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Love and tragedy dominate book four of Virgil's most powerful work, building on the violent emotions invoked b the storms, battles, warring gods, and monster-plagued wanderings of the epic's opening. Destined to be the founder of Roman culture, Aeneas, nudged by the gods, decides to leave his beloved Dido, Queen of Carthage, causing her suicide in pursuit of his historical destiny. A dark plot, in which erotic passion culminates in sex, and sex leads to tragedy and death in the human realm, unfolds within the larger horizon of a supernatural sphere, dominated by power-conscious divinities. Dido is Aeneas' most significant other, and in their encounter Virgil explores timeless themes of love and loyalty, fare and fortune, the justice of the gods, imperialambition and its victims, and ethnic differences. This course book offers a portion of the original Latin text, study questions, a commentary, and interpretative essays. Designed to stretch and stimulate readers, Ingo Gildenhard's incisive commentary will be of particular interest to students of Latin at both A2 and undergraduate level, it extends beyond detailed linguistic analysis to encourage critical engagement with Virgil's poetry and discussion of the most recent scholarly thought.
Classics --- Literature (General) --- Énéide --- littérature --- latin --- Aeneid --- Latin text --- literary criticism --- translation --- classics --- classics textbook series --- ancient rome --- sixth-form study guide --- aeneid --- virgil --- Aeneas --- Carthage --- Jupiter --- Venus
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Dreams for Dead Bodies: Blackness, Labor, and the Corpus of American Detective Fiction offers new arguments about the origins of detective fiction in the United States, tracing the lineage of the genre back to unexpected texts and uncovering how authors such as Edgar Allan Poe, Mark Twain, Pauline Hopkins, and Rudolph Fisher made use of the genre's puzzle-elements to explore the shifting dynamics of race and labor in America. The author constructs an interracial genealogy of detective fiction to create a nuanced picture of the ways that black and white authors appropriated and cultivated literary conventions that coalesced in a recognizable genre at the turn of the twentieth century. These authors tinkered with detective fiction's puzzle-elements to address a variety of historical contexts, including the exigencies of chattel slavery, the erosion of working-class solidarities by racial and ethnic competition, and accelerated mass production. Dreams for Dead Bodies demonstrates that nineteenth- and early twentieth-century American literature was broadly engaged with detective fiction, and that authors rehearsed and refined its formal elements in literary works typically relegated to the margins of the genre. By looking at these margins, the book argues, we can better understand the origins and cultural functions of American detective fiction.
Detective and mystery stories, American --- African Americans in literature. --- Working class in literature. --- Slavery in literature. --- Work in literature. --- African Americans in literature --- Working class in literature --- Slavery in literature --- Work in literature --- American Literature --- English --- Languages & Literatures --- History and criticism. --- History and criticism --- Slavery and slaves in literature --- Slaves in literature --- Labor and laboring classes in literature --- Afro-Americans in literature --- Negroes in literature --- Slavery. --- Abolition of slavery --- Antislavery --- Enslavement --- Mui tsai --- Ownership of slaves --- Servitude --- Slave keeping --- Slave system --- Slaveholding --- Thralldom --- Crimes against humanity --- Serfdom --- Slaveholders --- Slaves --- literature --- cultural studies --- Edgar Allan Poe --- Jupiter --- Mark Twain --- Enslaved persons in literature
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three Graces --- centaurs --- Cecrops' dochters vinden Erichthonius --- Perseus en Andromeda --- Iconography --- Dido en Aeneas --- Amazonenslag --- mythology [literary genre] --- Diana's terugkeer van de jacht --- Apollo en Daphne --- Diana en Callisto --- Diana en Actaeon --- Rubens, Peter Paul --- Diana --- Ganymede --- Apollo --- Jupiter --- Erichthonius --- Danae --- Boreas --- Andromeda --- Cyparissus --- Aeneas --- Daphne --- Dido --- Bacchus --- Achilles --- Rubens, Petrus Paulus, --- Et la mythologie --- Bruegel, Pieter [Younger] --- Bruegel, Jan [Elder] --- Bruegel, Jan [Younger] --- cooperation --- Rubens, Peter Paul, --- Bruegel, Jan I, --- Bruegel, Jan II, --- Bruegel, Jan, --- Sources --- Art and mythology --- Art, Flemish --- Art and religion --- Art, Baroque --- Human figure in art --- Mythology, Classical, in art --- Themes, motives --- Friends and associates --- Brueghel, Jan --- Achilles [Mythological character] --- Daphne [Mythological character] --- Dido [Mythological character] --- Apollo [Mythological character] --- Diana [Mythological character] --- Jupiter [Mythological character] --- Bacchus [Mythological character] --- Aeneas [Mythological character] --- Andromeda [Mythological character] --- Ganymede [Mythological character] --- Bruegel, Jan --- Rubens, Petrus Paulus --- Et la mythologie. --- Sources. --- Catalogs --- Rubens, Petrus Paulus, - 1577-1640 --- Bruegel, Jan I, - 1568-1625 --- Bruegel, Jan II, - 1601-1678 --- Rubens, Peter, --- Mythology --- Mythologie. --- Art, Flemish - Themes, motives --- Rubens, Petrus Paulus, - 1577-1640 - Catalogs --- samenwerking van meerdere kunstenaars
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A Place at the Altar illuminates a previously underappreciated dimension of religion in ancient Rome: the role of priestesses in civic cult. Demonstrating that priestesses had a central place in public rituals and institutions, Meghan DiLuzio emphasizes the complex, gender-inclusive nature of Roman priesthood. In ancient Rome, priestly service was a cooperative endeavor, requiring men and women, husbands and wives, and elite Romans and slaves to work together to manage the community's relationship with its gods.Like their male colleagues, priestesses offered sacrifices on behalf of the Roman people, and prayed for the community's well-being. As they carried out their ritual obligations, they were assisted by female cult personnel, many of them slave women. DiLuzio explores the central role of the Vestal Virgins and shows that they occupied just one type of priestly office open to women. Some priestesses, including the flaminica Dialis, the regina sacrorum, and the wives of the curial priests, served as part of priestly couples. Others, such as the priestesses of Ceres and Fortuna Muliebris, were largely autonomous.A Place at the Altar offers a fresh understanding of how the women of ancient Rome played a leading role in public cult.
Women priests --- Rome --- Religious life and customs. --- Religion. --- Bona Dea. --- December rites. --- Fordicidia. --- Fortuna Muliebris. --- Jupiter. --- Magna Mater. --- October House. --- Roman politics. --- Roman priesthood. --- Roman religion. --- Roman ritual system. --- Roman society. --- Roman women. --- Salian Virgins. --- Vesta. --- Vestal Virgins. --- Vestal costume. --- Vestal priesthood. --- Vestal regalia. --- Vestal virgins. --- Vestals. --- ancient Rome. --- authority. --- birth families. --- collegium pontificum. --- cultic assistants. --- female sacrificial incapacity. --- feminine virtue. --- fertility. --- flamen Martialis. --- flamen. --- flamines. --- flaminica Dialis. --- flaminica Martialis. --- flaminicae. --- food supply. --- freedwomen. --- gender constructions. --- internal autonomy. --- laywomen. --- leadership. --- male authority. --- mola salsa. --- moral probity. --- palla. --- pax deorum. --- pontifex. --- pontifical college. --- priest. --- priestess. --- priestesses. --- priestly couples. --- priestly service. --- public careers. --- public cult. --- public cults. --- public priestesses. --- public ritual. --- public slaves. --- regina sacrorum. --- religion. --- religious activities. --- religious official. --- religious orders. --- religious roles. --- religious service. --- rex sacrorum. --- ritual activities. --- ritual impurity. --- ritual purity. --- rituals. --- sacerdotes. --- saliae virgines. --- seni crines hairstyle. --- suffibulum. --- tunica. --- virginity.
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