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This book provides background information about how language is used to obfuscate or minimize descriptions of armed conflict or genocide and presents examples of the major rhetorical devices used in this subject matter. It focuses on the "loaded" language of conflict, with many of the entries demonstrating the function of given terms as euphemisms, propaganda, or circumlocutions.
War --- Propaganda. --- Rhetoric --- Mass media and war. --- Political aspects.
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War in 140 Characters examines the role of social media and other forms of 'new media' in changing the face of modern warfare. War is, more than ever, a clash of narratives--with each state/party fighting to control the spread of information and project their narrative to the outside world. Social media has shattered traditional hierarchies between the state and its citizens, enabling the individual or networks of individuals to influence the direction of conflict to a degree previously thought impossible. State militaries now employ official Social Media warriors to influence the narrative online; in Russia, paid trolls flood the internet with pro-Russian tweets, blog posts, and comments in order to create the sense of "authentic" support for the annexation of Crimea. Even private civilians can single-handedly alter the course of war. New media has expanded the arena of conflict into the virtual world, which is every bit as real and often more important than the fighting on the ground. Whether you are a president or a terrorist, if you don't understand how to deploy the power of media effectively you may win the odd battle but you will lose a twenty-first century war. War in 140 Characters provides a new narrative for modern warfare, exploring the way social media has transformed the way that we fight, win, and consume wars, and what that means for the world going forward.
SOCIAL MEDIA--POLITICAL ASPECTS --- ONLINE SOCIAL NETWORKS--POLITICAL ASPECTS --- PROPAGANDA--TECHNOLOGICAL INNOVATIONS --- MASS MEDIA AND WAR --- Polemology --- Mass communications --- Information warfare --- Social media --- Propaganda --- Online social networks --- Arab-Israeli conflict --- Ukraine Conflict, 2014 --- -Cyberspace --- War and society
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Animated films --- Animēshon-Rekishi. --- Comic books, strips, etc --- Eiga-Nihon. --- Kontentsu bijinesu. --- Mass media and propaganda --- Mass media and war --- Motion pictures --- Puropaganda-Rekishi. --- History and criticism --- History and criticism --- History and criticism
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Une synthèse des réflexions menées dans le cadre du projet ILYM, qui réunissait des journalistes irakiens, libyens et yéménites autour de la question du rôle que peuvent jouer les médias dans l'évolution des conflits dans leur pays ainsi que dans la perception de ces crises à l'extérieur. ©Electre 2017 Autrefois simples témoins des conflits, les journalistes sont aujourd?hui perçus, probablement à raison, comme des acteurs à part entière de ces crises. Alors que les médias internationaux n?ont souvent plus du tout accès aux zones les plus difficiles, le rôle des journalistes des pays concernés devient déterminant aussi bien pour l?évolution interne de la crise que pour sa perception à l?extérieur par le reste du monde. Ces constats ont amené CFI, l?agence française de coopération médias, à concevoir en collaboration avec l?Institut de Recherche et d?études Méditerranée Moyen-Orient (iReMMO) le projet ILYM avec pour objectif d?analyser en profondeur le rôle et l?attitude des médias durant les crises en cours au Yémen, en Libye et en Irak, à travers des échanges entre praticiens de l?information (12 journalistes travaillant dans ces trois pays) et des observateurs extérieurs (journalistes et chercheurs français et internationaux). Au cours des quatre séminaires ILYM, qui se sont dé- roulés à Paris de novembre 2015 au printemps 2016, les journalistes et chercheurs impliqués ont tenté de répondre collectivement à la question suivante : comment les médias et les journalistes peuvent-ils contribuer à apaiser les crises actuelles et à maintenir un dialogue et un débat public ouverts ? ILYM leur a offert aussi la possibilité de rencontrer leurs confrères français pour les éclairer sur les clés et les enjeux de ces crises avec l?objectif d?améliorer leur compréhension par l?opinion publique et les médias français.
Mass media and war --- Mass media --- Crises --- Médias et guerre --- Médias --- Crises (Sciences sociales) --- Political aspects --- Political aspects --- In mass media --- Aspect politique --- Aspect politique --- Dans les médias
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In/Visible War addresses a paradox of twenty-first century American warfare. The contemporary visual American experience of war is ubiquitous, and yet war is simultaneously invisible or absent; we lack a lived sense that "America" is at war. This paradox of in/visibility concerns the gap between the experiences of war zones and the visual, mediated experience of war in public, popular culture, which absents and renders invisible the former. Large portions of the domestic public experience war only at a distance. For these citizens, war seems abstract, or may even seem to have disappeared altogether due to a relative absence of visual images of casualties. Perhaps even more significantly, wars can be fought without sacrifice by the vast majority of Americans. Yet, the normalization of twenty-first century war also renders it highly visible. War is made visible through popular, commercial, mediated culture. The spectacle of war occupies the contemporary public sphere in the forms of celebrations at athletic events and in films, video games, and other media, coming together as MIME, the Military-Industrial-Media-Entertainment Network.
War in mass media. --- Mass media and war --- War and society --- Society and war --- War --- Sociology --- Civilians in war --- Sociology, Military --- War and mass media --- War in mass media --- Mass media --- History --- Social aspects --- america, american, war, warfare, military presence, war zone, war culture, violence, invisible, war overseas, overseas, global war, war on terror, politics, war politics.
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"This study investigates US, UK and German news media coverage of a range of cases that involved human rights violations during military operations including Kosovo, Iraq, Libya, Syria and Egypt. It will be demonstrated that 'humanitarian intervention' and R2P are evoked in the news media if so called 'enemy' countries of Western states conduct human rights violations. The Western news media shows far less concern for human rights violations if they are conducted by Western states and their 'allies'. The news media is supposed to scrutinize governments particularly during times of war. Yet, this study demonstrates that the news media plays a crucial role in facilitating a selective process of shaming during the build-up towards military interventions. This process has led to an erosion of internationally agreed norms of non-intervention, as enshrined in the UN Charter".--Provided by publisher.
Journalism --- War --- Kosovo War, 1998-1999 --- Human rights --- Mass media and propaganda. --- Press coverage. --- Objectivity --- Mass media and propaganda --- Press coverage --- WAR--PRESS COVERAGE --- HUMAN RIGHTS --- MASS MEDIA AND PROPAGANDA --- MASS MEDIA AND WAR --- INTERVENTION (INTERNATIONAL LAW) --- War - Middle East - Press coverage --- War - Africa, North - Press coverage --- Kosovo War, 1998-1999 - Press coverage --- Human rights - Press coverage --- Journalism - Objectivity - United States --- Journalism - Objectivity - Great Britain --- Journalism - Objectivity - Germany (West)
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