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This book forms a catalogue of two consecutive years of exhibitions at the Cultural Centre of Strombeek, located near Brussels. Between 2014 and 2016, CC Strombeek realised five major exhibitions and solo presentations that raised broad subjects and shed new light upon how artists turn relevant content into speaking images. Amongst the projects were solo exhibitions of Daniel Buren and Kimsooja; an expo on ecology and on the art of drawing; and a historical impression of Japanese Art. Next to an extended set of exhibition views, the book brings together a remarkable collection of accompanying essays by contemporary writers. New productions are elucidated by statements and reflections from the artists as almost "intimately whispered" first-hand information.
Art --- Art --- Installations (Art)
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Site-specific installations (Art) --- Installations (Art) --- Site-specific art
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Site-specific installations (Art) --- Installations (Art) --- Site-specific art --- Sigman, Jill.
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Le public est dans le cercle parce que nous vivons en cercle. L'art nous apprend à vivre dans le cercle expliquait, en 196, John Cage dans un entretien. Et c'est bien la voie que l'art entreprend avec les expérimentations des avant-gardes du début du siècle dernier, avec les pratiques de l'installation, de la participation ou de la relation des années 1960 et 1970, et plus récemment, avec les recherches technologiques des années 1990. Les artistes se détournent des objets pour explorer l'installation, la participation, la relation, l'interaction. Analysant ces transformations dans une perspective interdisciplinaire, où les arts plastiques croisent la musique, les arts de la scène ou la performance, les essais réunis dans ce volume, écrits sur le terrain, se déploient en parcours et convergent sur la définition d'un art sans objet, qui, comme un cercle invisible, entoure le public tout à la fois environnement, système, dispositif
Interactive art --- Relational art --- Installations (Art) --- Video installations (Art) --- Art --- Art --- Avant-garde (Aesthetics) --- Art, Cretan.
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Installations (Art) --- Installations (Art). --- Observatorium (Group of artists). --- Emscher River (North Rhine-Westphalia, Germany) --- Germany --- Germany.
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Gaillard & Claude --- Installations (art) --- Gaillard & Claude (Artist group) --- Gaillard & Claude.
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This publication accompanies the first comprehensive presentation of Asta Gröting's project BERLIN FASSADEN. For her exhibition at KINDL- Centre for Contemporary Art, Gröting covered the walls and floors with sculptural silicone impressions of Berlin facades containing traces of bullet holes from the Second World War. Functioning like slow-exposure photographs, the sculptures capture the history of the facades, from the bullet’s impact during the war to the present day. Gröting reconstructs wounds as architectural traces and translates them into abstract pictures. Dust, dirt, and even graffiti are applied to the silicon casts, giving the negative imprints an almost painted effect, embodying trauma and time in a ghostly silicone skin. As Groting writes,'I want to look from inside these destroyed walls and facades into the world, as if I could see my own face staring back at me.' This exhibition catalogue, conceived with the artist, focuses on the making of BERLIN FASSADEN by presenting the artist’s original photographs of Berlin’s bullet-ridden facades alongside images depicting the on-site making of the silicon casts. The precise section of the facade is revealed and catalogued with its corresponding location, dimensions, and date. An accompanying essay by writer Deborah Levy explores the inner voice of the holes, scars, and histories transcribed on the architectural surfaces of buildings in Berlin. (10.09.-03.12.2017).
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"What are the connections between sounds and abstract images? What were the first audiovisual instruments? How did music influence Kandinsky's work? What are the most significant audiovisual installations? What relationship is there between VJs and live cinema? And finally, what is synesthesia? _Visual Music Masters_ thoroughly explores past and present research to answer these and many other questions about the relationship between music and abstract art. Covering figures that range from Toulouse-Lautrec to Nam June Paik, from Händel to Xenakis, and from Fischinger to Ikeda, this book illustrates the stages by which the artistic community has embraced the latest technologies and a multi-sensory universe, creating in the process an independent form of expression: visual music."--From back cover
Art and music --- Art, Abstract --- Video art --- Installations (Art)
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