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Painting, Belgian --- Painting, Belgian --- Exhibitions --- Exhibitions --- Vandenberg, Philippe, --- Exhibitions
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Painting, Belgian --- Landscape painting, Belgian --- Painters --- Biography --- Boulenger, Hippolyte,
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Painting, Belgian --- Art, Abstract --- Neoplasticism --- Geometric patterns --- Ongenae, Josef,
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Art, Modern --- Painting, Belgian --- Painting, Abstract. --- Zurstrassen, Yves,
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"Paul Delvaux. Maître du rêve invite à une exploration unique dans l'univers artistique de l'un des plus importants peintres belges surréalistes du XXe siècle. Peuplé de squelettes, de temples antiques déserts et glacés, de femmes impassibles et silencieuses, de couples ambigus, de gares désertées, de trains ou de trams fantomatiques..., le monde singulier et envoûtant de Paul Delvaux se déploie tel un curieux petit théâtre des rêves les plus intimes sous le regard fasciné des spectateurs. Rassemblant une sélection d'oeuvres majeures issues essentiellement d'une collection particulière belge et agrémentées de quelques pièces clefs issues de musées de Belgique, cet ouvrage met en lumière une production artistique aussi mystérieuse que prolifique révélant la force poétique, la richesse et la liberté créatrice d'un surréaliste atypique."--Page 4 of cover
Delvaux, Paul --- surrealisme --- dromen --- Painting, Belgian --- Surrealism --- Exhibitions. --- Exhibitions --- Themes, motives --- surrealisme. --- dromen. --- Delvaux, Paul.
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Painting, Belgian --- Portrait painting --- Landscape painting --- Frédéric, Léon,
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"Immense artiste, révélation météorique, Rik Wouters, né à Malines en 1882, est réputé pour sa peinture et sa sculpture, mais il fut aussi un dessinateur et graveur de grand talent. Son oeuvre est éclatant et coloré, loin des drames qui ont marqué son existence jusqu'à sa disparition prématurée en 1916, à l'âge de 33 ans. Traditionnellement considéré comme la figure de proue du fauvisme brabançon, Rik Wouters manie avec bonheur une abondance de couleurs et des sujets authentiques, simples, touchants. Son style est cependant d'avant-garde, tout en rappelant Ensor, Cézanne ou Renoir. Son talent fulgurant a marqué plusieurs générations d'artistes et nous laisse un héritage fascinant, celui d'un maître incontournable de l'Art moderne en Belgique."--Page 4 of cover.
Wouters, Rik --- Wouters, Rik, --- Painters --- Painting, Belgian --- Drawing, Belgian --- Sculpture, Belgian --- Peintres --- Peinture belge --- Dessin belge --- Sculpture belge --- Biography --- Exhibitions --- Biographies --- Expositions --- Exhibitions. --- Giroux, Georges --- Wouters, Rik. --- Giroux, Georges.
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The best introduction to Carole Vanderlinden's work is explaining how it was created. It's probably easier to read her work if you know how it came to life. Many artists take inspiration from existing works of art they've generally come into contact with when growing up, often in books or magazines, sometimes in museums and galleries. Carole Vanderlinden loves to read and to leaf through books, but her main interest is visiting museums of ancient or ethnographic art. In general, she looks for any event, drawing, object, pattern, colour and rhythm that speaks to her. Joining her on two of these trips of discovery, once in Brussels and once in Paris, she can be fascinated by the most diverse objects, such as a zigzag Navajo carpet, Egyptian alabaster Canopic jars dating back to 1500 BC, 18th-century glazed biscuit from Tournai or a herbarium. These objects and their colours and rhythms are copied in notebooks, often with an accompanying text. Later she might re-paint them on paper creating new combinations or compositions. These works on paper usually remain quite light, with a lot of cut-outs, like minimalist collages. In parallel Vanderlinden works on her paintings without any preconceived idea. Layer after layer the paintings try to avoid being controlled or supervised in any way. Sometimes we see patterns emerge that are familiar from her works on paper. These patterns are used as ways of countering a painting, destabilising it, recreating a balance or finishing it. During this practice, the patterns become more compact and dense. Slowly they merge with the stubborn texture of the painting. The book 'Mon seul désir' is a follow-up to 'Nocturne' (2013). It contains reproductions of works on paper by Carole Vanderlinden and an oniric essay of Hans Theys, inspired by Carole's works on paper and the medieval tapestry 'La dame à la licorne'.
eenentwintigste eeuw --- kunstenaarsboeken --- artists' books --- België --- Vanderlinden Carole --- schilderkunst --- tekenkunst --- installaties --- 741.071 VANDERLINDEN --- 741.07 --- Tekenkunst ; tekenkunstenaars A - Z --- watercolors [paintings] --- Painting --- Vanderlinden, Carole --- drawings [visual works] --- Theys, Hans --- Drawing, Belgian --- Painting, Belgian --- Vanderlinden, Carole,
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Unknown, unloved: this certainly applies to the Bruges-based masters from the sixteenth century. Ambrosius Benson, Lancelot Blondeel, Pieter Pourbus and the Claeissens family are in the shadow of their predecessors, the Flemish primitives, and their contemporaries from Antwerp. Bruges' golden age is over and the market has changed. Inspired by its glorious artistic past, a totally new style arises in Bruges. This book focuses on these forgotten masters. Exhibition: Groeningemuseum, Bruges, Belgium (13.10.2017 - 21.02.2018)
Netherlandish Renaissance-Baroque styles --- Blondeel, Lancelot --- Pourbus, Frans [Elder] --- Claeissens, Pieter II --- Claeissens, Pieter I --- Benson, Ambrosius --- Claeissens, Gillis --- Claeissens, Antonius --- Gheeraerts, Marcus I --- Isenbrant, Adriaen --- Malerei --- Claeissens, Antoon --- Pourbus, Pieter Jansz --- Pourbus, Frans --- Claeissens --- Claeissens, Pieter --- Gheeraerts, Marcus --- Geschichte 1525-1625 --- Brügge --- Flandern --- Painting, Belgian --- Painters --- History --- Pourbus, Pieter Jansz., --- easel paintings [paintings by form] --- Pourbus, Pieter --- Pourbus, Frans [Younger] --- Malerei. --- Exhibitions --- Blondeel, Lanceloot --- Brügge. --- Flandern. --- kunsthandel --- emigratie --- Claeissens (familie) --- Gerards, Marcus --- Pourbus, Frans I --- Pourbus, Frans (II) --- 1525 - 1625 --- 16de eeuw --- 17de eeuw --- Brugge --- Spanje --- Pourbus, Pieter Jansz. / 1523 or 1524-1584 / Exhibitions --- Painting, Belgian / 16th century / Exhibitions --- Painters / Belgium / Bruges / 16th century / Exhibitions --- Painting / Belgium / Bruges / History / 16th century / Exhibitions --- kunsthandel. --- emigratie. --- Pourbus, Pieter. --- Claeissens (familie). --- Isenbrant, Adriaen. --- Benson, Ambrosius. --- Blondeel, Lancelot. --- Gerards, Marcus. --- Pourbus, Frans I. --- Pourbus, Frans (II). --- 1525 - 1625. --- 16de eeuw. --- 17de eeuw. --- Brugge. --- Spanje. --- Vlaamse school
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