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Many in continental philosophy of religion aver that we are in a new moment, one where the intellectually marginalized and religiously bastardized traditions of mystical, intuitive, and esoteric apprehensions must be re-articulated and appreciated anew. In an era marked by catastrophic events and atrophied cultural institutions, what seems to be needed is an affirmation of the human potential to truck with non-human or even inhuman forces and intentions, at scales of speed, slowness, or intensity that break with consensual conceptions of human limitations. The essays in this volume outline patterns of mind and mortality, existence and ecstasy, creativity and expression, political possibility and religious matrix from a position that takes quite seriously possible relations with the absolute, however enigmatic, that modernity has denied and postmodernity has obscured in the name of academic skepticism and humanist reservations. Beyond post-modernist pastiche and post-secular nostalgia, these essays explore the potencies of archaic spiritual disciplines as well as the passions driving the mystical, heretical, and Gnostic intimations riddling contemporary relations with the absolute.

Religion

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In his controversial poem “I Sing the Body Electric”, Walt Whitman glorified the human body in all its forms. The world according to Whitman is physical and sensual. Bodies are our fundamental way of being – being in the here and now, being in time and space. Bodies we have and bodies we are are as much sensed, felt, experienced, seen, or heard as they are material objects.2 As bodies, we are in space, and through our bodies, their processes, their practices, their skills, we leave traces in space and time and extend ourselves in space. Bodies that extend and reach out and communicate through voice, as well as how voice materialises the immaterial, was the topic of a colloquium, “I Sing the Body Electric”, held at the University of Hull, United Kingdom, in 2014, which in turn inspired the following special issue of the Journal for Religion, Film and Media (JRFM). Following on from the colloquium’s inspiration, this JRFM issue is dedicated to the interrelation between religion, body, technology, and voice and its analysis from an interdisciplinary perspective using approaches from musicology, philosophy, and religious studies.

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Luther H. Martin and Donald Wiebe together have spent the better part of a century exploring possibilities for a scientific study of religion. The following essays are a record of their conversations together and of their conversations and controversies with a number of leading scholars in religious studies that address that possibility. As with any scientific endeavor, knowledge advances when research assumptions and experimental designs are collegially discussed and critically assessed. It is hoped that these essays might provide the occasion for scholars in the field to discuss the theoretical and methodological issues they have raised, to debate and expand upon them, or, in the spirit of forthright scientific inquiry, to refute the arguments they have made.

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In 2011, the European Research Council awarded Dr Hugh Houghton a Starting Grant to lead a five-year project investigating the earliest commentaries on Paul as sources for the biblical text. 1 This project, known by its acronym COMPAUL, was intended to build on Dr Houghton's doctoral work analysing Augustine's gospel citations. 2 The aim was to instigate a better understanding of commentaries and their contribution to the transmission of the New Testament in anticipation of two major editing projects: the Vetus Latina edition of the four principal letters of Paul and the Novum Testamentum Graecum Editio Critica Maior of all Pauline Epistles being planned by the IGNTP.

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Religion --- Religion