social psychology) --- Visual communication --- Journalism, Pictorial --- Illustrated periodicals --- Indians of North America --- Periodicals --- Photojournalism --- American aborigines --- American Indians --- First Nations (North America) --- Indians of the United States --- Indigenous peoples --- Native Americans --- North American Indians --- Pictorial journalism --- Newspapers --- Graphic communication --- Imaginal communication --- Pictorial communication --- Communication --- Mental stereotypes --- Stereotype (Psychology) --- Stereotyping (Social psychology) --- Social psychology --- Attitude (Psychology) --- Rigidity (Psychology) --- History. --- Social aspects --- Press coverage --- Culture --- Ethnology --- United States --- Race relations
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Paparazzi photography has emerged as a key element in today’s media landscape. This book charts the historical and cultural significance of the industry, profiles its protagonists and discusses how its imagery of celebrity have become a major part of media consumption. Kim McNamara examines the various ways in which the controversial paparazzi industry is structured, including its workforce practices, development of image markets, and how it has been reconfigured during the transition from analogue paper-based photography to digital platforms. It adds to the literature on celebrity studies, unraveling the importance of the paparazzi to celebrities, and the integral nature of images - both spontaneous and staged to public relations and marketing content. Based on interviews worldwide with key industry players, including agency managers, photo editors and photographers, from Los Angeles to London, the book argues that the paparazzi should be given central importance in any analysis of media culture.
Journalism --- Sociology of culture --- Photojournalism. --- Hidden camera photography. --- Paparazzi. --- Celebrities. --- Popular culture. --- Photographie de presse --- Photographie caméra cachée --- Paparazzi --- Célébrités --- Culture populaire --- Photographie caméra cachée --- Célébrités --- Photojournalism --- Hidden camera photography --- Celebrities --- Popular culture --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Culture --- Celebrity culture --- Celebs --- Cult of celebrity --- Famous people --- Famous persons --- Illustrious people --- Well-known people --- Persons --- Fan clubs --- Photographers --- Photography --- Camera journalism --- Editorial photography --- Journalism, Camera --- Journalistic photography --- News photography --- Photo journalism --- Photography, Journalistic --- Photography for the press --- Press photography --- Commercial photography --- Illustrated periodicals --- E-books
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Art Periodical Culture in Late Imperial Russia (1898-1917). Print Modernism in Transition offers a detailed exploration of the major Modernist art periodicals in late imperial Russia, the World of Art ( Mir Iskusstva , 1899-1904), The Golden Fleece ( Zolotoe runo , 1906-1909) and Apollo ( Apollon , 1909-1917). By exploring the role of art reproduction in the nineteenth century and the emergence of these innovative art journals in the turn of the century, Hanna Chuchvaha proves that these Modernist periodicals advanced the Russian graphic arts and reinforced the development of reproduction technologies and the art of printing. Offering a detailed examination of the “inaugural” issues, which included editorial positions expressed in words and images, Hanna Chuchvaha analyses the periodicals’ ideologies and explores journals as art objects appearing in their unique socio-historical context in imperial Russia.
Modernist --- Mir Iskusstva --- Book history --- art [fine art] --- periodicals --- Art --- anno 1800-1999 --- Saint Petersburg --- Illustrated periodicals --- Modernism (Art) --- Magazines (Publications) --- Modernisme (Art) --- History --- Periodicals --- Histoire --- Périodiques --- Mir iskusstva. --- Zolotoe runo. --- Apollon (Saint Petersburg, Russia) --- Périodiques --- Periodicals. --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Art, Modern --- Journalism, Pictorial --- Photojournalism --- Аполлон (Saint Petersburg, Russia) --- Художественно-литературный журнал 'Аполлон' --- Khudozhestvenno-literaturnyĭ zhurnal 'Apollon' --- Аполлон (Petrograd, R.S.F.S.R.) --- Apollon (Petrograd, R.S.F.S.R.) --- Apollo (Saint Petersburg, Russia) --- Золотое руно --- Golden fleece --- Toison d'or (Moscow, Russia) --- Мир искусства --- World of art (Saint Petersburg, Russia) --- Monde artiste --- art [discipline]
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"Through a broad range of case studies, the contributors to this volume highlight the historical conditions under which photographs have been made available to the public: in books, magazines, photographic studios, courtrooms, libraries, touring exhibitions, and art galleries. The collected essays focus on those responsible for the dissemination of images, their belief in the power of the photographic medium, the goals they pursued, and the constraints they faced. Addressing the multiple rather than the unique photograph, stressing collective practices of image sharing, and examining the mobility of photographs from one context to another, this book pursues avenues of research in the history of photography that remain surprisingly underexplored"-- "The "Public" Life of Photographs features nine essays by Geoffrey Batchen, Nathalie Boulouch, Heather Diack, André Gunthert, Sophie Hackett, Vincent Lavoie, Olivier Lugon, Mary Panzer and Joel Snyder. These contributorsinternational curators and scholars from a range of disciplinesexamine the emergence of photography as mass culture: through studios and public spaces; by the press; through editorial strategies promoting popular and vernacular photography; and through the dissemination of photographic images in the art world.The book is edited by Thierry Gervais, Head of Research at the Ryerson Image Centre, and an Assistant Professor at Ryerson University"--Publisher's website, viewed November 9, 2016.
massacultuur --- journalism --- popular culture --- kunst --- art [fine art] --- photography [process] --- fotografie --- Photography --- Images, Photographic --- Vernacular photography --- Photojournalism. --- Art and photography. --- Photographie --- Photographie de presse. --- Art et photographie. --- Photographe légale. --- Social aspects. --- History. --- Philosophy. --- Aspect social. --- Photographie de presse --- Art et photographie --- Aspect social --- Photojournalism --- Art and photography --- Photography and art --- Camera journalism --- Editorial photography --- Journalism, Camera --- Journalistic photography --- News photography --- Photo journalism --- Photography, Journalistic --- Photography for the press --- Press photography --- Commercial photography --- Journalism --- Illustrated periodicals --- Photographic images --- Image processing --- Imaging systems --- Optical images --- Social aspects --- History --- Philosophy --- art [discipline]
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"It's no surprise that some of the world's finest photographers have shot a bicycle race at some point in their careers. Cycling embodies the elements of a great photograph--the human form, pushing itself to physical extremes, thrilling landscapes, the spectacle of the crowd. It also provides a perfect opportunity for reportage, social documentary, and street photography because it happens in real time, in real life, and in the public environment. The book is grouped into thematic chapters, featuring works by a range of Magnum photographers--who are among the most prestigious in the world--expertly curated and accompanied by descriptive captions. Each chapter also features a series of photographs by a single photographer, telling the story of an iconic moment, event, or scene . Chapters include: Riders--famous names and characters and what their work is all about; Fans and Crowds--the mixture of young and old, families, and late-night revelers; Racing--what it is to race a bike and be a part of the circus; Events--from the Tour de France to racing around a small Belgian town; Settings--the mountains, the city, and the velodrome; and Winning--the price and spoils of victory. Magnum Cycling is a celebration of a perfect union between the great artists who have captured those most fugitive elements in cycling: the personalities, emotions, and human endurance."--Publisher description.
Bicycle racing --- Photojournalism --- Photography, Artistic --- 766.9 --- 766.6 --- fotografie --- sport --- sportfotografie --- wielrennen --- reportagefotografie (documentaire fotografie) --- fotojournalistiek --- persfotografie --- Magnum --- Capa, Robert --- Gruyaert, Harry --- Vink, John --- Cycling --- Racing --- Camera journalism --- Editorial photography --- Journalism, Camera --- Journalistic photography --- News photography --- Photo journalism --- Photography, Journalistic --- Photography for the press --- Press photography --- Commercial photography --- Journalism --- Illustrated periodicals --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Art --- fotografie, overige genres en motieven, o.a. sportfotografie --- persfotografie en fotoreportage --- Aesthetics --- Magnum Photos. --- Magnum Photos, inc. --- Magnum (Photography cooperative) --- Tour de France (Bicycle race) --- Grande boucle (Bicycle race) --- Tur de Frans (Bicycle race)
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How does a photograph become a news image? An ethnography of the labor behind international news images, Image Brokers ruptures the self-evidence of the journalistic photograph by revealing the many factors determining how news audiences are shown people, events, and the world. News images, Zeynep Gürsel argues, function as formative fictions - fictional insofar as these images are constructed and culturally mediated, and formative because their public presence and circulation have real consequences in the world. Set against the backdrop of the War on Terror and based on fieldwork conducted at photojournalism's centers of power, Image Brokers offers an intimate look at an industry in crisis. At the turn of the 21st century, image brokers-the people who manage the distribution and restriction of news images-found the core technologies of their craft, the status of images, and their own professional standing all changing rapidly with the digitalization of the infrastructures of representation. From corporate sales meetings to wire service desks, newsrooms to photography workshops and festivals, Image Brokers investigates how news images are produced and how worldviews are reproduced in the process.
Mass communications --- Photography --- News agencies --- Photographs --- Photojournalism --- News-gathering organizations --- News services --- News wire services --- Wire services --- Newspapers --- Press --- Photos --- Snapshots --- Pictures --- Camera journalism --- Editorial photography --- Journalism, Camera --- Journalistic photography --- News photography --- Photo journalism --- Photography, Journalistic --- Photography for the press --- Press photography --- Commercial photography --- Journalism --- Illustrated periodicals --- Marketing --- Social aspects. --- digital news circulation. --- digital news images. --- image brokerage. --- images from the war on terror. --- journalism. --- journalist photograph. --- journalistic photography. --- marketing photographs. --- media studies. --- news agencies. --- news brokers. --- news images. --- news. --- photographers. --- photography. --- photojournalism. --- press images. --- press photography. --- production of news images. --- selling press images. --- visual culture. --- visual impact of journalism. --- visual media. --- visual news. --- war on terror.
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this comprehensive guide is the latest offering in the international data journalism design market. Not only does it introduce the basic elements of data journalism design, traditional design methods and several complex design forms, but it also presents a large number of outstanding works from around the world.
Newspaper layout and typography. --- Information visualization. --- Infografiek --- Journalism, Pictorial. --- Graphic arts --- Commercial art --- Design --- Visual communication. --- Communication --- Journalism --- 766:659.2 --- Grafische vormgeving ; visualisering kwantitatieve informatie --- Grafische vormgeving ; informatieweergave --- Infografieken --- Infographics --- Visuele communicatie --- #SBIB:309H241 --- #SBIB:309H1025 --- #SBIB:309H524 --- Data visualization --- Visualization of information --- Information science --- Visual analytics --- Communication, Primitive --- Mass communication --- Sociology --- Graphic communication --- Imaginal communication --- Pictorial communication --- Pictorial journalism --- Illustrated periodicals --- Newspapers --- Technique. --- Graphic methods. --- Data processing. --- Gebruiksgrafiek ; voorlichting ; adviezen --- Andere media: functies, genres, historiek --- Mediaboodschappen met een informatieve functie --- Audiovisuele communicatie: semiotiek --- Journalism, Pictorial --- Visual communication --- Information visualization --- Technique --- Graphic methods --- Data processing --- Graphic arts - Technique --- Commercial art - Technique --- Design - Technique --- Journalism - Data processing --- 766.32.044 --- Grafische industrie en ontwerp ; beeld ; illustratie ; thema's ; infographics
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