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The Aerocene Foundation–initiated by artist Tomás Saraceno–is a non-profit organisation devoted to community building, scientific research, artistic experience, and education. The Foundation works with artists, thinkers, scientists, researchers, balloonists, technologists, humanitarian workers, influencers, and visionaries to increase public awareness of global resource circulation, and reactivate a common imaginary towards new symbiotic relationships with the earth. Le livre est une étude approfondie du projet Aerocene. Le projet Aerocene consiste en une série de sculptures aéroportées réalisées par Tomás Saraceno qui réaliseront le plus long voyage sans émissions autour du monde, ne devenant flottant que par la chaleur du Soleil et le rayonnement infrarouge de la surface de la Terre. Tomás Saraceno (né le 1973) est un artiste contemporain argentin résidant en Allemagne. Architecte de formation, il est notamment connu pour ses spectaculaires réseaux, tissés par des araignées, l'objet de sa recherche artistique et scientifique.Avec des installations spectaculaires comme Poetic Cosmos Of The Breath1 en 2007, il est avec Olafur Eliasson un représentant majeur de l'art environnemental contemporain. A l'occasion de la COP21 en 2015, il a présenté sa vision de l'Aerocène - un mouvement global pour la conscience environmentale.
Art --- sculpture [visual works] --- ecology --- aerodynamics --- air art --- balloons [aircraft] --- aerial activities --- Saraceno, Tomás --- Aerocene [Berlin] --- Sculpture --- Installation - art --- Saraceno, Tomas, --- Installation-art --- Environnement --- Saraceno, Tomas --- Aerocene Foundation --- Sculpture - 21e siècle --- Installation - art - 21e siècle --- Art - 21e siècle --- Saraceno, Tomas, - 1973- - Pictorial works --- Saraceno, Tomas, - 1973 --- -Art
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Adami, Valerio ; Adonis ; Adnan, Etel ; Al-Maria, Sophia ; Attia, Kader ; Barcelo, Miquel ; Boetti, Alighiero ; Boyd, Dan ; Dekyndt, Edith ; Diawara, Manthia ; Fattal, Simone ; Gallego, Geneviève ; Glissant, Sylvie et al.
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Art --- Architecture --- art [discipline] --- architecture [discipline] --- Bonillas, Iñaki --- Buren, Daniel --- Zamora, Héctor --- Blaisse, Petra --- Herreros, Juan --- Parreno, Philippe --- Friedman, Yona --- Barragán, Luis --- Frid, Dianna --- Friedeberg, Pedro --- Koo Jeong-a --- Linke, Armin --- Margreiter, Dorit --- Ortega, Damián --- Pape, Lygia --- Sottsass, Ettore --- Reyes, Pedro --- Romero, Fernando --- Koolhaas, Rem --- Schinwald, Markus --- Soriano, Juan --- Rashid, Hani --- Gower, Terence --- Fernández, Carla --- Ryan, Raymund --- Medina, Cuauhtémoc --- Payán, Carlos --- León de la Barra, Pablo --- Horn, Roni --- Holl, Steven --- Ruscha, Ed --- Cruz-Diez, Carlos --- Graham, Dan --- Eliasson, Olafur --- Fischli, Peter --- Gilbert and George --- Gillick, Liam --- Sala, Anri --- Tiravanija, Rirkrit --- Weiss, David --- Monsiváis, Carlos --- Alÿs, Francis --- Fernández, Claudia --- Toroni, Niele --- Gordon, Douglas --- Evans, Cerith Wyn --- Gonzalez-Foerster, Dominique --- Grigely, Joseph --- Sejima, Kazuyo --- Nishizawa, Ryue
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Art --- art [discipline] --- globalization --- Glissant, Edouard
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Dans cet essai en forme d’autobiographie, Hans Ulrich Obrist partage sa passion pour son métier de curator qu’il a contribué à inventer. Animé par la curiosité, la mobilité et le questionnement permanent, il s’ouvre à tous les territoires de la création et de la pensée et renouvelle les formes de l'exposition. Les artistes, les architectes ou les scientifiques qu’il a rencontrés l’ont invité à élargir sa conscience du monde et à concevoir sa pratique comme un nouvel humanisme contemporain.
Muséologie --- Weiss, David --- Fischli, Peter --- Boetti, Alighiero --- Courbet, Gustave --- Manet, Edouard --- Whistler, James Abbott Mcneill --- Walser, Robert --- Richter, Gerhard --- Musées d'art. --- Conservation (Muséologie) --- Muséologie --- Commissaires d'exposition. --- Obrist, Hans Ulrich. --- Art museums --- Curatorship --- Art --- Exhibition techniques --- Weiss, David 1946-2012
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kunst --- eenentwintigste eeuw --- twintigste eeuw --- Segui Antonio --- Villar Rojas Adrián --- Raqs Media Collective --- Otolith Group --- Price Walter --- McQueen Steve --- Matta Roberto --- Leyendecker Ranjana --- Lam Wilfredo --- Koo Jeong A --- Glissant Sylvie --- Gallego Geneviève --- Fattal Simone --- Diawara Manthia --- Dekyndt Edith --- Boyd Dan --- Boetti Alighiero --- Barcelo Miquel --- Attia Kader --- Al-Maria Sophia --- Adnan Etel --- Adonis --- Adami Vaerio --- cultuurfilosofie --- kunst en economie --- kunst en politiek --- 7.039 --- 7.01 --- globalisering --- Glissant Édouard --- kunsttheorie --- Exhibitions --- Culture and globalization --- Culture et globalisation --- Culture et mondialisation --- Cultuur en globalisering --- Globalisation et culture --- Globalisering en cultuur --- Globalization and culture --- Mondialisation culturelle --- Mondialisation de la culture --- Mondialisation et culture --- Art --- Political aspects --- Economic aspects --- Culture --- Philosophy
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The iconic One Minute Sculptures of Austrian artist Erwin Wurm (born 1954) invite visitors to realize temporary sculptures by following the artist’s instructions and using objects at hand―levitating, holding your breath and thinking of Spinoza, throwing yourself away, or being a terrorist―for one minute. For a brief moment, long enough to lift the banality, the absurdity of this encounter between individual and object is raised to a philosophical level. Wurm’s constellations are social sculptures whose astonishing simplicity and stringency make them both alluring and unsettling. This is the first publication to list all of the One Minute Sculptures that Wurm has realized around the world over a period of more than 20 years. It also features his latest work, created for the Austrian Pavilion at the 2017 Venice Biennale.
performance art --- Sculpture --- installations [visual works] --- sculpture [visual works] --- humor --- Wurm, Erwin --- Sculpture autrichienne --- Wurm, Erwin, --- 7.07 --- Beeldende kunst ; installaties ; performances ; Erwin Wurm --- Wurm, Erwin °1954 (°Bruck/Mur, Oostenrijk) --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Performance --- Performance-art --- Art conceptuel
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Art --- interviews --- manifestoes --- maps [documents] --- art [discipline] --- poetry --- experimentation --- heroes --- Huang, Yong Ping --- Adnan, Etel --- Baghramian, Nairy --- Birnbaum, Daniel --- Boghiguian, Anna --- Fujiwara, Simon --- Hirsch, Nikolaus --- Mela-Konstandinidi, Natalia --- Panayiotou, Christodoulos --- Papaconstantinou-Hughes, Leda --- Papadimitriou, Maria --- Sapountzis, Yorgos --- Société Réaliste --- Soulou, Christiana --- Varelas, Jannis --- Velonis, Kostis --- Vlahos, Vangelis --- Koons, Jeff --- Argianas, Athanasios --- Angelidakis, Andreas --- Plessas, Angelo --- Koutrouboussis, Panos --- Raza, Asad --- Zateli, Zyranna --- Valaoritis, Nanos --- Koumendakis, Giorgos --- Dimitriadis, Dimitris --- Papadimitriou, Angelos --- Papavassiliou, Vassilis --- Giannisi, Phoebe --- Morris, Sarah --- Ontani, Luigi --- Obrist, Hans Ulrich
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Karl-Heinz Adler begann Ende der fünfziger Jahre, sich als Künstler neu zu erfinden: Er arrangierte gefächerte Schichtungen gleicher geometrischer Elemente, konstruktivistische Collagen sich durchdringender Rechtecke sowie transparente Folienschichtungen, später folgten die grossflächigen -'Seriellen Lineaturen'. Seine Kunst stiess in der DDR auf Ablehnung, obwohl sie ganz unmittelbar den Alltag vieler Menschen in den Neubauvierteln bestimmte. Gemeinsam mit seinem Künstlerkollegen Friedrich Kracht hatte er 1968 das 'Beton-Formstein-Programm' entwickelt: ein Baukasten von zwölf modularen Grundformen, der kurze Zeit später in Produktion ging und von da an das Bild der Trabantenstädte prägte. Der Band erscheint mit einem Interview von Hans Ulrich Obrist zum 90. Geburtstag des Künstlers.
Constructivism (Art) --- Concrete art --- Art, Abstract --- Constructivisme (Art) --- Art concret --- Art abstrait --- Adler, Karl-Heinz,
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