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Art and philosophy. --- Art --- Research. --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Philosophy and art --- Philosophy --- Art, Primitive
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Art History as Social Praxis: The Collected Writings of David Craven' brings together more than thirty essays that chart the development of Craven's voice as an unorthodox Marxist who applied historical materialism to the study of modern art. This book demonstrates the range and versatility of David Craven's praxis as a 'democratic socialist' art historian who assessed the essential role the visual arts play in imagining more just and equitable societies. The essays collected here reveal Craven's lifelong commitment to exposing interstices between western and non-western cultures by researching the reciprocating influences between First- and Third-World artists, critics and historians.
Art. --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Art --- Art, Primitive
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"The symposium Art & Design Education in Times of Change, organized as a regional conference of the International Society for Education through Art (InSEA) at the University of Applied Arts Vienna in September 2016, along with this subsequent publication, aim to support and discuss various national and international art and design educational approaches in conversations across cultures"--Page 9.
Art --- Design --- kunst --- design --- onderwijs --- kunstonderwijs --- didactiek --- pedagogie --- 373.67 --- Creation (Literary, artistic, etc.) --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Study and teaching (Higher) --- Conferences - Meetings --- Enseignement --- Enseignement artistique --- Pédagogie --- Art, Primitive --- Art - Study and teaching (Higher) - Congresses --- Design - Study and teaching (Higher) - Congresses
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In 'The Globalization of Renaissance Art: A Critical Review', Daniel Savoy assembles an interdisciplinary group of scholars to evaluate the global discourse on early modern European art. Over the course of eleven chapters and a roundtable, the contributors assess the discourse's goal of transcending Eurocentric boundaries, reflecting on the strengths and weaknesses of current terms, methods, theories, and concepts. Although it is clear that the global perspective has exposed the artistic and cultural pluralism of early modern Europe, it is found that more work needs to be done at the epistemological level of Art History as a whole.
Art, Renaissance --- Art --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Renaissance art --- Historiography --- Historiography&delete& --- Methodology --- Historiography. --- Methodology. --- History of civilization --- World history --- anno 1600-1699 --- anno 1500-1599 --- Arts --- Aesthetics --- Historiography&delete&&delete& --- Art, Primitive
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Dealing Art on Both Sides of the Atlantic, 1860-1940 aims to bring the marketplace dynamic into sharper focus with its essays which examine the many functionaries who participate in the art market network, among them, agents, scouts, intermediaries, restorers, fakers, decorators, advisers and experts. All of the essays are rooted in case studies which give voice to the various aspects of supply?from branding to marketing, from inventory to display, from restoration to pastiche to fabrication. Each is incredibly rich in their marshalling of primary sources and archival materials; in sum, they present an impressive array of new research.
History of North America --- art market --- Economic relations. Trade --- History of Europe --- Art --- anno 1800-1999 --- History --- Economic aspects --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Art, Primitive
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Art --- anno 1500-1799 --- anno 1400-1499 --- Europe --- painting --- history of art --- sculpture --- architecture --- history --- drawing --- History --- Art. --- Art, Primitive --- Art, Daghestan --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics
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visual arts --- contemporary art --- plastic arts --- theory and aesthetics of art --- artistic research --- Art --- Research --- Research. --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Art, Primitive
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Architecture --- Design --- Art --- Design. --- Art. --- Architecture. --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Building --- Art, Daghestan --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Creation (Literary, artistic, etc.) --- Design and construction --- Industries --- Art, Primitive
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Art --- Art, Latin American --- Historiography --- Art, Spanish American --- Latin American art --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- art --- historiography --- esthetic --- studies --- trends --- Historiography. --- Art, Primitive --- Art, Argentine --- Argentine art
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"Egyptologists have been debating for decades about whether or not Egyptian images classify as art. Nevertheless, the term 'art' still serves as a guiding concept for Egyptology. Kai Widmaier offers an overview of how different art-historical interpretive methods influence Egyptological research. His study demonstrates that, due to its adherence to the term art, Egyptology has considerably dissociated Egyptian images from their original contexts. Bilderwelten combines the analysis of Egyptian images from the 6th to the 18th Dynasty with methodological reflection. This leads to both a new terminology of style as well as to an alternative approach to Egyptian images. By differentiating systematically between Egyptian images and Egyptological art, this book lays the foundation for an Egyptology that follows the path of Visual Studies instead of adhering to questionable art-historical methods."--Provided by publisher.
Art, Egyptian --- Art, Ancient --- Art --- Egyptian art --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- History&delete& --- Methodology --- Art, Egyptian. --- History --- Methodology. --- Art égyptien --- Art antique --- Histoire --- Méthodologie --- Art, Primitive --- Art, Ancient - Egypt --- Art - History - Methodology
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