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La bande dessinée est aujourd’hui à un tournant de son histoire. Son image sociale s’est considérablement améliorée, sa légitimité culturelle ne fait plus guère débat. Or ces évolutions, qui font d’elle un objet de mieux en mieux identifié et de plus en plus reconnu, se produisent alors que le marché, lui, au sortir d’une période de croissance continue, connaît une véritable crise, impactant tant les marges des éditeurs que les revenus des auteurs. Dans le cadre des États généraux de la bande dessinée, lancés en janvier 2015, qui se proposent de "faire un bilan et une analyse la plus exhaustive possible de la situation", ce petit livre interroge à chaud les évolutions récentes de la production éditoriale, la féminisation de la profession, l’essor de la non-fiction, la situation de l’édition alternative, la multiplication des formations spécialisées, la percée de la bande dessinée sur le marché de l’art, sa place à l’université et quelques autres questions d’actualité (éditeur)

Bandes dessinées --- Histoire et critique --- Bandes dessinées --- Comic books, strips, etc. --- Social aspects --- Economic aspects --- Graphic arts --- comics [documents] --- Literature --- Histoire et critique. --- 82-931 --- 070.84 --- 741.5 --- 741.5 Spotprenten. Karikaturen. Cartoons. Striptekeningen. Satirische tekeningen --- Spotprenten. Karikaturen. Cartoons. Striptekeningen. Satirische tekeningen --- 070.84 Comics. Stripverhalen--(in de krant) --- Comics. Stripverhalen--(in de krant) --- 82-931 Stripverhaal --- Stripverhaal

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Comics artists and cartoonists --- France --- Anecdotes --- 82-931 --- 070.84 --- 741.5 --- 741.5 Spotprenten. Karikaturen. Cartoons. Striptekeningen. Satirische tekeningen --- Spotprenten. Karikaturen. Cartoons. Striptekeningen. Satirische tekeningen --- 070.84 Comics. Stripverhalen--(in de krant) --- Comics. Stripverhalen--(in de krant) --- 82-931 Stripverhaal --- Stripverhaal

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For over seventy-five years, Archie and the gang at Riverdale High have been America's most iconic teenagers, delighting generations of readers with their never-ending exploits. But despite their ubiquity, Archie comics have been relatively ignored by scholars-until now. Twelve-Cent Archie is not only the first scholarly study of the Archie comic, it is an innovative creative work in its own right. Inspired by Archie's own concise storytelling format, renowned comics scholar Bart Beaty divides the book into a hundred short chapters, each devoted to a different aspect of the Archie comics. Fans of the comics will be thrilled to read in-depth examinations of their favorite characters and motifs, including individual chapters devoted to Jughead's hat and Archie's sweater-vest. But the book also has plenty to interest newcomers to Riverdale, as it recounts the behind-the-scenes history of the comics and analyzes how Archie helped shape our images of the American teenager. As he employs a wide range of theoretical and methodological approaches, Beaty reveals that the Archie comics themselves were far more eclectic, creative, and self-aware than most critics recognize. Equally comfortable considering everything from the representation of racial diversity to the semiotics of Veronica's haircut, Twelve-Cent Archie gives a fresh appreciation for America's most endearing group of teenagers.

Comic books, strips, etc. --- Andrews, Archie (Fictitious character) --- Comic strips --- Comics --- Funnies --- Manga (Comic books, strips, etc.) --- Manhua (Comic books, strips, etc.) --- Manhwa (Comic books, strips, etc.) --- Serial picture books --- Caricatures and cartoons --- Wit and humor, Pictorial --- Manhua (Comic books) --- Manhwa (Comic books) --- 82-931 --- 070.84 --- 741.5 --- 741.5 Spotprenten. Karikaturen. Cartoons. Striptekeningen. Satirische tekeningen --- Spotprenten. Karikaturen. Cartoons. Striptekeningen. Satirische tekeningen --- 070.84 Comics. Stripverhalen--(in de krant) --- Comics. Stripverhalen--(in de krant) --- 82-931 Stripverhaal --- Stripverhaal --- Andrews, Archie--(Fictitious character)

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"Chris Murray reveals the largely unknown and rather surprising history of the British superhero. It is often thought that Britain did not have its own superheroes, but Murray demonstrates that there were a great many superheroes in Britain, and that they were often used as a way to comment on the relationship between Britain and America. British superhero stories sometimes emulated the style of American comics, but also frequently became sites of resistance to perceived American political and cultural imperialism, drawing upon satire and parody as a means of critique. Murray illustrates that the superhero genre is a blend of several influences, and that in British comics these influences are quite different from those in America, resulting in some different approaches to the figure of the superhero. He looks at the origins of the superhero and supervillain in nineteenth-century popular culture and in science fiction writing. From the penny dreadfuls of the 1830s to the emergence of British superheroes in the 1930s, the British Invasion of the 1980s, and the pivotal roles in American superhero comics and film production held by British artists today, this book will challenge views about the British superheroes, and the comics' creators who fashioned them"--

Comic books, strips, etc --- Superheroes in literature. --- Social science --- Literary criticism --- History --- Comic books, strips, etc. --- History and criticism --- Social aspects --- Popular culture. --- Comics & graphic novels. --- Great britain --- Social aspects. --- Great Britain. --- 82-931 --- 070.84 --- 741.5 --- 741.5 Spotprenten. Karikaturen. Cartoons. Striptekeningen. Satirische tekeningen --- Spotprenten. Karikaturen. Cartoons. Striptekeningen. Satirische tekeningen --- 070.84 Comics. Stripverhalen--(in de krant) --- Comics. Stripverhalen--(in de krant) --- 82-931 Stripverhaal --- Stripverhaal

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In 'Belgium art cetera' werpen 25 gerenommeerde cartoonisten een originele en humoristische blik op ons rijke kunstverleden. Met hun scherpe pennen behandelen ze de kunstgeschiedenis van onze contreien ten tijde van de Spaanse, Nederlandse en Franse bezetting, van de Vlaamse primitieven en de Gouden Eeuw, maar evengoed de huidige Belgische kunstscene. De begeleidende teksten zijn van de hand van historicus en humorist Gilles Dal. Onze Belgische kunstgeschiedenis anders bekeken!

cartoons [humorous images] --- Graphic arts --- Art, Belgian --- Caricatures and cartoons --- 741.5(493) --- Cartoons ; comics ; 21ste eeuw --- Belgische kunstenaars --- Cartoons --- Humorous illustrations --- Illustrations, Humorous --- Pictures, Humorous --- Pictures --- Caricature --- Wit and humor, Pictorial --- Belgian art --- Sint-Martens-Latem (Group of artists) --- XX (Group of artists) --- Zwarte Panter (Group of artists) --- History --- Tekenkunst ; strips ; cartoons ; België --- 741.5 --- 070.84 --- 070.84 Comics. Stripverhalen--(in de krant) --- Comics. Stripverhalen--(in de krant) --- 741.5 Spotprenten. Karikaturen. Cartoons. Striptekeningen. Satirische tekeningen --- Spotprenten. Karikaturen. Cartoons. Striptekeningen. Satirische tekeningen --- 766.33.04(493) --- Grafische industrie en ontwerp ; beeld ; cartoon ; thema's ; België