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Cette correspondance entre Noëlle Renaude et Barbara Métais-Chastanier, qui devait n’être au départ qu’un bref entretien, a pris la tournure d’un ouvrage plus conséquent qui s’est inventé pendant plus d’une année. Devenant essai à deux voix, débordant la question initiale de l’accident, de l’imprévu et du hasard, il explore au fil du dialogue, de manière poétique, critique et digressive, le processus d’une écriture liée à l’énigme de la scène. Organisé en séquences journalières, le balancement des questions, des réponses et des réflexions, auquel se sont livrées librement les deux interlocutrices, a fini par produire, comme un accident, ce que Robert Cantarella appelle un « manuel de dérangement », et à cette occasion un traité sur le théâtre. This epistolary conversation between Noëlle Renaude and Barbara Métais-Chastanier was initially meant to be a short interview, yet it turned into a more substantial piece of work that they invented together for over a year. Moving beyond the realm of the original topics of the accident, the unexpected, and chance, it became a two-voice essay which, over the course of the dialogue, explores a writing process, linked to the enigma of the stage, in a poetic, critical, and digressive way. In daily sequences, the two correspondents freely engaged in a seesaw of questions, answers, and reflections, which finally produced, as if by accident, what Robert Cantarella calls a “Guide to Disruption” and, on this occasion, a treatise on theater.

Literature --- Theater --- accident --- dramaturgie --- processus de création --- théâtre --- recherche / création --- dramaturgy --- creation process --- theater --- research/creation

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"Historically, “queer” was the slur used against those who were perceived to be or made to feel abnormal. Beginning in the 1980s, “queer” was reappropriated and embraced as a badge of honor. While queer draws its politics and affective force from the history of non-normative, gay, lesbian, and bisexual communities, it is not equivalent to these categories, nor is it an identity. Rather, it offers a strategic undercutting of the stability of identity and of the dispensation of power that shadows the assignment of categories and taxonomies. Artists who identify their practices as queer today call forth utopian and dystopian alternatives to the ordinary, adopt outlaw stances, embrace criminality and opacity, and forge unprecedented kinships, relationships, loves, and communities. Rather than a book of queer theory for artists, this is a book of artists' queer tactics and infectious concepts. By definition, there can be no singular “queer art.” Here, in the first Documents of Contemporary Art anthology to be centered on artists' writings, numerous conversations about queer practice are brought together from diverse individual, social and cultural contexts. Together these texts describe and examine the ways in which artists have used the concept of queer as a site of political and institutional critique, as a framework to develop new families and histories, as a spur to action, and as a basis from which to declare inassimilable difference." --

Artists' writings. --- Homosexuality and the arts. --- Art contemporain --- Mouvement artistique --- Artiste et société --- Iconographie --- Processus de création --- Création artistique --- Ecrit d'artiste --- Art militant --- Art et politique --- Queer

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Comme l’articulation des termes dans le titre l’indique, les trois derniers ont alimenté dans le passé ou alimentent aujourd’hui les principaux débats des théories sur l’art (comme résultat) et sur la création (comme processus). Discutant avec une remarquable érudition les principaux éléments de ces débats, de l’Antiquité à nos jours, François Rastier sait en renouveler profondément les enjeux en adoptant un point de vue original, sémio‑anthropologique, qui s’appuie sur les éléments majeurs de la sémiotique des cultures qu’il élabore depuis une vingtaine d’années désormais, dans le droit fil de la vaste philosophie des formes symboliques d’E. Cassirer, dont il est un des héritiers les plus marquants aujourd’hui.

Sémiologie --- Processus de création --- Langage --- Philosophie du langage --- Illustrations, images, etc. --- Représentation (esthétique). --- Création (esthétique) --- Sémiotique et littérature. --- Interprétation. --- Aspect psychologique. --- Représentation (esthétique) --- Création (esthétique) --- Sémiotique et littérature. --- Interprétation. --- Illustrations

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Providing meaningful theoretical and practical substance to open up the importance of Slow knowledge to the contemporary design discourse ; design as in thinking out new systems in diverse contexts and communities.

Knowledge, Theory of. --- Holism. --- 7.01 --- kunsttheorie ; ontwerpproces --- Epistemology --- Theory of knowledge --- Wholism --- Kunst ; theorie, filosofie, esthetica --- Philosophy --- Psychology --- Evolution --- Whole and parts (Philosophy) --- Théorie de la communication --- Théorie de la connaissance --- Design --- Processus de création --- Knowledge, Theory of --- Holism --- Design thinking --- Sociology of culture