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Madrigals, Italian. --- Vocal ensembles, Unaccompanied. --- Italian madrigals --- Madrigals (Music), Italian --- Ariosto, Lodovico, --- Petrarca, Francesco, --- Pétrarque --- Petrarch --- Petracco, Francesco --- Petrarca, Francesco (1304-1374) --- Canzone --- Ariosto, Lodovico --- Petrarca, Francesco --- Madrigals, Italian --- Vocal ensembles, Unaccompanied --- Petrarca, Franciscus, --- Petrarch, --- Petrarch, Francesco, --- Petrarcha, Franciscus, --- Petrark, --- Petrarka, Franchesko, --- Peṭrarḳa, Frants'esḳo, --- Pétrarque, --- Петрарка, Франческо, --- פטררקא, פרנצ׳סקו --- Zang --- Italië --- 16e eeuw
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"This study considers the way in which a poetic convention, the beloved to whom Renaissance amatory poetry was addessed, becomes influential political rhetoric, an instrument that both men and women used to shape and justify their claims to power. The author argues that Petrarchan poetic conventions were part of a social discourse that signaled anxiety concerning the rising place of women as intellectual interlocators, public figures, and patrons of the arts."--
Italian poetry --- History and criticism. --- Petrarca, Francesco, --- Influence. --- Petrarca, Franciscus, --- Petrarch, --- Petrarch, Francesco, --- Petrarcha, Franciscus, --- Petrark, --- Petrarka, Franchesko, --- Peṭrarḳa, Frants'esḳo, --- Pétrarque, --- Pétrarque --- Petrarch --- Petracco, Francesco --- Петрарка, Франческо, --- פטררקא, פרנצ׳סקו --- Petrarca, Francesco --- Literature --- Bembo --- Cicero --- Medusa --- Petrarchan sonnet --- Philosophy of love --- Renaissance humanism
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Love's Wounds takes an in-depth look at the widespread language of violence and abjection in early modern European love poetry. Beginning in fourteenth-century Italy, this book shows how Petrarch established a pattern of inequality between suffering poet and exalted Beloved rooted in political parrhēsia. Sixteenth- and early seventeenth-century French and English poets reshaped his model into an idiom of extravagant brutality coded to their own historical circumstances. Cynthia N. Nazarian argues that these poets exaggerated the posture of the downtrodden lover, adapting the rhetoric of powerless desire to forge a new "countersovereignty" from within the heart of vulnerability-a potentially revolutionary position through which to challenge cultural, religious, and political authority. Creating a secular equivalent to the martyr, early modern sonneteers crafted a voice that was both critical and unstoppable because it suffered.Love's Wounds tracks the development of the countersovereign voice from Francesco Petrarca to Maurice Scève, Joachim du Bellay, Théodore-Agrippa d'Aubigné, Edmund Spenser, and William Shakespeare. Through interdisciplinary and transnational analyses, Nazarian reads early modern sonnets as sites of contestation and collaboration and rewrites the relationship between early modern literary forms.
Literature and state --- Violence in literature. --- Love poetry, European --- European poetry --- State and literature --- Authors and patrons --- Cultural policy --- European love poetry --- History --- History and criticism. --- Petrarca, Francesco, --- Influence. --- Pétrarque --- Petrarch --- Petracco, Francesco --- Petrarca, Franciscus, --- Petrarch, --- Petrarch, Francesco, --- Petrarcha, Franciscus, --- Petrark, --- Petrarka, Franchesko, --- Peṭrarḳa, Frants'esḳo, --- Pétrarque, --- Петрарка, Франческо, --- פטררקא, פרנצ׳סקו --- Petrarca, Francesco
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Was Petrarch French? This book explores the various answers to that bold question offered by French readers and translators of Petrarch working in a period of less well-known but equally rich Petrarchism: the nineteenth century. It considers both translations and rewritings: the former comprise not only Petrarch's celebrated Italian poetry but also his often neglected Latin works; the latter explore Petrarch's influence on and presence in French novels as well as poetry of the period, both in and out of the canon. Nineteenth-century French Petrarchism has its roots in the later part of the previous century, with formative contributions from Voltaire, Rousseau, and, in particular, the abbé de Sade. To these literary catalysts must be added the unification of Avignon with France at the Revolution, as well as anniversary commemorations of Petrarch's birth and death celebrated in Avignon and Fontaine-de-Vaucluse across the period (1804-1874-1904). Situated at the crossroads of reception history, medievalism, and translation studies, this investigation uncovers tensions between the competing construction of a national, French Petrarch and a local, Avignonese or Provençal poet. Taking Petrarch as its litmus test, this book also asks probing questions about the bases of nationality, identity, and belonging.
Jennifer Rushworth is a Junior Research Fellow at St John's College, Oxford.
Petrarca, Francesco, --- Pétrarque --- Petrarch --- Petracco, Francesco --- Petrarca, Franciscus, --- Petrarch, --- Petrarch, Francesco, --- Petrarcha, Franciscus, --- Petrark, --- Petrarka, Franchesko, --- Peṭrarḳa, Frants'esḳo, --- Pétrarque, --- Петрарка, Франческо, --- פטררקא, פרנצ׳סקו --- Criticism and interpretation. --- Influence. --- French literature --- History and criticism. --- Knowledge --- Literature. --- 1800-1899 --- Petrarca, Francesco --- 19th century. --- Dante. --- French culture. --- French language. --- French literature. --- Italian literature. --- Middle Ages. --- Nationality. --- Petrarch. --- Petrarchism. --- Romanticism. --- Rousseau. --- Translation. --- Voltaire. --- abbe de Sade. --- medieval poetry. --- medievalism. --- reception studies.
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