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"In Moses the Egyptian, Herbert Broderick analyzes the iconography of Moses in the famous illuminated eleventh-century manuscript known as the Illustrated Old English Hexateuch. A translation into Old English of the first six books of the Bible, the manuscript contains over 390 images, of which 127 depict Moses with a variety of distinctive visual attributes. Broderick presents a compelling thesis that these motifs, in particular the image of the horned Moses, have a Hellenistic Egyptian origin. He argues that the visual construct of Moses in the Old English Hexateuch may have been based on a Late Antique, no longer extant, prototype influenced by works of Hellenistic Egyptian Jewish exegetes, who ascribed to Moses the characteristics of an Egyptian-Hellenistic king, military commander, priest, prophet, and scribe. These Jewish writings were utilized in turn by early Christian apologists such as Clement of Alexandria and Eusebius of Caesarea. Broderick's analysis of this Moses imagery ranges widely across religious divides, art-historical religious themes, and classical and early Jewish and Christian sources. Herbert Broderick is one of the foremost historians in the field of Anglo-Saxon art, with a primary focus on Old Testament iconography. Readers with interests in the history of medieval manuscript illustration, art history, and early Jewish and Christian apologetics will find much of interest in this profusely illustrated study"--
Art, Egyptian --- Illumination of books and manuscripts, Anglo-Saxon --- Christian art and symbolism --- Influence. --- Themes, motives. --- Moses --- British Library.
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The British engagement with India was an intensely visual one. Images of the subcontinent, produced by artists and travellers in the eighteenth- and nineteenth-century heyday of the East India Company, reflect the role it played in Indian life. They mirror significant shifts in British policy and attitudes towards India. The Company's story is one of wealth, power, and the pursuit of profit. It changed what people in Europe ate, what they drank, and how they dressed. Ultimately, it laid the foundations of the British Raj. But few historians have considered the visual sources that survive and their implications for the link between images and empire, pictures and power. This book draws on the unrivalled riches of the British Library, telling the story of individual images, their creators, and the people and places they depict. It will present a detailed picture of the Company and its complex relationship with India, its people and cultures.
Art --- History of the United Kingdom and Ireland --- History of Asia --- British Colonial Indian --- British Library [London] --- British East India Company [London] --- anno 1700-1799 --- anno 1800-1899 --- United Kingdom --- India
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In 1759 the British Museum opened its doors to the general public--the first free national museum in the world. James Delbourgo's biography of Hans Sloane recounts the story behind its creation, told through the life of a figure with an insatiable ambition to pit universal knowledge against superstition and the means to realize his dream. Born in northern Ireland in 1660, Sloane amassed a fortune as a London society physician, becoming a member of the Whig establishment and president of the Royal Society and Royal College of Physicians. His wealth and contacts enabled him to assemble an encyclopedic collection of specimens and objects--the most famous cabinet of curiosities of its time. For Sloane, however, collecting a world of objects meant collecting a world of people, including slaves. His marriage to the heir of sugar plantations in Jamaica gave Sloane access to the experiences of planters and the folkways of their human property. With few curbs on his passion for collecting, he established a network of agents to supply artifacts from China, India, North America, the Caribbean, and beyond. Wampum beads, rare manuscripts, a shoe made from human skin--nothing was off limits to Sloane's imagination. This splendidly illustrated volume offers a new perspective on the entanglements of global scientific discovery with imperialism in the eighteenth century. The first biography of Sloane based on the full range of his writings and collections, Collecting the World tells the rich and complex story of one of the Enlightenment's most controversial luminaries.--
Physicians --- Cabinets of curiosities --- Cabinets of curiosities. --- Physicians. --- Sloane, Hans, --- British Museum --- British Museum. --- History. --- England --- collectors --- Sloane, Hans --- British Museum [London] --- Biography. --- Collectors and collecting --- Collectibles --- Collecting --- Collection and preservation --- Art --- Hobbyists --- Daiei Hakubutsukan --- Matḥaf al-Barīṭānī --- Museo Británico --- Britské muzeum v Londýně --- Briṭish Muzeʼon --- Ta Ying po wu kuan --- Da Ying bo wu guan --- Museum Britannicum --- Great Britain. --- בריטיש מוזיאום --- מוזיאון הבריטי --- 大英博物館 --- British Library --- Allopathic doctors --- Doctors --- Doctors of medicine --- MDs (Physicians) --- Medical doctors --- Medical profession --- Medical personnel --- Medicine --- Cabinets of wonder --- Curiosities, Cabinets of --- Curiosity cabinets --- Kunst-und Wunderkammern --- Kunstkammern --- Kunstkammers --- Kunstschränke --- Wunderkammern --- Museums --- collecting, United Kingdom
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"In Moses the Egyptian, Herbert Broderick analyzes the iconography of Moses in the famous illuminated eleventh-century manuscript known as the Illustrated Old English Hexateuch. A translation into Old English of the first six books of the Bible, the manuscript contains over 390 images, of which 127 depict Moses with a variety of distinctive visual attributes. Broderick presents a compelling thesis that these motifs, in particular the image of the horned Moses, have a Hellenistic Egyptian origin. He argues that the visual construct of Moses in the Old English Hexateuch may have been based on a Late Antique, no longer extant, prototype influenced by works of Hellenistic Egyptian Jewish exegetes, who ascribed to Moses the characteristics of an Egyptian-Hellenistic king, military commander, priest, prophet, and scribe. These Jewish writings were utilized in turn by early Christian apologists such as Clement of Alexandria and Eusebius of Caesarea. Broderick's analysis of this Moses imagery ranges widely across religious divides, art-historical religious themes, and classical and early Jewish and Christian sources. Herbert Broderick is one of the foremost historians in the field of Anglo-Saxon art, with a primary focus on Old Testament iconography. Readers with interests in the history of medieval manuscript illustration, art history, and early Jewish and Christian apologetics will find much of interest in this profusely illustrated study."--
Christian art and symbolism --- Illumination of books and manuscripts, Anglo-Saxon --- Art, Egyptian --- Themes, motives. --- Influence. --- Moses --- British Library. --- Manuscripts, English (Old) --- Art, Anglo-Saxon --- Art, Hellenistic --- Hellenistic art --- Art, Greek --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament --- Anglo-Saxon art --- Anglo-Saxon illumination of books and manuscripts --- Anglo-Saxon manuscripts --- English manuscripts, Old --- Manuscripts, Anglo-Saxon --- Manuscripts, Old English --- Old English manuscripts --- Themes, motives --- Influence --- Moïse --- Moiseĭ --- Moisés --- Mosè --- Mosheh --- Mosheh, --- Mosis --- Moyshe, --- Mózes --- Mūsá --- Nabī Mūsá --- משה --- משה, --- British Muesum. --- British Museum. --- Bible. --- Hexateuch --- Illustrations. --- 091 <41 LONDON> --- 091.31 --- 091:22 --- 091:22 Bijbels--(handschriften) --- Bijbels--(handschriften) --- 091.31 Verluchte handschriften --- Verluchte handschriften --- 091 <41 LONDON> Handschriftenkunde. Handschriftencatalogi--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland--LONDON --- Handschriftenkunde. Handschriftencatalogi--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland--LONDON --- British Library --- British Museum --- St. Augustine's Abbey (Canterbury, England)
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Cassiano dal Pozzo's print collection was unique in its scope and organisation. Some 3,000 prints are known, in nine albums and many loose impressions mainly divided between the British Library and the Royal Library at Windsor Castle. Cassiano (1588-1657) and his younger brother Carlo Antonio dal Pozzo (1606-89) did not commission printmakers to engrave plates (as they did drawings), buying instead what was available from the flourishing printmaking industry of the time. The material they collected was essentially documentary, and they organised the collection by subject matter: costumes, religious processions and ceremonies, tombs and catafalques, the history of St Peter's, architecture, topography, maps and military engagements, portraits, social and humorous subjects, and so on. This first part of the catalogue presents ceremonies, costumes, portrait and genre prints. A remarkable proportion of the prints are not to be found in the existing literature, and many constitute additions to the known works of major printmakers. Indeed Cassiano's collection has been described as 'so far outside the common range of print collectors both in the seventeenth century and today that a very high proportion of its contents is excessively rare and will only with great difficulty be found elsewhere'. This ground-breaking catalogue will be an essential resource not only for students of prints, but for all those studying European visual culture in the seventeenth century.
7.074 "16" --- 7.026 --- 76 <017.2> --- 7.026 Kunstwerken: copiëren reproduceren facsimile's --- Kunstwerken: copiëren reproduceren facsimile's --- 76 <017.2> Grafische kunsten. Grafiek. Prentkunst--Private verzamelingen --- Grafische kunsten. Grafiek. Prentkunst--Private verzamelingen --- 7.074 "16" Kunstverzameling. Activiteiten van verzamelaars--17e eeuw. Periode 1600-1699 --- Kunstverzameling. Activiteiten van verzamelaars--17e eeuw. Periode 1600-1699 --- Dal Pozzo, Cassiano (1588-1657) --- Dal Pozzo, Cassiano, --- 7.026 Kunstwerken: copiëren; reproduceren; facsimile's --- Kunstwerken: copiëren; reproduceren; facsimile's --- Prints, European --- Portrait prints, European --- Genre prints --- Rites and ceremonies in art. --- Rites et cérémonies --- Processions in art. --- Processions --- Clothing and dress in art. --- Costume --- Estampe --- Dans l'art --- Dans l'art. --- Collections privées --- Dal Pozzo, Cassiano --- Art collections --- Collections d'art. --- Windsor Castle. --- British Library --- Art collections. --- Rites et cérémonies
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The story of the greatest of all philosophical friendships-and how it influenced modern thoughtDavid Hume is widely regarded as the most important philosopher ever to write in English, but during his lifetime he was attacked as "the Great Infidel" for his skeptical religious views and deemed unfit to teach the young. In contrast, Adam Smith was a revered professor of moral philosophy, and is now often hailed as the founding father of capitalism. Remarkably, the two were best friends for most of their adult lives, sharing what Dennis Rasmussen calls the greatest of all philosophical friendships. The Infidel and the Professor is the first book to tell the fascinating story of the friendship of these towering Enlightenment thinkers-and how it influenced their world-changing ideas.The book follows Hume and Smith's relationship from their first meeting in 1749 until Hume's death in 1776. It describes how they commented on each other's writings, supported each other's careers and literary ambitions, and advised each other on personal matters, most notably after Hume's quarrel with Jean-Jacques Rousseau. Members of a vibrant intellectual scene in Enlightenment Scotland, Hume and Smith made many of the same friends (and enemies), joined the same clubs, and were interested in many of the same subjects well beyond philosophy and economics-from psychology and history to politics and Britain's conflict with the American colonies. The book reveals that Smith's private religious views were considerably closer to Hume's public ones than is usually believed. It also shows that Hume contributed more to economics-and Smith contributed more to philosophy-than is generally recognized.Vividly written, The Infidel and the Professor is a compelling account of a great friendship that had great consequences for modern thought.
PHILOSOPHY / Political. --- PHILOSOPHY / Social. --- PHILOSOPHY / History & Surveys / Modern. --- Philosophy, Modern --- Smith, Adam --- Hume, David --- Smith, Adam, --- Hume, David, --- 1700-1799 --- A Treatise of Human Nature. --- Adam Ferguson. --- Allusion. --- Andrew Millar. --- Anecdote. --- Atheism. --- Autobiography. --- Beinecke Rare Book & Manuscript Library. --- Bill Curtis. --- British Library. --- Career. --- Censure. --- Christian mortalism. --- Cowardice. --- Criticism of religion. --- David Hume. --- Deism. --- Deity. --- Denis Diderot. --- Dialogue. --- Dialogues Concerning Natural Religion. --- Discourses (Meher Baba). --- Division of labour. --- Dugald Stewart. --- Duke of Buccleuch. --- Edinburgh University Library. --- Edward Gibbon. --- Eloquence. --- Enthusiasm. --- Equanimity. --- Essays (Montaigne). --- Ethics. --- Existence of God. --- Explanation. --- Four Dissertations. --- Francis Hutcheson (philosopher). --- Free trade. --- Frugality. --- Generosity. --- God. --- Good and evil. --- Greatness. --- Harvard University. --- Henry Mackenzie. --- Hutcheson. --- Illustration. --- Impiety. --- Inference. --- Injunction. --- Irreligion. --- Jean-Jacques Rousseau. --- Jeremy Bentham. --- John Home. --- John Ramsay McCulloch. --- Joseph Black. --- Jurisprudence. --- Lecture. --- Library. --- Literature. --- Magnanimity. --- Mercantilism. --- Montesquieu. --- Morality. --- Mr. --- Narrative. --- Natural religion. --- Pamphlet. --- Philosopher. --- Philosophy of religion. --- Philosophy. --- Physician. --- Playwright. --- Political economy. --- Polytheism. --- Princeton University Press. --- Protestantism. --- Publication. --- Publishing. --- Reason. --- Religion. --- Religious fanaticism. --- Ridicule. --- Scottish Enlightenment. --- Skepticism. --- Symptom. --- Teleological argument. --- The History of England (Hume). --- The Other Hand. --- The Select Society. --- The Theory of Moral Sentiments. --- The Wealth of Nations. --- Thought. --- Treatise. --- Tufts University. --- University of Glasgow. --- Walter Bagehot. --- Wealth. --- Whigs (British political party). --- William Warburton. --- Writing.
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