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Iconoclasm --- Christianity and art --- History.
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Christianity and art. --- Christianity and the arts. --- Art, Modern
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Il Dialogus de adoratione si incentra sull'adorazione delle immagini religiose e risulta essere allo stato attuale la prima e unica opera in cui Gianfrancesco Pico della Mirandola abbia esposto in modo articolato la propria posizione in merito alla Riforma. Questo volume offre la trascrizione e la traduzione italiana del Dialogus (composto in latino agli inizi del 1524 e mai pubblicato) in edizione critica, con il corredo di un'ampia introduzione sulle circostanze storiche e su alcuni significativi aspetti relativi alla stesura dell'opera.
Christianity and art --- Idols and images --- Iconoclasm --- Reformation. --- Manuscripts, Latin (Medieval and modern) --- Early works to 1800. --- Worship --- Biblioteca apostolica vaticana. --- Christianity and art - Early works to 1800 --- Idols and images - Worship - Early works to 1800 --- Iconoclasm - Early works to 1800 --- Manuscripts, Latin (Medieval and modern) - Vatican City
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Theodor Abuu Qurrah, melkitischer Theologe und Bischof der mesopotamischen Stadt Harran, lebte zu Beginn der Abbasiden-Herrschaft und gilt als der früheste christlich-arabische Theologe. Sein Traktat über die Bilderverehrung ist der einzige seiner Art in arabischer Sprache in der Zeit der grossen interreligiösen und innerchristlichen Kontroversen um die Legitimität der christlichen Bilder. Er ist auch das wichtigste Dokument, das über eine wachsende Ikonophobie unter den syrischen Christen als Folge der islamischen Kampagne gegen alle byzantinischen Reminiszenzen öffentlichen Bilderkultes berichtet. 0Anhand dieser bedeutenden Schrift stellt Vasile-Octavian Mihoc nicht nur das christliche Bildverständnis im arabischen Kulturraum dar, vielmehr analysiert er den Transfer von theologischem Wissen aus dem griechisch-patristischen in das arabisch-theologische Denken. Neben der Vorstellung von Biografie und Werk Theodors geht er der Entwicklung der politisch-religiösen Repräsentationskultur des Islam sowie der Genese der Bilderablehnung im Kalifat nach. Den Schwerpunkt des Bandes bildet ein historisch-theologischer Kommentar des Traktats, der zum einen aufzeigt, welche Formen der theologischen Argumentation sich im christlich-arabischen Diskurs antreffen lassen. Zum anderen werden die Besonderheiten der christlichen Bildertheologie im islamischen Kontext im Vergleich mit bestehenden Bildertheologien, vor allem der von Johannes von Damaskus, erläutert.
Iconoclasm. --- Christianity and other religions --- Islam --- Islam. --- Relations --- Christianity. --- Abū Qurrah, Thāwdhūrus, --- Iconoclasm --- Christianity and art --- Islam and art --- Idols and images --- Orthodox Eastern Church --- Worship --- History of doctrine --- History of doctrine. --- Culte des images
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Christianity and art. --- Art --- Aesthetics. --- Incarnation. --- Suffering --- 232.8 --- Kenosis (Theology) --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Criticism --- Literature --- Proportion --- Symmetry --- Aesthetics --- Art and philosophy --- Art and Christianity --- 232.8 Jezus Christus als mens. Menswording. Incarnatie --- Jezus Christus als mens. Menswording. Incarnatie --- Philosophy. --- Religious aspects --- Christianity. --- Psychology --- Analysis, interpretation, appreciation --- Christianity and art --- Incarnation --- Affliction --- Masochism --- Pain --- Religious aspects&delete& --- Christianity --- Radio broadcasting Aesthetics
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Seit dem Sommer des Jahres 1431 reisten zahlreiche bedeutende Persönlichkeiten aus Kirche und Politik nach Basel, um ein Generalkonzil abzuhalten, welches fast zwei Jahrzehnte dauern sollte. Die Stadt entwickelte sich für kurze Zeit zum ±Mittelpunkt der Christenheit?, wie es der italienische Humanist Enea Silvio Piccolomini formulierte. Mit den Konzilsteilnehmern gelangte ein enormes Bildwissen in die Rheinstadt. Dies gilt als ein Grund, weshalb während des Konzils zahlreiche Werke geschaffen wurden, die Kenntnisse von Malerei und Skulptur verschiedenster Regionen bedingten. Hervorgegangen ist daraus eine Art polyphoner Klang der europäischen Kunst an der Schwelle vom Mittelalter zur Renaissance.0Jana Lucas zeichnet in ihrem Buch ein lebendiges Bild des künstlerischen Austauschs im Kontext des Basler Konzils und bietet damit erstmals eine umfassende Zusammenschau des Kunstgeschehens im konziliaren Basel.
Christianity and art --- Catholic Church --- Italy --- Switzerland --- Church history --- Christian art and symbolism --- Art and Christianity --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- History --- Council of Basel --- Council of Basel. --- Basel, Council of --- Basilejský koncil --- Basler Konzil --- Concil von Basel --- Concilium Basiliense --- Koncil basilejský --- Konzil von Basel --- 262.5*27 --- Art --- Religious art --- Symbolism --- Church decoration and ornament --- 262.5*27 Bazel. Florence--(1431-1442) --- Bazel. Florence--(1431-1442) --- Symbolism in art
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"A Magnificent Faith' explains how and why Lutheranism - a confession that derived its significance from the promulgation of God's Word - became a visually magnificent faith, a faith whose adherents sought to captivate Christians' hearts and minds through seeing as well as through hearing. Although Protestantism is no longer understood as an exclusively word-based religion, the paradigm of evangelical ambivalence towards images retains its power. This is the first study to offer an account of the Reformation origins and subsequent flourishing of the Lutheran baroque, of the rich visual culture that developed in parts of the Holy Roman Empire during the later seventeenth and early eighteenth centuries. The volume opens with a discussion of the legacy of the Wittenberg Reformation. Three sections then focus on the confessional, devotional, and magnificent image, exploring turning points in Lutherans' attitudes towards religious art. Drawing on a wide variety of archival, printed, and visual sources from two of the Empire's most important Protestant territories - Saxony, the heartland of the Reformation, and Brandenburg - 'A Magnificent Faith' shows the extent to which Lutheran culture was shaped by territorial divisions. It traces the development of a theologically-grounded aesthetic, and argues that images became prominent vehicles for the articulation of Lutheran identity not only amongst theologians but also amongst laymen and women. By examining the role of images in the Lutheran tradition as it developed over the course of two centuries, 'A Magnificent Faith' offers a new understanding of the relationship between Protestantism and the visual arts."--Publisher's description.
Christian church history --- History of Germany and Austria --- History of civilization --- Art --- anno 1600-1699 --- anno 1500-1599 --- Art, Baroque --- Christianity and art --- Reformation and art --- History. --- Lutheran Church --- History --- Art baroque --- Christianisme et art --- Réforme et art --- Histoire --- Église luthérienne --- Réforme protestante et art --- Histoire. --- Art and the Reformation --- Art and religion --- Christian art and symbolism --- Art and Christianity --- Baroque art --- Lutheranism --- Christian sects --- Réforme protestante et art --- Église luthérienne
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P.3. Eikôn et la pensée trinitaire : prémisses théoriques / Anca Vasiliu, EikônP. 23. Imago et la pensée latine de l:image / Kristina MitalaitêP. 35. L'image divine et son reflet : quelques usages antiques du dédoublement / Anca VasiliuP. 65. Denys l'Aréopagite et l'image divine : symbole, empreinte, statue / Marilena VladP. 93. L'icône e(s)t l'original / Maria ZoubouliP. 111. L'image de Dieu dans la tradition syriaque : monophysisme et iconoclasme / Izabela JuraszP. 153. On the Origin of the Work of Art: Tradition, Inspiration and Invention in the Post-Iconoclastic Era / Charles BarberP. 177. Earthly and Spiritual Authority in the Imperial Image / Henry MaguireP. 219. Éduquer le regard et construire la visibilité chrétienne : le visible et l'image dans la période pré- et post-nicéenne / Kristina MitalaitêP. 257. "Res insensata, vero ambigua aut certe inutilis" : l'immagine artificiale nei Libri Carolini / Diego M. IaniroP. 285. Imago, Eikon, Icon: Image Theory, Political Clash and Ontology in the Early Middle-Age World / Francesco PaparellaP. 307. Dalla diffidenza alla passione esclusiva: tra Carlo Magno e Gioacchino da Fiore / Maria BettetiniP. 337. Icons and Relies in Religious Policies of the Muscovite Rus' / Aleksandra SulikowskaP. 357. Pierre Gonneau, L'image en Russie au siècle d'Ivan le Terrible / Pierre GonneauP. 387. Between the First and the Third Rome: the Cult of Marian Images in the Polish-Lithuanian Commonwealth / Grazyna JurkowlaniecP. 423. Icon as Chora-. Spatial Aspects of Iconicityin Byzantium and Russia / Alexei Lidov.
Image (théologie) --- Icons --- Christianity and art --- Christian art and symbolism --- Image (Theology) --- Icônes --- Christianisme et art --- Art et symbolisme chrétiens --- Image (Théologie) --- Icônes --- Art et symbolisme chrétiens --- Image (Théologie) --- Byzantine Empire --- Byzantium (Empire) --- Vizantii︠a︡ --- Bajo Imperio --- Bizancjum --- Byzantinē Autokratoria --- Vyzantinon Kratos --- Vyzantinē Autokratoria --- Impero bizantino --- Bizantia --- Religious life and customs. --- Christian art and symbolism. --- 246.5 --- 7.04 --- 246.3 --- 246.3 Beelden in kerken. Beeldenverering. Iconoclasme --- Beelden in kerken. Beeldenverering. Iconoclasme --- 7.04 Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- 246.5 Emblematiek. Iconologie. Christelijke iconografie. Dodendans --- Emblematiek. Iconologie. Christelijke iconografie. Dodendans --- Icons, Byzantine. --- Iconoclasm --- Art, Byzantine. --- Church and state --- History. --- Byzantine Empire. --- History of doctrines --- Orthodox Eastern Church. --- Image (théologie)
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