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This book offers a detailed analytical study of Brahms' Piano Concerto No. 2, Op. 83. It develops a theoretical model for analyzing nineteenth-century instrumental forms, which elucidates Op. 83 in the context of Brahms' concerted works, their precedents in the broader intertextual network of post-classical piano concerti, and their subsequent influence on concerti from Reger to Schoenberg.

Musical analysis --- Concertos (Piano) --- Brahms, Johannes, --- Criticism and interpretation. --- Brahms, J. --- Brahms, Joh. --- Brams, I. --- Brams, Iogannes, --- Brams, Ĭokhanes, --- Burāmusu, J., --- Marks, G. W. --- Brahms, Johannes --- pianomuziek

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Through an interpretation of Romantic sonatas as temporally multi-dimensional works in which portions of the music in any given piece can lie inside or outside of what Sonata Theory would define as the sonata-space proper, Davis reads into these ruptures a narrative of expressive features that mark these sonatas as uniquely Romantic.

Sonata --- Sonatas --- Sonatina --- Musical form --- History and criticism --- Chopin, Frédéric, --- Schumann, Robert, --- Brahms, Johannes, --- Brahms, Johannes --- Brahms, J. --- Brahms, Joh. --- Brams, I. --- Brams, Iogannes, --- Brams, Ĭokhanes, --- Burāmusu, J., --- Marks, G. W. --- Shuman, R. --- Shuman, Robert, --- Schumann, Robert Alexander, --- Hsiao-pang, --- Шопен, Ф. --- Shopen, F. --- Shūpān, --- Shūbān, Frīdirīk, --- Szopen, Fryderyk Franciszek, --- Shopan, --- Chopin, Fryderyk Franciszek, --- Syopʻang, --- Chopin, Federico, --- Шопен, Фредерик, --- Shopen, Frederik, --- Chopin, Fr., --- Shobēn, Frētērikʻ, --- Chopin, F., --- Шопен, Фридерик, --- Shopen, Friderik, --- Chopin, Frederick, --- Chopin, Federic, --- Chopin, Fréd., --- Criticism and interpretation. --- Shumann, Robert,