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Lithography. --- Lithographs --- Prints
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Drawing --- Painting --- Graphic arts --- drawings [visual works] --- etchings [prints] --- lithographs --- easel paintings [paintings by form] --- landscapes [representations] --- Weissenbruch, Johannes --- anno 1800-1899
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drawings [visual works] --- etchings [prints] --- lithographs --- woodcuts [prints] --- sculpture [visual works] --- suffering --- wars --- politics --- self-portraits --- funerary sculpture --- war memorials --- bronze [metal] --- dood --- hunger --- oorlogstrauma (kunst) --- social criticism --- mothers --- children [people by age group] --- Kollwitz, Käthe
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The Visual Culture of Violence after the French Revolution traces four sites of spectatorship that exemplified the visual culture of violence in the late eighteenth and early nineteenth centuries, offering a new account of the significance of violent spectacle to the birth of modernity. Considerations of the execution scaffold, salon painting, print culture and the fait divers, and waxworks displays establish the centrality of spectatorial violence to experiences of selfhood in the wake of the French Revolution. Shedding critical light on previously neglected aspects of art and visual culture of the post-Revolutionary period, The Visual Culture of Violence after the French Revolution demonstrates how violent spectacle at this moment was profoundly shaped by shifting social attitudes, contemporary political practices, and rapidly accelerated technological developments. By attending to the formal and historical specificity of violent spectacle after the Revolution, Graybill affirms the historical contingency through which the visual culture of violence in the modern era has emerged. The Visual Culture of Violence after the French Revolution will be broadly relevant to scholars of art, media and visual studies, and particularly to historians of the French Revolution and eighteenth- and early nineteenth-century Europe. The book's concern with the representation of violence makes it of interest to scholars working in a variety of fields beyond its historical period, especially in art, literature, history, media and culture studies
waxworks [sculpture] --- broadsides [notices] --- political art --- violence --- iconography --- lithographs --- History of France --- Iconography --- Revolutionnaire [style or period] --- easel paintings [paintings by form] --- anno 1700-1799 --- anno 1800-1899 --- Violence in art. --- Violence in popular culture --- Arts and society --- History --- Europe --- Civilization --- France --- Art and the revolution.
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Entre impressionnisme et japonisme, des spectacles d’ombres du Chat noir aux aquarelles glanées aux « détours du chemin », l’œuvre d’Henri Rivière (1864-1951) est tout entier voué à restituer les « aspects de la nature » au fil des heures et des saisons. Ses séries aux titres évocateurs, La Féerie des heures, Paysages bretons, La Mer, Au vent de noroît, Paysages parisiens, Les Trente-six Vues de la tour Eiffel…, témoignent de sa vision à la fois poétique et synthétique de la nature, nourrie par les paysages urbains de la capitale où il habite et les sites intemporels des côtes bretonnes qu’il arpente à la belle saison. Grâce à l’enrichissement de ses collections par la dation, en 2006, du fonds d’atelier de l’artiste, la BnF rend ici hommage à un coloriste hors pair, unanimement reconnu à la fin du XIXe siècle pour ses innovations dans le domaine de l’estampe en couleurs. Cet ouvrage, qui présente la diversité des modes d’expression d’Henri Rivière (gravures sur bois, lithographies, eaux-fortes et aquarelles), témoigne de l’ampleur de ses recherches dans le domaine des arts graphiques. En regard des œuvres achevées, une sélection de travaux préparatoires et d’estampes japonaises, issues de sa collection personnelle, permet d’approcher au plus près le processus de création de l’artiste. En introduction au catalogue, les essais de Jocelyn Bouquillard, Philippe Le Stum, Catherine Méneux, Monique Moulène et Valérie Sueur-Hermel sont autant d’éclairages complémentaires sur un peintre-graveur injustement oublié, lui restituant son véritable rôle au sein de l’histoire de l’art des dernières décennies du XIXe siècle.
Japonisme --- Graphic arts --- lithographs --- Impressionist [style] --- Rivière, Henri --- 76 <44> "18" --- 76 RIVIÈRE, HENRI --- Grafische kunsten. Grafiek. Prentkunst--Frankrijk--19e eeuw. Periode 1800-1899 --- Grafische kunsten. Grafiek. Prentkunst--RIVIÈRE, HENRI --- Exhibitions --- Rivière, Henri (1864-1951) --- --Rivière, Henri (1864-1951) --- --76 <44> "18" --- 76 RIVIÈRE, HENRI Grafische kunsten. Grafiek. Prentkunst--RIVIÈRE, HENRI --- 76 <44> "18" Grafische kunsten. Grafiek. Prentkunst--Frankrijk--19e eeuw. Periode 1800-1899 --- --Japonisme --- Rivière, Henri, --- Catalogues d'exposition --- Rivière, Henri
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This book introduces readers to the most advanced research results on Design for Manufacturability (DFM) with multiple patterning lithography (MPL) and electron beam lithography (EBL). The authors describe in detail a set of algorithms/methodologies to resolve issues in modern design for manufacturability problems with advanced lithography. Unlike books that discuss DFM from the product level, or physical manufacturing level, this book describes DFM solutions from a circuit design level, such that most of the critical problems can be formulated and solved through combinatorial algorithms. Enables readers to tackle the challenge of layout decompositions for different patterning techniques; Presents a coherent framework, including standard cell compliance and detailed placement, to enable Triple Patterning Lithography (TPL) friendly design; Includes coverage of the design for manufacturability with E-Beam lithography.
Electrical Engineering --- Electrical & Computer Engineering --- Engineering & Applied Sciences --- Integrated circuits --- Photoresists. --- Lithography. --- Design and construction. --- Photoresist --- Resists, Photosensitive --- Lithographs --- Microelectronics --- Masks (Electronics) --- Photolithography --- Prints --- Systems engineering. --- Computer science. --- Electronics. --- Circuits and Systems. --- Processor Architectures. --- Electronics and Microelectronics, Instrumentation. --- Informatics --- Science --- Engineering systems --- System engineering --- Engineering --- Industrial engineering --- System analysis --- Electrical engineering --- Physical sciences --- Design and construction --- Electronic circuits. --- Microprocessors. --- Microelectronics. --- Microminiature electronic equipment --- Microminiaturization (Electronics) --- Electronics --- Microtechnology --- Semiconductors --- Miniature electronic equipment --- Minicomputers --- Electron-tube circuits --- Electric circuits --- Electron tubes
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Art --- drawings [visual works] --- etchings [prints] --- lithographs --- sculpture [visual works] --- suffering --- wars --- poetry --- easel paintings [paintings by form] --- nudes [representations] --- lichaam (van de mens) --- oorlogstrauma (kunst) --- mothers --- women [female humans] --- children [people by age group] --- Brancusi, Constantin --- Maillol, Aristide --- Barlach, Ernst H. --- Archipenko, Alexander --- Marées, von, Hans --- Bruyckere, De, Berlinde --- Beuys, Joseph --- Cézanne, Paul --- Lehmbruck, Wilhelm --- Modigliani, Amedeo --- Matisse, Henri --- Rodin, Auguste --- Minne, George --- Meunier, Constantin --- Munch, Edvard --- Marcks, Gerhard --- Kollwitz, Käthe --- Schiele, Egon --- paintings [visual works]
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