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The legend of Theophilus stages an iconic medieval story, its widespread popularity attesting to its grip on the imagination. A pious clerk refuses a promotion, is demoted, becomes furious and makes a contract with the Devil. Later repentant, he seeks out a church and a statue of the Virgin; she appears to him, and he is transformed from apostate to saint. It is illustrated in a variety of media: texts, stained glass, sculpture, and manuscript illuminations. Through a wide range of manuscript illuminations and a selection of French texts, the book explores visual and textual representations of the legend, setting it in its social, cultural and material contexts, and showing how it explores medieval anxieties concerning salvation and identity. The author argues that the legend is a sustained meditation on the power of images, its popularity corresponding with the rise of their role in portraying medieval identity and salvation, and in acting as portals between the limits of the material and the possibilities of the spiritual world Jerry Root is Associate Professor of French and Comparative Literature, University of Utah.
091.31:7.04 --- 091:235 --- 091:235 Handschriftenkunde. Handschriftencatalogi-:-Engelen. Demonen. Heiligen --- Handschriftenkunde. Handschriftencatalogi-:-Engelen. Demonen. Heiligen --- 091.31:7.04 Verluchte handschriften: iconografie --- Verluchte handschriften: iconografie --- Theophilus (Legend) --- In art. --- Literature, Medieval --- Themes, motives. --- In literature --- In literature. --- Christian dogmatics --- Old French literature --- Theophilus vicedominus Adanensis --- Miracle de Théophile --- ART / European.
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"Presents examples of illuminated manuscripts from the Renaissance in which artists depict nature in their art to intensify the spiritual experience of the viewer. Additionally, the portrayal of landscape in panel paintings, drawings, and decorative arts from the fifteenth through the seventeenth centuries is discussed"--Provided by publisher.
Illumination of books and manuscripts, Renaissance --- Nature in art --- Landscapes in art --- Nature dans l'art --- Paysages dans l'art --- Exhibitions. --- Expositions --- Painting --- illuminated manuscripts --- landscapes [representations] --- Manuscripts. Epigraphy. Paleography --- anno 1400-1499 --- anno 1500-1599 --- 091.31:7.04 --- 7.043 --- Renaissance illumination of books and manuscripts --- 7.043 Iconografie: flora; plantenwereld; bomen; bloemen; vruchten --- Iconografie: flora; plantenwereld; bomen; bloemen; vruchten --- 091.31:7.04 Verluchte handschriften: iconografie --- Verluchte handschriften: iconografie --- Exhibitions
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Orné de 85 enluminures encore en place, l'ouvrage est un témoignage exceptionnel, bien documenté, qui permet de comprendre les modalités de la commande des manuscrits liturgiques enluminés au XIVe siècle, et qu'il est possible de replacer dans un contexte politique, religieux et artistique bien déterminé.
091:264-14 --- 091.31:7.04 --- 091.31 <44> --- 091 <44 NARBONNE> --- 091 <44 NARBONNE> Handschriftenkunde. Handschriftencatalogi--Frankrijk--NARBONNE --- Handschriftenkunde. Handschriftencatalogi--Frankrijk--NARBONNE --- 091.31 <44> Verluchte handschriften--Frankrijk --- Verluchte handschriften--Frankrijk --- 091.31:7.04 Verluchte handschriften: iconografie --- Verluchte handschriften: iconografie --- 091:264-14 Pontificalen--(handschriften) --- Pontificalen--(handschriften) --- Illumination of books and manuscripts, Gothic. --- Pierre, --- Pontificals --- Illumination of books and manuscripts, Gothic --- Art patronage --- Catholic Church. --- Catholic Church --- Liturgy --- Pontificals - France - Narbonne --- Illumination of books and manuscripts, Gothic - France - Narbonne --- Pontifical --- Narbonne --- Pierre, - de La Jugie, archbishop of Narbonne, - 1321-1376 - Art patronage --- Pierre, - de La Jugie, archbishop of Narbonne, - 1321-1376
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"When one thinks of women in the Middle Ages, the images that often come to mind are those of damsels in distress, mystics in convents, female laborers in the field, and even women of ill repute. In reality, however, medieval conceptions of womanhood were multifaceted, and women's roles were varied and nuanced. Female stereotypes existed in the medieval world, but so too did women of power and influence. The pages of illuminated manuscripts reveal to us the many facets of medieval womanhood and slices of medieval life--from preoccupations with biblical heroines and saints to courtship, childbirth, and motherhood. While men dominated artistic production, this volume demonstrates the ways in which female artists, authors, and patrons were instrumental in the creation of illuminated manuscripts."--
Women in art. --- Women --- Illumination of books and manuscripts, Medieval. --- Painting, Medieval --- Human females --- Wimmin --- Woman --- Womon --- Womyn --- Females --- Human beings --- Femininity --- History --- Women in art --- 305 --- 091.31:7.04 --- 930.85.42 --- 091.31:7.04 Verluchte handschriften: iconografie --- Verluchte handschriften: iconografie --- 305 Genderstudies. Rol van de sekse. Gender. Personen vanuit interdisciplinair gezichtspunt --- Genderstudies. Rol van de sekse. Gender. Personen vanuit interdisciplinair gezichtspunt --- Cultuurgeschiedenis: Middeleeuwen --- 930.85.42 Cultuurgeschiedenis: Middeleeuwen --- women [female humans] --- Book history --- Medieval [European] --- illuminated manuscripts --- anno 500-1499 --- Illumination of books and manuscripts, Medieval --- Buchmalerei. --- Frau --- Illuminierte Handschrift. --- Themes, motives --- Themes, motives. --- Middle Ages. --- 500-1500.
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091.31:7.04 --- 091.31 "14" --- 091 =40 --- 930.21 "04/14" --- 949.3.015 --- 929.7 <44> --- 929.7 <44> Adel. Eretitels--Frankrijk --- Adel. Eretitels--Frankrijk --- 930.21 "04/14" Historiografie: Middeleeuwen --- Historiografie: Middeleeuwen --- 091 =40 Handschriftenkunde. Handschriftencatalogi--Frans --- Handschriftenkunde. Handschriftencatalogi--Frans --- 091.31 "14" Verluchte handschriften--15e eeuw. Periode 1400-1499 --- Verluchte handschriften--15e eeuw. Periode 1400-1499 --- 091.31:7.04 Verluchte handschriften: iconografie --- Verluchte handschriften: iconografie --- 949.3.015 Geschiedenis van België: Bourgondische periode (1384-1482) --- Geschiedenis van België: Bourgondische periode (1384-1482)
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Power (Social sciences) in art --- Prerogative, Royal, in art --- Kings and rulers in art --- Regalia (Insignia) in art --- Art --- History --- Political aspects --- 091:32 --- 091.31:7.04 --- 091.31 "12/14" --- 091.31:7.04 Verluchte handschriften: iconografie --- Verluchte handschriften: iconografie --- Handschriftenkunde. Handschriftencatalogi-:-Politiek. --- 091.31 "12/14" Verluchte handschriften--?"12/14" --- Verluchte handschriften--?"12/14" --- Handschriftenkunde. Handschriftencatalogi-:-Politiek --- Book history --- Iconography --- anno 1200-1499 --- Pouvoir (sciences sociales) --- Arts et politique --- Manuscrits médiévaux --- Power (Social sciences) --- Arts --- Manuscripts, Medieval --- Dans l'art --- Illustrations --- Thèmes, motifs --- In art --- Political Aspects --- Themes, motives --- Dans l'art. --- Thèmes, motifs. --- In art. --- Thèmes, motifs. --- Manuscrits médiévaux
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This monograph focuses on Brussels, Royal Library, MS 10066-77, a tenth-century volume comprised of illustrated copies of Prudentius? 'Psychomachia' and the bestiary known as the 'Physiologus', to which tenth- and eleventh-century readers added a dozen short school texts. Largely for its illustrations, the manuscript has been considered a monument of Ottonian illumination and one of the principal treasures of the Royal Library in Brussels. The allure of its illustrated texts resulted in inadequate attention to the minor additions to the volume. This study reveals that these have a coherent origin (in Liège) and purpose (the study and teaching of allegory); and that they provide detailed evidence for teaching in the Liège schools of the period. Among the additions are philosophical, mathematical, prosodiacal, and lexical works. These can be specifically related to the studies of Liège writers of the tenth and eleventh centuries, and evidence is presented showing that some of these writers demonstrably used this very manuscript. A Latin glossary is among the most interesting additions, as it preserves a record of a local Latin vocabulary used by Liège writers of the period. The monograph concludes with a survey of tenth- and eleventh-century writers from Liège, and what ancient texts they knew. A comparison of their common reading culture, supplemented by evidence from surviving manuscripts and from medieval booklists, allows a fuller picture of the texts that were known and taught in the Liège schools at the time, and provides a new basis for assessing the teaching in these schools.
Book history --- illuminated manuscripts --- codicology --- anno 900-999 --- anno 1000-1099 --- Belgium --- Mss Belgique --- Bibliothèque royale de Belgique --- Manuscrits --- Manuscripts, Latin (Medieval and modern) --- Manuscripts, Medieval --- Allegory --- Education, Medieval --- Study and teaching --- Prudentius, --- Bibliothèque royale de Belgique. --- 091 PRUDENTIUS CLEMENS, AURELIUS --- 091 PRUDENTIUS CLEMENS, AURELIUS Handschriftenkunde. Handschriftencatalogi--PRUDENTIUS CLEMENS, AURELIUS --- Handschriftenkunde. Handschriftencatalogi--PRUDENTIUS CLEMENS, AURELIUS --- Handschriftenkunde. Handschriftencatalogi--PRUDENTIUS CLEMENS, AURELIUS. --- Verluchte handschriften: iconografie. --- Handschriftenkunde. Handschriftencatalogi-:-Zoologie. Dierkunde. --- Codicologie. Codices. Scriptoria. --- 091 <493 BRUSSEL> --- 091.31:7.04 --- 091:59 --- 091.14 --- 091.14 Codicologie. Codices. Scriptoria --- Codicologie. Codices. Scriptoria --- 091.31:7.04 Verluchte handschriften: iconografie --- Verluchte handschriften: iconografie --- 091:59 Handschriftenkunde. Handschriftencatalogi-:-Zoologie. Dierkunde --- Handschriftenkunde. Handschriftencatalogi-:-Zoologie. Dierkunde --- 091 <493 BRUSSEL> Handschriftenkunde. Handschriftencatalogi--België--BRUSSEL --- Handschriftenkunde. Handschriftencatalogi--België--BRUSSEL --- Manuscripts --- Brussels (Belgium)
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This carefully researched monograph is a historical investigation of the illustrated Aratea astronomical manuscript and its many interpretations over the centuries. Aratus' 270 B.C.E. Greek poem describing the constellations and astrological phenomena was translated and copied over 800 years into illuminated manuscripts that preserved and illustrated these ancient stories about the constellations. The Aratea survives in its entirety due to multiple translations from Greek to Latin and even to Arabic, with many illuminated versions being commissioned over the ages. The survey encompasses four interrelated disciplines: history of literature, history of myth, history of science, and history of art. Aratea manuscripts by their nature are a meeting place of these distinct branches, and the culling of information from historical literature and from the manuscripts themselves focuses on a wider, holistic view; a narrow approach could not provide a proper prospective. What is most essential to know about this work is that because of its successive incarnations it has survived and been reinterpreted through the centuries, which speaks to its importance in all of these disciplines. This book brings a better understanding of the history, changes and transmission of the original astronomical Phaenomena poem. Historians, art historians, astronomy lovers, and historians of astronomy will learn more specialized details concerning the Aratea and how the tradition survived from the Middle Ages. It is a credit to the poetry of Aratus and the later interpreters of the text that its pagan aspects were not edited nor removed, but respected and maintained in the exact same form despite the fact that all sixty Aratea manuscripts mentioned in this study were produced under the rule of Christianity.
Physics. --- History. --- Literature, Medieval. --- Observations, Astronomical. --- Astronomy --- Astronomy, Observations and Techniques. --- History of Science. --- Medieval Literature. --- History and Philosophical Foundations of Physics. --- Observations. --- Manuscripts, Medieval. --- Astronomy, Greek, in literature. --- Aratus, --- 091:52 --- 091:133.52 --- 091:133.52 Handschriften i.v.m. astrologie --- Handschriften i.v.m. astrologie --- 091:52 Handschriften i.v.m. astronomie-- Zie ook: {091:133.52} --- Handschriften i.v.m. astronomie-- Zie ook: {091:133.52} --- 091.31:7.04 --- 091.31:7.04 Verluchte handschriften: iconografie --- Verluchte handschriften: iconografie --- Natural philosophy --- Philosophy, Natural --- Physical sciences --- Dynamics --- Astronomical observations --- Observations, Astronomical --- European literature --- Medieval literature --- Annals --- Auxiliary sciences of history --- Medieval manuscripts --- Manuscripts --- Astronomy—Observations. --- Science—History. --- Physics—Philosophy. --- Philosophical Foundations of Physics and Astronomy.
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